A “bony-headed psychopath” makes his two step-sons clear out rats in the basement; a traveling American finds horror in a Casablanca opium den; a young man is driven insane by the voice of English writer Daniel Defoe; a former black player in the Negro Leagues tells the awful truth about why he quit playing; a grieving family tries to understand why a loved one committed suicide; and a drummer in a rock band hallucinates the Apostle John from the Book of Revelation flashing out of an MTV video. Reading Glitteration in the Night and Other Stories is like having a veil lifted from your eyes, revealing a world more intense, terrifying, and imaginary than you ever thought possible. Traveling through the book we meet an unforgettable cast of characters driven to all sorts of depravity---drugs---sex---suicide---madness---as they hurl ninety miles an hour down dangerous dead-end streets. Glitteration in the Night and Other Stories reveals in stark detail the omnipresence of the grotesque in everyday life. Mired in dystopia, these people have lost their fragile hold on sanity, entering a world where reality is up for grabs, bizarre and brutally ugly. Often they are innocent victims torn between the heartless demands of society and the desire to maintain their sense of identity and freedom.

The Glitter and Other Stories serves up an offering of ten stories showcasing life's broad palette—from friendships to frustrations, healings, loves, memories, sorrows, and sensitivities. From the interior of a bar to the majesty of a trip to India, author Curt Maury has created a fictional collection ripe with setting and sensory detail. The title story, "The Glitter," finds social services worker Emily Robinson in the lavish home of Trixie Trent, the leading lady of musicals. Here Emily discovers more than she wants to know about this celebrated star. In "The Great Hollow," Greg and Petra, husband and wife, meet in a bar and attempt to come to terms with their childlessness. In Tel Aviv, American David Glick tries to soothe the dying soul of Luigi Roselli, a fellow American injured in a bomb blast in the story "The Blessed." This purposeful collection, with poems included, provides a unique insight into the human condition and its powerful emotions.

"Dark, edgy and riveting, the stories by John David Wells are white knuckles for the mind, capturing the incomprehensible depths of madness, cruelty and despair in modern society. Written from the gut these stories rise up from the same lyrical dark well as Bukowski, Shelby Jr.. and Burroughs." Robert T. Allen A narcissistic, confused college student is brutally raped and murdered; a "bony-headed psychopath" makes his two step-sons clear out rats in the basement; a traveling American finds horror in a Casablanca opium den; a young man is driven insane by the voice of English writer Daniel Defoe; three college students have a drug-fueled menage 'a trios in the back of a Range Rover with disastrous results, and a drummer in a rock band hallucinates the Apostle John from the Book of Revelation flashing out of an MTV video. Reading Solitary Eyes on Fire and Other Stories is like having a veil lifted from your eyes, revealing a world more intense, terrifying, and imaginary than you ever knew. Traveling through the book, we meet a vivid unforgettable cast of characters driven to all sorts of depravitydrugs, sex, murder, madnessas they hurl ninety-miles-an hour down dangerous dead-end streets. Solitary Eyes on Fire and Other Stories reveals in stark detail the omnipresence of the grotesque in everyday life. Mired in dystopia, these characters have lost their their fragile hold on sanity, entering a world where reality is up for grabs, bizarre, and repulsively ugly. Often they innocent victims torn between the heartless demands of society and the desire to maintain their sense of identity and freedom.

I woke up with Moses Henry’s boot holding open my jaw and my right eye was looking into his gun barrel. I heard the slow words, “Take. It. Back.” I know one thing about Moses Henry; he means business when he means business. I took it back and for the last eight months I have not uttered Annie Mukluk’s name. In strolls Annie Mukluk in all her mukiness glory. Tonight she has gone traditional. Her long black hair is wrapped in intu’dlit braids. Only my mom still does that. She’s got mukluks, real mukluks on and she’s wearing the old-style caribou parka. It must be something her grandma gave her. No one makes that anymore. She’s got the faint black eyeliner showing off those brown eyes and to top off her face she’s put pretend face tattooing on. We all know it’ll wash out tomorrow. — from "Annie Muktuk" When Sedna feels the urge, she reaches out from the Land of the Dead to where Kakoot waits in hospital to depart from the Land of the Living. What ensues is a struggle for life and death and identity. In “Kakoot” and throughout this audacious collection of short stories, Norma Dunning makes the interplay between contemporary realities and experiences and Inuit cosmology seem deceptively easy. The stories are raucous and funny and resonate with raw honesty. Each eye-opening narrative twist in Annie Muktuk and Other Stories challenges readers’ perceptions of who Inuit people are.

"The Fascinating Stranger and Other Stories" is a collection of 13 stories by the American novelist and dramatist Booth Tarkington. The stories are light and pleasant, bringing a reader to the everyday life of America in the 1920s. The characters are simple, witty, intelligent, and adventurous. The same characters repeat in different stories, although they don't follow the same subject line. On the contrary: Tarkington masterfully sets his protagonists in different life situations to show us all the versatility of life.

Corporate Crime and its Victims It's not gold that glitters but health stolen from past workers. Poisoned by chemicals they used, many are sick and dying. The story reaches a journalist. Inquiries lead her to a new company, Gilt Investments, a public float promising an investor bonanza. It keeps the valued parts and leaves the risk behind. The workers get nothing. The clock is ticking. Can it be stopped? The publicity for Gilt Investments claims risk free investment and a gilded future. Is it real or is it golden spin, a new public mask of glitter to hide the guilt behind. Corporate lawyer, Stephen, knows Gilt Investments will give a great return. His own bonus and share allocation promise a cash bonanza. It is all set to go. He delivers the Prospectus to the printer to send out to select clients. It goes live in a week. But as the final hours tick away a journalist rings. A desperately ill woman has contacted her, she claims the past company has poisoned her. The more the journalist looks the worse the story becomes, not one but dozens of victims. And there is a trail of deception by the former company to hide the truth of what happened three decades ago. As she digs deeper she finds other victims, paid a pittance and then hushed up. Some are dead now but many others are alive and sick. The journalist find out an imminent company restructure will separate a murky past from a glittering future. As she gets closer to the truth the company turns to sexual blackmail, used against her. It is a race on three counts, to stop the float clock so the assets don't vanish, to keep the victims alive to testify and to keep her own past buried, lest it derail it all.

In a land of wind and willows, two canoeists encounter some other-worldly wind turbines. From The Sentinels: Dunn: He said that he was taking the way of the wind and the sky, and that he was going in—to Them—by which I presume he meant going into the tower and scaling the ladder. And he said other things: That our thoughts made patterns in their world—left ‘prints,’ as it were—as did theirs in ours; and that that was how they’d found us, by listening to our thoughts, zeroing in on our patterns. And he said that Bobby was merely a bundle of sensory organs wrapped in a skin of decaying matter and so wasn’t important, wasn’t needed. That only they mattered—they, the beings attached to and inhabiting the turbines. And that … that … Detective Shaw: What, Mrs. Dunn? Say it. Dunn: But … don’t you see? It doesn’t matter what he said, because it wasn’t him speaking, not really. Bobby would never have described a human being as just a bundle of sensory organs; he truly believed, with every fiber of his being, that we were more than that—more than just the sum of our parts—it was what inspired him to become a doctor in the first place. And knowing what I knew, knowing what kind of man he was, I pressed him, telling him that Bobby did matter—that he mattered to his patients and that he mattered to me—more than I would ever be able to describe. And then I approached him and embraced him and told him I loved him—feeling, for the briefest of moments, the spirals beginning to close on his back—and he smiled, his eyes returning to normal, after which he said, or started to say, “I love …” (room tone) Detective Shaw: (inaudible) He—he told you he loved you? Dunn: No. He … his eyes rolled back … and then his face, it … it simply imploded. In a spiral. Like someone had flushed a toilet full of blood and brains.

Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.

The Goodness of St. Rocque and Other Stories (1899) is a short story collection by Alice Dunbar Nelson. Dedicated to her husband at the time, the poet Paul Laurence Dunbar, The Goodness of St. Rocque and Other Stories is a collection of brief vignettes of Creole society in nineteenth century New Orleans. Exploring themes of prejudice, faith, and romance, Dunbar Nelson crafts a poignant and unforgettable work of fiction. Manuela is a popular young woman of status in New Orleans’ thriving Creole community. Like many women her age, she hopes to marry a handsome and successful man. Setting her sights on Theophile, she prepares to be courted in the traditional manner of her people. When rumor gets out that he has been spending time with Claralie, a beautiful blonde, Manuela is forced to seek supernatural assistance. She visits a seer known as the Wizened One, who advises her to pray at the altar of St. Rocque. Determined and unwilling to give up what she believes will be her destiny, she makes her way to the church to begin her first novena. The Goodness of St. Rocque and Other Stories collects fourteen stories of life in New Orleans’ Creole community by Alice Dunbar Nelson, a leading figure of the Harlem Renaissance. With a beautifully designed cover and professionally typeset manuscript, this edition of Alice Dunbar Nelson’s The Goodness of St. Rocque and Other Stories is a classic of African American literature reimagined for modern readers.