Jennie and Alick Glenroy arrived in Maine with nothing, not even their names, starting anew in a different land, leaving the turmoil and violence of Scotland behind them. Almost twenty years later, the "Godless Glenroys" are a prosperous, though sometimes controversial, family. Alick is the proprietor of a successful shipyard, and Jennie has raised their five children to think for themselves, a trait that occasionally raises the ire of their staid neighbors. The Glenroys, along with the other inhabitants of Whittier, find themselves facing issues that they've long been sheltered from: slavery, malice, and violence. Jennie and Alick must defend their children against malicious accusations and guide them through the trials of adolescence, but also allow them the independence and space to grow into intelligent and principled adults. When a figure from their fugitive past sails into town, everything they have worked to build over the past twenty years is in danger of being torn asunder, but all they can do is face these new challenges with the same courage and persevering spirit that carried them over Highland mountains so many years before.

"Zanna Sloniowska writes beautifully; with empathy, sensitivity, and with real political impact . . . an important new voice in Polish literature" OLGA TOKARCZUK, Nobel Prize-winning author of Flights "Remarkable, a gripping, Lvivian evocation of a city and a family across a long and painful century . . . A novel of life and survival across the ages" PHILIPPE SANDS, author of East West Street Amid the turbulence of 20th century Lviv, meet four generations of women from the same fractious family, living beneath one roof and each striving to find their way across the decades of upheaval in an ever-shifting city. First there is Great-Granma, tiny and terrifying, shaped by a life of exile, hardship and doomed love, now fighting to keep her iron grip on the lives of her daughter, granddaughter and great-granddaughter. Then there is Aba, arthritic but devoted; cowed and despised by her mother, her one chance of happiness thwarted and her hopes of studying painting crushed. Thirdly, Marianna, the brilliant opera star: bold, beautiful and a fearless crusader for Ukrainian independence, who is shot during a demonstration and whose life and martyrdom casts a shadow upon the young life of the fourth and final woman, her daughter. More important even than these four women though is the character of the city of Lviv (or Lwów, or Lvov, depending on the point in history). A city of markets and monuments, streets and spires, where history and the present collide, civilisations clash and stories rise up on every corner. Translated from the Polish by Antonia Lloyd-Jones

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