Hilaire Belloc (1870 – 1953) was an Anglo-French writer, poet, and, satirist. He was a strong Catholic faith, and close collaborator with G. K. Chesterton. The Four Men: A Farrago "contains some very deep reflections about life, about beauty, about friendship, about love, about lasting things, about the fleetingness of human life, and our hankering after the divine."

With access to previously unpublished material in the form of Hilaire Belloc's letters and photographs, Pearce's major new biography uncovers a romantic, complex, and solitary character. Illustrations.

Hilaire Belloc called "Lepanto" Chesterton's greatest poem and the greatest poem of his generation. But not only have English classes neglected this masterpiece of rhyme and meter, History classes have neglected the story of the pivotal battle upon which the poem is based. This book brings together the poem, the historical background of the famous battle, a riveting account of the battle itself, and a discussion of its historical consequences. The poem is fully annotated, and is supplemented with two interesting essays by Chesterton himself. Well-known Chesterton expert, Dale Ahlquist, has gathered together all the insightful commentaries and explanatory notes. Here is the story behind the modern conflict between Christianity and Islam, between Protestant and Catholic Europe, and the origin of the Feast of the Holy Rosary. A fascinating blend of literature, history, religion and romance! "A valuable reference book that isalso a great read!" —Therese Warmus, Literary Editor, Gilbert Magazine G.K. Chesterton was one of the most prolific and renowned literary writers of the 20th Century. Dale Ahlquist, author of G.K. Chesterton: Apostle of Common Sense, is the President of the American Chesterton Society.

DigiCat Publishing presents to you this special edition of "The Jews" by Hilaire Belloc. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

Amusing satire of high finance in which an Englishman, suffering from amnesia, is mistaken for an eccentric millionaire from the United States.

This book lays out, in very broad outline, Belloc's version of European economic history, starting with ancient pagan states, in which slavery was critical to the economy, through the medieval Christendom process which transformed an economy based on serf labour in a state in which the property was well distributed, to 19th and 20th century capitalism. Belloc argues that the development of capitalism was not a natural consequence of the Industrial Revolution, but a consequence of the earlier dissolution of the monasteries in England, which then shaped the course of English industrialisation. English capitalism then spread across the world.

Readers of "The Emerald of Catherine the Great" will not have to be told that Mr. Belloc's mystery stories are written with suavity and originality and an eye for piquant situations. This new mystery tale is the story of "Rackham Catchings," a manor house in Sussex belonging to an amiable but improvident squire, which in payment of a debt has come into the possession of his brother. How the squire's son, John, is forced to earn his living as a ventriloquist in the music halls, how ventriloquism plus a headless ghost sends the household into a frenzy of excitement and fear, and how John succeeds in recovering his home and winning the girl he loves make a constantly unexpected and unusual story.

Literary Converts is a biographical exploration into the spiritual lives of some of the greatest writers in the English language: Oscar Wilde, Evelyn Waugh, C.S. Lewis, Malcolm Muggeridge, Graham Greene, Edith Sitwell, Siegfried Sassoon, Hilaire Belloc, G.K. Chesterton, Dorothy Sayers, T.S. Eliot and J.R.R. Tolkien. The role of George Bernard Shaw and H.G. Wells in intensifying the religious debate despite not being converts themselves is also considered. Many will be intrigued to know more about what inspired their literary heroes; others will find the association of such names with Christian belief surprising or even controversial. Whatever viewpoint we may have, Literary Converts touches on some of the most important questions of the twentieth century, making it a fascinating read.