India's history and culture is ancient and dynamic, spanning back to the beginning of human civilization. Beginning with a mysterious culture along the Indus River and in farming communities in the southern lands of India, the history of India is punctuated by constant integration with migrating peoples and with the diverse cultures that surround the country. Placed in the center of Asia, history in India is a crossroads of cultures from China to Europe, as well as the most significant Asian connection with the cultures of Africa. The Historical Dictionary of Ancient India provides information ranging from the earliest Paleolithic cultures in the Indian subcontinent to 1000 CE. The ancient history of this country is related in this book through a chronology, an introductory essay, a bibliography, and hundreds of cross-referenced dictionary entries on rulers, bureaucrats, ancient societies, religion, gods, and philosophical ideas.

This innovative collection offers a holistic portrait of the multimodal communication potential of images from the Upper Paleolithic through to today, showcasing image-based creativity throughout the centuries. The volume seeks to extend the boundaries of our understanding of what language and writing can do to show how language can be understood as part of broader codes, as well as how images and figural objects can contribute to meaning-making in communication. The book is divided into four parts, each exploring a different dimension of the interplay between representation, symbolic meaning, and perception in the study of images, drawing on case studies from around the world. The first part looks at cognitive approaches to the earliest symbol-making while the second considers the interaction between images and writing in early scripts. The third part addresses images outside their boxes, showcasing how ancient communication devices can be reinterpreted. The final part features chapters reflecting on embodied semiotic approaches to the representation of images. This book will be of interest to scholars in semiotics, archaeology, cognitive psychology, and linguistic and cultural anthropology.

This book critically examines the cultural politics of visuals in South Asia. It makes a key contribution to the study of visuals in the social sciences in South Asia by studying the interplay of the seen and unseen, and the visual and nonvisual. The volume explores interrelated themes including the vernacular visual and visuality, ways of seeing in South Asia and the methodology of hermeneutic sensorium, anxiety and politics of the visuals across the region and the trajectory of visual anthropology, significance of visual symbols and representations in contemporary performances and folk art, visual landscapes of loss and recovery and representation of refugees, visual public in South Asia and making of visuals for contemporary consumptions. The chapters unravel the concepts of visual, visibility, visuality while attending to determinant meta-ideas, such as memory and modernity, trajectories of tradition, fluidity and hybridity, and visual performative politics. Based on interdisciplinary resources, the chapters in this volume present a wide array of empirical findings across India, Pakistan, Sri Lanka, Nepal and Bangladesh, along with analytical readings of the visual culture of the subcontinent across borders. The book will be useful to scholars and researchers of visual and cultural studies, social and cultural anthropology, sociology, political studies, media and communications studies, performance studies, art history, television and film studies, photography studies, and South Asian studies. It will also interest practitioners including artists, visual artists, photographers, filmmakers and media critics.

A FORTIORI LOGIC: INNOVATIONS, HISTORY AND ASSESSMENTS, by Avi Sion, is a wide-ranging and in-depth study of a fortiori reasoning, comprising a great many new theoretical insights into such argument, a history of its use and discussion from antiquity to the present day, and critical analyses of the main attempts at its elucidation. Its purpose is nothing less than to lay the foundations for a new branch of logic, and greatly develop it; and thus to once and for all dispel the many fallacious ideas circulating regarding the nature of a fortiori reasoning.

Purvamimamsa Is One Of The Six Systems Of Indian Philosophy And A Very Ancient One. The Jaimini Sutras Consisting Of 2700 Sutras Arranged In 12 Chapters Are The Primary Source Of Purvamimamsa. It Is Developed Into Two Schools, Bhatta School Initiated By Kumarila Bhatta And Prabhakara School Initiated By Prabhakara. Mimamsa Has Made Rich Contribution To The Areas Of Epistemology, Linguistics And Programme Organization. The Concept Of The Intrinsic Validity Of Cognition Including The Impersonal Nature Of The Veda And Acceptance Of The Cognition Of Certain Entities Such As Ethical Values Beyond The Empirical Means Of Cognition, Are Its Contribution To Epistemology. Considering The Language As Autonomous At Word, Sentence And Discourse Levels And Developing A Distinct Hermeneutics To Interpret The Vedic Passages And Developing The Rules Of Interpretation, Are Its Contribution To Linguistics. Developing Detailed Guidelines For Organizing The Ritual Programme Is, However, Its Most Important Contribution. The Rules Of Interpretation Evolved By Purvamimamsa For The Purpose Of Interpreting Vedic Passages Are So Fundamental And Universal That These Can Be Applied To Interpret Any Other Scripture. These Are Utilized By Other Indian Philosophical Systems, Dharmasastras And Ancient Indian Judicial System. Maxwells' Rules Of Interpretation Closely Resemble Purvamimamsa Rules. The Guidelines Laid Down For Ritual Organization Are Also Very Systematic And Could Be Applied To Any Other Programme Organization. These Aspects Of Purvamimamsa Are Highlighted In This Volume.