Givenness and Revelation represents both the unity and the deep continuity of Jean-Luc Marions thinking over many decades. This investigation into the origins and evolution of the concept of revelation arises from an initial reappraisal of the tension between natural theology and the revealed knowledge of God or sacra doctrina. Marion draws on the re-definition of the notions of possibility and impossibility, the critique of the reification of the subject, and the unpredictability of the 'event' in its relationship to the phenomenology of the gift. This work begins and ends in the concept of revelation, thus addressing the very heart and soul of Marion's theology, concluding with a phenomenological approach to the Trinity that rests in the Spirit as gift. Givenness and Revelation enhances not only our understanding of religious experience, but enlarges the horizon of possibility of phenomenology itself.

In The Visible and the Revealed, Jean-Luc Marion brings together his most significant papers dealing with the relationship between philosophy and theology. Covering the ground from some of his earliest writings on this topic to very recent reflections, they are particularly useful for understanding the progression of Marion's thought on such topics as the saturated phenomenon and the possibility of something like Christian Philosophy.The book contains his seminal pieces on the saturated phenomenon and on the gift, although the essays also explore more recent developments of his thought on these topics. Several chapters explicitly explore the boundary line between philosophy and theology or their mutual enrichment and influence. In one of the final pieces, The Banality of Saturation,Marion considers some of the most recent objections brought against his notion of the saturated phenomenon and responds to them in detail, suggesting that saturated phenomena are neither as rare nor as inflexible as often assumed. The work contains two chapters not previously available in English and brings together several other pieces previously translated but now difficult to find. For readers interested in the relation between the two disciplines,this is indispensable reading.

Jean-Luc Marion is one of the world’s foremost philosophers of religion as well as one of the leading Catholic thinkers of modern times. In God Without Being, Marion challenges a fundamental premise of traditional philosophy, theology, and metaphysics: that God, before all else, must be. Taking a characteristically postmodern stance and engaging in passionate dialogue with Heidegger, he locates a “God without Being” in the realm of agape, or Christian charity and love. If God is love, Marion contends, then God loves before he actually is. First translated into English in 1991, God Without Being continues to be a key book for discussions of the nature of God. This second edition contains a new preface by Marion as well as his 2003 essay on Thomas Aquinas. Offering a controversial, contemporary perspective, God Without Being will remain essential reading for scholars and students of philosophy and religion. “Daring and profound. . . . In matters most central to his thesis, [Marion]’s control is admirable, and his attunement to the nuances of other major postmodern thinkers is impressive.”—Theological Studies “A truly remarkable work.”—First Things “Very rewarding reading.”—Religious Studies Review

“Beautifully written . . . advances scholarship on Marion, and offers a sustained and critical analysis of two weaknesses in Marion’s phenomenology.” —Tamsin Jones, author of A Genealogy of Marion’s Philosophy of Religion The philosophical work of Jean-Luc Marion has opened new ways of speaking about religious convictions and experiences. In this exploration of Marion’s philosophy and theology, Christina M. Gschwandtner presents a comprehensive and critical analysis of the ideas of saturated phenomena and the phenomenology of givenness. She claims that these phenomena do not always appear in the excessive mode that Marion describes and suggests instead that we consider degrees of saturation. Gschwandtner covers major themes in Marion’s work—the historical event, art, nature, love, gift and sacrifice, prayer, and the Eucharist. She works within the phenomenology of givenness, but suggests that Marion himself has not considered important aspects of his philosophy. “Christina M. Gschwandtner has established herself as a valued reader of contemporary French philosophy in general and of Marion’s writings in particular. She was the first to consider at length Marion’s extensive reflections on Descartes and to evaluate their theological importance, and she has translated two of Marion’s books from the French. This new study, Degrees of Givenness, extends her contribution to our understanding of this fecund philosopher.” —Notre Dame Philosophical Reviews

The Phenomenology of Revelation in Heidegger, Marion, and Ricoeur provides a critical framework for understanding the phenomenology of revelation through a series of close readings that serve as the basis for an imagined dialogue between Martin Heidegger, Jean-Luc Marion, and Paul Ricoeur. Adam J. Graves distinguishes between two dominant approaches to revelation: a “radical” approach that seeks to disclose a pre-linguistic experience of revelation through a radicalization of the phenomenological reduction, and a “hermeneutical” one that characterizes revelation as an eruption of meaning arising from our encounter with concrete symbols, narratives, and texts. According to Graves, the radical approach is often driven by a misplaced concern for maintaining philosophical rigor and for avoiding theological biases, or “contaminations.” This preoccupation leads to a process of “counter-contamination” in which the concept of revelation is ultimately estranged from the phenomenon’s rich historical and linguistic content. While Ricoeur’s hermeneutic phenomenology may do a better job of accommodating the concrete content of revelation, it does so at the price of having to renouncing the kind of “presuppositionlessness” generally associated with phenomenological method. Ultimately, Graves argues that a more nuanced appreciation of the complex nature of our linguistic inheritance enables us to reconceive the relationship between revelation and philosophical thought.

Faith and reason, especially in Roman Catholic thought, are less contradictory today than ever. But does the supposed opposition even make sense to begin with? One can lose faith, but surely not because one gains in reason. Some, in fact, lose faith when reason is not able to make sense of the experiences of our lives. We very quickly realize that reason does not understand everything. Immense areas remain incomprehensible and irrational, which we abandon to belief and opinion. Soon we definitively renounce thinking what that has been excluded from the realm of the thinkable. Ideological nightmares arise from this slumber of reason. Thus, the separation between faith and reason, too quickly taken as self-evident and even natural, is born from a lack of rationality, an easy capitulatin of reason before what is supposedly unthinkable. Rather than lose faith through excessive rationality, we often lose rationality because faith is too quickly excluded from the realm that it claims to open, that of revelation. We lose reason by losing faith. Examining such topics as the role of the intellectual in the church, the rationality of faith, the infinite worth and incomprehensibility of the human, the phenomenality of the sacraments, and the phenomenological nature of miracles and of revelation more broadly, this book spans the range of Marion’s thought on Christianity. Throughout he stresses that faith has its own rationality, structured according to the logic of the gift that calls forth a response of love and devotion through kenotic abandon.

Includes bibliographical rferences and index.

Ranging across artists from Raphael to Rothko, Caravaggio to Pollock, The Crossing of the Visible offers both a critique of contemporary accounts of the visual and a constructive alternative. According to Marion, the proper response to the 'nihilism' of postmodernity is not iconoclasm, but rather a radically iconic account of the visual and the arts which opens them to the invisible.

Jean-Luc Marion's theory of saturated phenomena is one of the most exciting developments in phenomenology in recent decades. 'Interpreting Excess' is a systematic and comprehensive study of Marion's texts on saturated phenomena, tracing both his theory and his examples across a wide range of texts.