Egyptian coffin decoration is a complex and multidimensional phenomenon with its own history and evolution. ‘Yellow’ coffins were crafted in Thebes during a particular critical period in the Egyptian History, witnessing to a situation of political unrest and severe economic scarcity affecting Egypt, the Near East and the Mediterranean. And yet, there is no evidence for a decline in the production of these outstanding funerary artefacts. On the contrary, the corpus of ‘yellow’ coffins outnumbers the previous types of Egyptian anthropoid containers and stands out among the most complex and sophisticated objects ever crafted in the Ancient World. Besides this historical paradox, the ‘yellow’ corpus presents important epistemological challenges for our understanding of Egyptian material culture: what kind of space is created within the walls and forms of an anthropoid coffin? What role plays variability and change in this process? Last but not the least, can we understand the meaning behind the multiple shapes and endless variations adopted in coffin decoration during this period? This book addresses these questions presenting the results of a comparative study on coffin decoration involving an extensive sample of objects from the ‘yellow’ corpus dispersed in museums around the world. The results of this study reveal the principles of composition that ruled the work of the ancient Theban craftsmen and show how important coffin decoration was for the Theban priesthood of Amun to convey their own corporative values.

Previously unpublished, the Danish Lot of antiquities from the Tomb of the Priests of Amun (Bab el-Gasus) is thoroughly examined in this book. The in-depth analysis of the objects is followed by an assessment of how these objects were crafted, designed, used and recycled in the Theban necropolis, a procedure that not only reveals to be instrumental in the dating of the objects, as it sheds light into the extraordinary dynamics of funerary workshops during the 21st Dynasty. The volume also examines the arrival of the Lot and its reception in Denmark.

The tombs and mortuary temples of Thebes have proved an enduring topic of interest thanks to a quickly expanding corpus of field materials and a series of conferences devoted to the subject. This volume, the fourth in a series of occasional proceedings from the ongoing Theban Workshop, presents new research on wall decoration in the Theban necropolis. Its thirteen essays, by an international array of leading scholars, attest to the wide and varied scope of the theme.

A thorough transdisciplinary archaeological study of the ancient Egyptian Theban rock-cut tombs at Sheikh ‘Abd al-Qurna In recent years, archeological research has undergone major changes. The material turn in archaeology and related disciplines prompted the adoption of sophisticated scientific, digital, and technical approaches and methods often conducted on a micro level, enhancing our understanding of depositional processes and of the creation and life of an archeological object. This volume reflects seven seasons of transdisciplinary archaeological research at a cluster of rock-cut tombs in Sheikh 'Abd al-Qurna, an ancient Egyptian hillside cemetery and part of the much larger Theban Necropolis. Organized in twelve main chapters, Life Histories of Theban Tombs presents current investigations in landscape archaeology (including recent excavations at a large debris hill previously covering a tomb), geo- and bioarcheology, the archaeology of tomb construction, burial practices, and domestic uses as well as various epigraphical, visual, and material studies. The last two sections provide additional insight into the applied recording, surveying, and visualization methods and techniques and the database system used for data recording and organization. Contributors’ Affiliations: Martina Aeschlimann-Langer, Basel, Switzerland Zulema Barahona-Mendieta, University of Basel, Switzerland Susanne Bickel, University of Basel, Switzerland Oliver Bruderer, Zurich, SwitzerlandRachael Colldeweih, Nagra, Wettingen, Switzerland Lucía Díaz-Iglesias Llanos, Spanish National Research Council, Madrid, Spain Xavier Droux, Hierakonpolis Expedition, Oxford, England Stéphane Fetler, Université Libre de Bruxelles, Brussels, Belgium Zan Gojcic, Swiss Federal Institute of Technology Zurich (ETH), Switzerland Charlotte Hunkeler, University of Basel, Switzerland Mahmoud Ibrahim, University of Cairo, Egypt Matjaž Kačičnik, Cairo, Egypt Iwona Kozieradzka-Ogunmakin, University of Manchester, England Lara Selina Kurmann, University of Basel, Switzerland Andrea Loprieno-Gnirs, University of Basel, Switzerland Sabrina Meyer, Canton of Zurich, Switzerland Matthias Müller, University of Basel, Switzerland Julianna K. Paksi, University of Basel and École Pratique des Hautes Études, Paris, France Erico Peintner, Cairo, Egypt Matthew A. Perras, York University, Toronto, Canada Lukas Richner, canton of Basel-Landschaft, Switzerland Frank Rühli, University of Zurich, Switzerland Marina Sartori, University of Basel, Switzerland Nadine Schönhütte, Cologne Institute of Conservation Sciences (CICS), Cologne, Germany Roger Seiler, University of Zurich, Switzerland Stephan M. Unter, University of Basel, Switzerland André J. Veldmeijer, American University in Cairo, Egypt Noémi Villars, University of Basel, Switzerland Andreas Wieser, Swiss Federal Institute of Technology Zurich (ETH), Switzerland Andrea Wolter, ETH Engineering Geology Group, Zurich, Switzerland Martin Ziegler, Swiss Federal Institute of Technology Zurich (ETH), Switzerland

This is the publication of the sarcophagus of the mayor of Thebes, Hunefer, in office under Ramses II. To date, the granite sarcophagus in the Fitzwilliam Museum in Cambridge has received little research attention despite being a large scale monument. The book provides a presentation of the sarcophagus and its place in space and time.

Egyptian coffins stand out in museum collections for their lively and radiant appearance. As a container of the mummy, coffins played a key role by protecting the body and, at the same time, integrating the deceased in the afterlife. The paramount importance of these objects and their purpose is detected in the ways they changed through time. For more than three thousand years, coffins and tombs had been designed to assure in the most efficient way possible a successful outcome for the difficult transition to the afterlife. This book examines eight non-royal tombs found relatively intact, from the plains of Saqqara to the sacred hills of Thebes. These almost undisturbed burial sites managed to escape ancient looters and so their discoveries, from Mariette’s exploration of the Mastaba of Ti in Saqqara to Schiaparelli’s discovery of the Tomb of Kha and Merit in Deir el-Medina, were sensational events in Egyptian archaeology. Each one of these sites unveils before our eyes a time capsule, where coffins and tombs were designed together as part of a social, political and religious order. From Predynastic times to the decline of the New Kingdom, this book explores each site revealing the interconnection between mummification practices, coffin decoration, burial equipment, tomb decoration and ritual landscapes. Through this analysis, the author aims to point out how the design of coffins changed through time in order to empower the deceased with different visions of immortality. By doing so, the study of coffins reveals a silent revolution which managed to open to ordinary men and women horizons of divinity previously reserved for the royal sphere. Coffins thus show us how identity was forged to create an immortal and divine self.

Excavations by the Dakhleh Oasis Project at Ismant al-Kharab, ancient Kellis in the Dakhleh Oasis, Egypt, revealed the presence of an extensive necropolis dating to the Roman Period, with hundreds of rock-cut tombs containing multiple burials. Termed the Kellis 1 Cemetery, it yielded a range of artifacts and many of the individuals were provided with elaborately decorated cartonnage coverings. This is the largest collection of such material yet discovered in Dakhleh. This book presents a detailed analysis of the entire corpus of cartonnage found at Kellis in a securely excavated context. These objects, which include mummy masks, foot-cases, and full body covers, were part of the burial accoutrements of the wealthier residents of the village. Stylistic and digital investigation of the artifacts suggests a well-defined craft production, with the presence of multiple groups of craftsmen using specific manufacturing techniques and local traits in their iconographic repertoire. The scale of evidence demonstrates that Kellis was a vibrant community with a dynamic funerary production in contact with nearby areas. Comparison with finds from the neighboring Oasis of Kharga, as well as with artifacts in museums collections and from the antiquities market, suggest a complex network of skilled craftsmen throughout the region. This is the first comprehensive study of the material. It has been studied in person by the author in the field enabling a detailed appraisal of the items, whether intact or fragmentary. It builds on recent research addressing regionalism and craftsmanship, and constitutes one of the main sources to investigate issues of permanence and change in the indigenous funerary customs of the area.

This volume of collected studies takes stock of most recent developments in Egyptology and the Digital Humanities, considering future directions for the application of new technologies in Egyptology. The book presents the results of an international conference held in 2019 at Indiana University – Bloomington, in which Egyptologists and digital humanists with interest in Egyptology gathered in 2019 to present current projects in 3D modeling, virtual and augmented reality, game technology, digital pedagogy, database projects, computational and corpus linguistics and E-publications. Those projects, along with a selection of others that were not presented in Bloomington, are now described and discussed in this volume.

This volume collects papers from the symposium 'Body, Cosmos and Eternity: the Symbolism of Coffins in Ancient Egypt', convened at the historical building of the University of Port, February 2013.

Throughout her career, Ann Macy Roth has regularly returned to well-known ancient Egyptian material and visual culture and shed new light on it by employing different approaches and methodologies. In this way, her research has led to new interpretations and readings of ancient Egyptian beliefs and practices while illustrating the importance of and need for continual questioning and re-examination within Egyptology. This volume brings together papers from around the world that follow her tradition of rethinking, reassessing, and innovating. It is intended to honour Roth’s significant career as a scholar, mentor, and teacher and to celebrate and continue her dedication to analyzing ancient Egypt from novel perspectives.