During the 1960s, many models, Playboy centerfolds, beauty queens, and Las Vegas showgirls went on to become "decorative actresses" appearing scantily clad on film and television. This well illustrated homage to 75 of these glamour girls reveals their unique stories through individual biographical profiles, photographs, lists of major credits and, frequently, in-depth personal interviews. Included are Carol Wayne, Edy Williams, Inga Neilsen, Thordis Brandt, Jo Collins, Phyllis Davis, Melodie Johnson, and many equally unforgettable faces of sixties Hollywood.

Shirley Temple, Clark Gable, Errol Flynn and Olivia de Havilland, Fred Astaire and Ginger Rogers, Bette Davis, Joan Crawford and Norma Shearer, Marlene Dietrich and Greta Garbo, William Powell and Myrna Loy, Jean Harlow, and Gary Cooper-Glamour in a Golden Age presents original essays from eminent film scholars that analyze movie stars of the 1930s against the background of contemporary American cultural history. Stardom is approached as an effect of, and influence on, the particular historical and industrial contexts that enabled these actors and actresses to be discovered, featured in films, publicized, and to become recognized and admired-sometimes even notorious-parts of the cultural landscape. Using archival and popular material, including fan and mass market magazines, other promotional and publicity material, and of course films themselves, contributors also discuss other artists who were incredibly popular at the time, among them Ann Harding, Ruth Chatterton, Nancy Carroll, Kay Francis, and Constance Bennett.

A brief rundown on some of 1940s Hollywood stars/starlets with several pages of photos devoted to each actress complete with a mini-biography.

Part of the Encore Film Book Classics series, this is a reprint of the original text of The Glamour Girls by James Robert Parish and Don E. Stanke. Dwelling in their own special solar system-far beyond mere film stardom or talent, are the Hollywood beauties known as Glamour Girls. Some were little more than animated mannequins daydreaming through movies, human May flies who soared, dazzled, and died all on the same day. Others were far more fortunate. Blessed with ability and determination, they broke free of their golden fetters and showed moviegoers that they were far more than store-window dummies. The most artificial creations of an artificial-loving business, Hollywood's Glamour Girls were cinema's Blessed Goddesses. In The Glamour Girls, nine of them are recalled-their films, their off-screen lives, and their special and highly varied brands of witchcraft. JOAN BENNETT-She only wanted to be a normal, upper-class flapper . . . YVONNE DE CARLO-From sumptuous Technicolor celluloid adventures to Broadway's Follies . . . RITA HAYWORTH-Tigress or Pussycat? . . . AUDREY HEPBURN-The elegant gamine . . . JENNIFER JONES-What lay behind her intense innocence? . . . MARIA MONTEZ-The temperamental beauty who believed too strongly in her publicity hype . . . KIM NOVAK-"Her face is like a sponge that can soak you up"-Life magazine .. . MERLE OBERON-the aristocrat with a hidden past who insisted "I just want to look my best" . . . VERA HRUBA RALSTON-Was her amazing self-confidence justified? The Glamour Girls provides a probing examination of these Silver Screen Beauties-and the men who created these luscious movie icons: David O. Selznick spends a fortune selling Jennifer Jones as a great dramatic actress . . Herbert Yates "gives" Republic Pictures to Vera Hruba Ralston . . . Alexander Korda reconstructs Merle Oberon as an exotic beauty . . . Harry Cohn punishes willful Rita Hayworth by practically inventing luscious Kim Novak . . . and Walter Wanger shoots a film colony rival over Joan Bennett. This meticulous study of cinema glamour is filled with detailed filmographies of its subjects, precise recreations of scores of motion pictures, and telling reviews by contemporary critics who were at the same time caustic and captivated by these legendary love goddesses.

This collection includes classic pinups and stories about some of the most colorful, sexy, and provocative women of the `50s, `60s, and `70s, including B-movie stars, " Playboy" bunnies, and other enduring objects of desire. 100 photos. In color.

Glamour isn't just about having the right handbag—it's about having the right personality too and many of the world's most adorable women have been gorgeous inside as well as out. A glamorous woman has a magnetism few men can resist, yet all of us can attain it—even those without classically natural beauty. Many beautiful women lack glamour and conversely some of the most unusual looking women have glamour by the bucket load. How to be Adored is a style guide with a difference, featuring secrets and advice from a roll call of history's most seductive women, including Marlene Dietrich, Marilyn Monroe, Audrey Hepburn, Jackie O, Debbie Harry, Sophia Loren, Gwyneth Paltrow, Princess Diana, Kate Moss, Gwen Stefani and Carla Bruni. In their own words they reveal how to achieve glamour and how to be adored by all you encounter. Professor of Fashion, Caroline Cox, fills every page with witty observations and entertaining anecdotes. With masses of primary research you will be instantly drawn in by the juicy revelations about Hollywood stars past and present. How to be Adored is packed with useful information and advice, supported by wise words from those who know. And as you begin your glamorous transformation, remember what sixties film star Arlene Dahl said, ‘There's no such thing as an ugly woman. There are only those who have not realized their full potential.'

This exploration of fashion in American silent film offers fresh perspectives on the era preceding the studio system, and the evolution of Hollywood's distinctive brand of glamour. By the 1910s, the moving image was an integral part of everyday life and communicated fascinating, but as yet un-investigated, ideas and ideals about fashionable dress.

In photographs only seen briefly as part of studio press kits distributed upon release of a new film, these long-lost stills of Hollywood’s leading ladies have been reverently rendered into color portraits that not only evoke a treasured past of beauty and glamour, but also seem comfortably familiar to the contemporary eye. These posed photos have been chosen not only for their bespoke sensuality, but also for how the discrete addition of color has elevated a black and white still to a kind of artistic grace, prompting rediscovery of classic Hollywood’s most beautiful women. Actresses portrayed here include Julie Andrews, Anna Mae Wong, Audrey Hepburn, Ingrid Bergman, Bette Davis, Carole Lombard, Carroll Baker, Joan Crawford, Marion Davies, Angie Dickinson, Eva Marie Saint, and many others.