New York Times bestselling author Hilary Mantel, two-time winner of the Man Booker Prize, is one of the world’s most accomplished and acclaimed fiction writers. Giving Up the Ghost, is her dazzling memoir of a career blighted by physical pain in which her singular imagination supplied compensation for the life her body was denied. Selected by the New York Times as one of the 50 Best Memoirs of the Past 50 Years “The story of my own childhood is a complicated sentence that I am always trying to finish, to finish and put behind me.” In postwar rural England, Hilary Mantel grew up convinced that the most extraordinary feats were within her grasp. But at nineteen, she became ill. Through years of misdiagnosis, she suffered patronizing psychiatric treatment and destructive surgery that left her without hope of children. Beset by pain and sadness, she decided to “write herself into being”—one novel after another. This wry and visceral memoir will certainly bring new converts to Mantel’s dark genius. “Mesmerizing.”—The New York Times

Sara is preoccupied dealing with a brand-new ability that's just surfaced: the power to read minds.

"That's the first step, you know. Admitting you're afraid. But when there's love, there can be no fear." Davia is afraid of many things, and everything about her elderly great-aunt Mari and her spooky-looking plantation home terrifies her. When she encounters Emilie, the tortured ghost of a well-to-do adolescent girl from the nineteenth century, she is even more frightened. Davia gradually begins to learn from Aunt Mari secrets about Emilie and about her own family's past—stories of premature endings and regrets. As Aunt Mari's health deteriorates, she and Davia become closer. Together, they hope to release Emilie's spirit from the mansion and the world of the living. Author Sheri Sinykin has written a provocative tale of a young girl who learns to accept uncertainty and to come to terms with her fears. Readers will be mesmerized by the intriguing supernatural mystery that lies at the heart of the story.

At once hilarious and incredibly moving, Giving Up the Ghost is a memoir of lost love and second chances, and a ghost story like no other. Eric Nuzum is afraid of the supernatural, and for good reason: As a high school oddball in Canton, Ohio, during the early 1980s, he became convinced that he was being haunted by the ghost of a little girl in a blue dress who lived in his parents’ attic. It began as a weird premonition during his dreams, something that his quickly diminishing circle of friends chalked up as a way to get attention. It ended with Eric in a mental ward, having apparently destroyed his life before it truly began. The only thing that kept him from the brink: his friendship with a girl named Laura, a classmate who was equal parts devoted friend and enigmatic crush. With the kind of strange connection you can only forge when you’re young, Laura walked Eric back to “normal”—only to become a ghost herself in a tragic twist of fate. Years later, a fully functioning member of society with a great job and family, Eric still can’t stand to have any shut doors in his house for fear of what’s on the other side. In order to finally confront his phobia, he enlists some friends on a journey to America’s most haunted places. But deep down he knows it’s only when he digs up the ghosts of his past, especially Laura, that he’ll find the peace he’s looking for.

Thirteen-year-old amateur sleuth Minerva Clark, armed with big hair and a big attitude, is contacted by a boy whose parents' Portland, Oregon, grocery store burned down, but when she agrees to investigate the fire, she does not expect to become an arson suspect herself.

Aspiring to be the fastest sprinter on his elite middle school's track team, gifted runner Ghost finds his goal challenged by a tragic past with a violent father.

Jack is not a normal boy. He can talk to ghosts. In his new home, an aging farmhouse, he meets the Ghost Mother, a grief-stricken spirit who becomes very attached to him...too attached. He learns that the Ghost Mother is preying in the cruelest imaginable way on four child ghosts who are trapped in the house, stealing their energy to sustain her own. Before Jack can figure out how to help them, the Ghost Mother takes possession of his real mother’s body. Jack wants to fight back, but he has severe asthma and risks fatal attacks with any physical exertion. It will take all his resources, and his mother’s as well, to fight off the Ghost Mother and save the ghost children from a horrible fate.

It had started out as one of the most boring family vacations ever for Melanie and her brother—a trip to a dusty old inn. But all that changed when Melanie heard that the place was haunted. And then, she suddenly found herself alone, trapped in a hidden room . . . with a skeleton!

2021 PEN Open Book Finalist 2021 NAACP Image Award Finalist, Poetry 2021 Brooklyn Public Library Literary Prize, Longlist Dancing between lyric and narrative, Hafizah Geter's debut collection moves readers through the fraught internal and external landscapes—linguistic, cultural, racial, familial—of those whose lives are shaped and transformed by immigration. The daughter of a Nigerian Muslim woman and a former Southern Baptist black man, Geter charts the history of a black family of mixed citizenships through poems imbued by migration, racism, queerness, loss, and the heartbreak of trying to feel at home in a country that does not recognize you. Through her mother's death and her father's illnesses, Geter weaves the natural world into the discourse of grief, human interactions, and socio-political discord. This collection thrums with authenticity and heart. SAMPLE POEM Testimony for Tamir Rice, 2002-2014 Mr. President, After they shot me they tackled my sister. The sound of her knees hitting the sidewalk made my stomach ache. It was a bad pain. Like when you love someone and they lie to you. Or that time Mikaela cried all through science class and wouldn't tell anyone why. This isn't even my first letter to you, in the first one I told you about my room and my favorite basketball team and asked you to come visit me in Cleveland or send your autograph. In the second one I thanked you for your responsible citizenship. I hope you are proud of me too. Mom said you made being black beautiful again but that was before someone killed Trayvon. After that came a sadness so big it made everyone look the same. It was a long time before we could go outside again. Mr. President it took one whole day for me to die and even though I'm twelve and not afraid of the dark I didn't know there could be so much of it or so many other boys here.