Using bisexuality as a frame, Go the Way Your Blood Beats questions the division of sexuality into straight and gay, in a timely exploration of the complex histories and psychologies of human desire. A challenge to the idea that sexuality can either ever be fully known or neatly categorised, it is a meditation on desire’s unknowability. Interwoven with anonymous addresses to past loves - the sex of whom remain obscure - the book demonstrates the universalism of desire, while at the same time the particularity of each individual act of desiring. Part essay, part memoir, part love letter, Go the Way Your Blood Beats asks us to see desire and sexuality as analogous with art - a mysterious, creative force, and one that remakes us in the act itself.

James Baldwin, Alice Walker, Louis Edwards, Jacqueline Woodson and twenty-eight other black authors from the Harlem Renaissance to the present examine such issues as discrimination against homosexuals, self-acceptance, cross-dressing, and bisexuality. Simultaneous.

AN EXTRAORDINARILY MOVING AND ORIGINAL MEMOIR OF GROWING UP GAY AND DISABLED IN 1980S LONDON SHORTLISTED FOR THE SLIGHTLY FOXED BEST BIOGRAPHY PRIZE 2023 When Emmett de Monterey is eighteen months old, a doctor diagnoses him with cerebral palsy. Words too heavy for his twenty-five-year-old artist parents and their happy, smiling baby. Growing up in south-east London in the 1980s, Emmett is spat at on the street and prayed over at church. At his mainstream school, teachers refuse to schedule his classes on the ground floor, and he loses a stone from the effort of getting up the stairs. At his sixth form college for disabled students, he's told he will be expelled if the rumours are true, if he's gay. And then Emmett is chosen for a first-of-its-kind surgery in America which he hopes will 'cure' him, enable him to walk unaided. He hopes for a miracle: to walk, to dance, to be able to leave the house when it rains. To have a body that's everyday beautiful, to hold hands in the street. To not be gay, which feels like another word for loneliness. But the 'miracle' doesn't occur, and Emmett must reckon with a world which views disabled people as invisible, unworthy of desire. He must fight to be seen. 'Vivid, engaging... this insightful memoir sheds light on the author's life as a disabled gay man who is often rendered invisible' Andrew McMillan, Guardian Book of the Day 'A frank and intimate memoir written with an incredible clear-eyed intensity' Claire Fuller

Adored by many, appalling to some, baffling still to others, few authors defy any single critical narrative to the confounding extent that James Baldwin manages. Was he a black or queer writer? Was he a religious or secular writer? Was he a spokesman for the civil rights movement or a champion of the individual? His critics, as disparate as his readership, endlessly wrestle with paradoxes, not just in his work but also in the life of a man who described himself as "all those strangers called Jimmy Baldwin" and who declared that "all theories are suspect." Viewing Baldwin through a cultural-historical lens alongside a more traditional literary critical approach, All Those Strangers examines how his fiction and nonfiction shaped and responded to key political and cultural developments in the United States from the 1940s to the 1980s. Showing how external forces molded Baldwin's personal, political, and psychological development, Douglas Field breaks through the established critical difficulties caused by Baldwin's geographical, ideological, and artistic multiplicity by analyzing his life and work against the radically transformative politics of his time. The book explores under-researched areas in Baldwin's life and work, including his relationship to the Left, his FBI files, and the significance of Africa in his writing, while also contributing to wider discussions about postwar US culture. Field deftly navigates key twentieth-century themes-the Cold War, African American literary history, conflicts between spirituality and organized religion, and transnationalism-to bring a number of isolated subjects into dialogue with each other. By exploring the paradoxes in Baldwin's development as a writer, rather than trying to fix his life and work into a single framework, All Those Strangers contradicts the accepted critical paradigm that Baldwin's life and work are too ambiguous to make sense of. By studying him as an individual and an artist in flux, Field reveals the manifold ways in which Baldwin's work develops and coheres.

Presents a reference on African American literature providing profiles of notable and little-known writers and their works, literary forms and genres, critics and scholars, themes and terminology and more.

It is not enough to hold progressive views on racial justice, LGBTQ+ identity, and economic inequality. Through a rich examination of James Baldwin's writing and interviews, You Mean It or You Don't spurs today's progressives from conviction to action, from dreaming of justice to living it out in our communities, churches, and neighborhoods.

Another book of quotations? Indeed there are numerous excellent extant anthologies of quotations, but these tend to be very broad, with a bias toward classical and well-known authors; those works which document the contributions of Black authors have tended to focus on African-Americans, considerable as their output is. Undeniable recognition of this prevalence is reflected in the title of the present volume which pays homage to W. E. B. Du Bois? classic work and in the preponderance of entries from American sources. Nevertheless, effort has been made to cast a wider net to capture under-represented and unfamiliar voices. Khemetic texts preserved in papyri and stelae are the earliest literature to have survived, followed by the writings of North African Romans and Ethiopian philosophers and clerics, and the lately recovered Timbuktu manuscripts from their repositories in the desert sands of Mali. The Transatlantic slave experience gave rise to the slave narratives and abolitionist literature from both sides of the Atlantic, which remained predominant right up to the 20th century. Post-Emancipation under colonial rule and white domination, Black poetry and prose emerged, adhering to prevailing standards, evidenced typically in the work of Phillis Wheatley and the sonnets of Claude McKay. With the Civil Rights and Black Power movements would come iconoclastic expressions of protest and identity. There is a sizeable body of literature by Black authors from Africa and the diaspora who speak to universal values and eternal verities. This anthology of their work focuses on the inner life, on personal development and self-actualization. 3000 quotations have been selected to inspire, enlightenand encourage; they have been arranged in 200 psycho-spiritual categories and in chronological order. The resulting timeline of thought in itself is useful and instructive as it demonstrates very clearly the evolution of consciousness evident in the contemporary thinking on particular subjects. Like its predecessor, Wisdom for the Soul: Five Millennia of Prescriptions for Spiritual Healing, this volume contains a full biographical index and bibliographical references. Much of the material is anthologized here for the first time.

The central figure in black gay literary history, James Baldwin has become a familiar touchstone for queer scholarship in the academy. Matt Brim’s James Baldwin and the Queer Imagination draws on the contributions of queer theory and black queer studies to critically engage with and complicate the project of queering Baldwin and his work. Brim argues that Baldwin animates and, in contrast, disrupts both the black gay literary tradition and the queer theoretical enterprise that have claimed him. More paradoxically, even as Baldwin’s fiction brilliantly succeeds in imagining queer intersections of race and sexuality, it simultaneously exhibits striking queer failures, whether exploiting gay love or erasing black lesbian desire. Brim thus argues that Baldwin’s work is deeply marked by ruptures of the “unqueer” into transcendent queer thought—and that readers must sustain rather than override this paradoxical dynamic within acts of queer imagination.

An exploration of artistic freedom, survival, and the hidden places of the imagination, including James Baldwin in Provence, Josephine Baker in Paris, Kevin Killian in San Francisco, and E. M. Forster in Cambridge, among other groundbreaking queer artists of the twentieth century. Nothing Ever Just Disappears is radical new history of seven queer lives and the places that shaped these groundbreaking artists. At the turn of the century, in the shade of Cambridge's cloisters, a young E. M. Forster conceals his passion for other men, even as he daydreams about the sun-warmed bodies of ancient Greece. Under the dazzling lights of interwar Paris, Josephine Baker dances her way to fame and fortune and discovers sexual freedom backstage at the Folies Bergère. And on Jersey Island, in the darkest days of Nazi occupation, the transgressive surrealist Claude Cahun mounts an extraordinary resistance to save the island she loves, scattering hundreds of dissident artworks along its streets and shorelines. Nothing Ever Just Disappears brings to life the stories of seven remarkable figures and illuminates the connections between where they lived, who they loved, and the art they created. It shows that a queer sense of place is central to the history of the twentieth century and powerfully evokes how much is lost when queer spaces are forgotten. From the suffragettes in London and James Baldwin's home in Provence, to Kevin Killian's San Francisco and Derek Jarman’s cottage in Kent, this is both a thrilling new literary history and a celebration of freedom, survival, and the hidden places of the imagination.

This provocative volume will influence the way people think of race and racialization. It provides a thorough examination of these complex and intriguing subjects with historical, comparative, and international contributions. Edited as a theoretically strong, cohesive whole, this book unites a remarkable ensemble of academic thinkers and writers from a diversity of backgrounds. Themes of ethnocentrism, cultural genocide, conquest and colonization, disease and pandemics, slavery, and the social construction of racism run throughout.