In one of the greatest American classics, Baldwin chronicles a fourteen-year-old boy's discovery of the terms of his identity. Baldwin's rendering of his protagonist's spiritual, sexual, and moral struggle of self-invention opened new possibilities in the American language and in the way Americans understand themselves. With lyrical precision, psychological directness, resonating symbolic power, and a rage that is at once unrelenting and compassionate, Baldwin tells the story of the stepson of the minister of a storefront Pentecostal church in Harlem one Saturday in March of 1935. Originally published in 1953, Baldwin said of his first novel, "Mountain is the book I had to write if I was ever going to write anything else." “With vivid imagery, with lavish attention to details ... [a] feverish story.” —The New York Times

Go Tell It on the Mountain (fiction): James Baldwin's portrayal of black people in Harlem caught up in a dramatic struggle, and of a society confronting inevitable change. The Fire Next Time (non-fiction): The powerful evocation of a childhood in Harlem that helped to galvanize the early days of the civil rights movement examines the deep consequences of racial injustice to both the individual and the body politic. If Beale Street Could Talk (fiction): A love story about two badly frightended but intensely brave, black young people.

Writings from the lead singer of the band the Gun Club, including personal accounts, band history, short stories, and lyrics.

Author and former literary agent Nathan Bransford shares his secrets for creating killer plots, fleshing out your first ideas, crafting compelling characters, and staying sane in the process. Read the guide that New York Times bestselling author Ransom Riggs called "The best how-to-write-a-novel book I've read."

"Should appeal to all rugged individualists who dream of escape to the forest."—The New York Times Book Review Sam Gribley is terribly unhappy living in New York City with his family, so he runs away to the Catskill Mountains to live in the woods—all by himself. With only a penknife, a ball of cord, forty dollars, and some flint and steel, he intends to survive on his own. Sam learns about courage, danger, and independence during his year in the wilderness, a year that changes his life forever. “An extraordinary book . . . It will be read year after year.” —The Horn Book

NATIONAL BESTSELLER • In his final years, Baldwin envisioned a book about his three assassinated friends, Medgar Evers, Malcolm X, and Martin Luther King. His deeply personal notes for the project had never been published before acclaimed filmmaker Raoul Peck mined Baldwin’s oeuvre to compose his stunning documentary film I Am Not Your Negro. Peck weaves these texts together, brilliantly imagining the book that Baldwin never wrote with selected published and unpublished passages, essays, letters, notes, and interviews that are every bit as incisive and pertinent now as they have ever been. Peck’s film uses them to jump through time, juxtaposing Baldwin’s private words with his public statements, in a blazing examination of the tragic history of race in America. This edition contains more than 40 black-and-white images from the film, which was nominated for the Academy Award for Best Documentary.

The first-ever book to tell Nelson Mandela's life through the eyes of the grandson who was raised by him, chronicling Ndaba Mandela's life living with, and learning from, one of the greatest leaders and humanitarians the world has ever known. To the rest of the world, Nelson Mandela was a giant: an anti-apartheid revolutionary, a world-renowned humanitarian, and South Africa's first black president. To Ndaba Mandela, he was simply "Granddad." In Going to the Mountain, Ndaba tells how he came to live with Mandela shortly after he turned eleven--having met each other only once, years before, when Mandela was imprisoned at Victor Verster Prison -- and how the two of them slowly, cautiously built a relationship that would affect both their lives in extraordinary ways. It wasn't an easy transition. Mandela had high expectations for those around him, especially his family, and Ndaba chafed at the strict rules and exacting guidelines in his grandfather's home. But at the same time -- through overheard calls from foreign dignitaries as well as the Xhosa folk wisdom that his grandfather shared with him at every opportunity -- Ndaba was learning how to be a man. On a scale both personal and epic, Ndaba's extraordinary journey mirrors that of South Africa's coming of age -- from the segregated Soweto ghettos into which he was born to the privileged life in which he grew up and the turbulent yet exciting times in which he carries on his grandfather's legacy. Going to the Mountain is, in the end, a story about unlocking the power within each of us. It's a cautionary tale about how a child's life can go one way or the other, depending upon the intervention of a caring soul--and about the awesome power of love to serve as a catalyst for change.

The birth of Jesus is a scene of awe-inspiring humility: God in human form, born in a lowly manger for our salvation. Pepper Choplin's distinctive, folk-infused musical style is particularly well-suited to capture this story. Employing a highly-inventive mixture of mountain melodies, folk hymns, spirituals, familiar carols, and original music that is sure to surprise and delight, Go Sing It on the Mountain proclaims the good news from the prophet Isaiah's proclamation, "Comfort, O comfort my people, to the final exuberant celebration: Joy to the World! Christ is born!" Solos, Duets, and Trios shine the spotlight on featured singers and nicely complement the SATB choruses.

#1 NEW YORK TIMES BESTSELLER • Diana Gabaldon returns with the “vast and sweeping” (The Washington Post) newest novel in the epic Outlander series. War leaves nobody alone. Neither the past, the present, nor the future offers true safety, and the only refuge is what you can protect: your family, your friends, your home. Jamie Fraser and Claire Randall were torn apart by the Jacobite Rising in 1746, and it took them twenty years of loss and heartbreak to find each other again. Now it’s 1779, and Claire and Jamie are finally reunited with their daughter, Brianna, her husband, Roger, and their children, and are rebuilding their home on Fraser’s Ridge—a fortress that may shelter them against the winds of war as well as weather. But tensions in the Colonies are great: Battles rage from New York to Georgia and, even in the mountains of the backcountry, feelings run hot enough to boil Hell’s teakettle. Jamie knows that loyalties among his tenants are split and it won’t be long before the war is on his doorstep. Brianna and Roger have their own worry: that the dangers that provoked their escape from the twentieth century might catch up to them. Sometimes they question whether risking the perils of the 1700s—among them disease, starvation, and an impending war—was indeed the safer choice for their family. Not so far away, young William Ransom is coming to terms with the mysteries of his identity, his future, and the family he’s never known. His erstwhile father, Lord John Grey, has reconciliations to make and dangers to meet on his son’s behalf and on his own, and far to the north, Young Ian Murray fights his own battle between past and future, and the two women he’s loved. Meanwhile, the Revolutionary War creeps ever closer to Fraser’s Ridge. Jamie sharpens his sword, while Claire whets her surgeon’s blade: It is a time for steel.