THE STORY: The play is set in the home of the impoverished Irish novelist, Tom Connolly, and his wife, Daisy, whose lives are overshadowed by their permanently hospitalized daughter. They are visited by Daisy's parents and by the successful novelis

Give Me Your Answer is K.D. Miller's second collection of short stories. The book is made up of twelve stories which together trace the evolving life of the protagonist, Daisy Chandler, from childhood to marriage and subsequently to divorce and a deepening religious conviction. First as a painter, then as a writer, Daisy struggles to understand her family, her friends, her lovers and herself. With one foot in the fifties and the other on the millennium, Daisy bears witness to herself and her companions with unflinching honesty and a wickedly irreverent sense of humour. These stories further reveal K.D. Miller's huge talent. Her language is crisp and precise and even the most sombre of the stories is flecked with her trademark wit and humour.

Editor Craig Pospisil has drawn exclusively from Dramatists Play Service publications to compile this collection, which features over fifty monologues. You will find an enormous range of voices and subject matter, characters from their teens to their seve

Cliffe Knechtle offers clear, reasoned and compassionate responses to the tough questions skeptics ask.

What I feel has no name... Suanne Laqueur's award-winning debut novel The Man I Love thrilled readers with its memorable characters and depth of emotion. Erik Fiskare's journey of love, recovery and forgiveness captivated hearts but also left questions unanswered. Now Daisy Bianco has a chance to tell her story. It's been three years since a single lapse of judgment cost Daisy the love of her life. Erik was a conduit to her soul but now he's chosen a path of total disconnection, refusing to speak to her or acknowledge her betrayal. Alone and shattered, Daisy attempts to take responsibility for her actions while building her career as a professional dancer in New York City. But Erik's unforgiving estrangement proves too much for her strength. Plagued by flashbacks to the Lancaster shootings, she falls into a dangerous spiral of self-harm, cutting into her own skin as a means to atone. Only the timely appearance of an old friend, John "Opie" Quillis, saves her from self-destruction and gives her a chance to love again. Laqueur skillfully weaves flashbacks to the college years with Daisy's present life. Supported by John's patient affection, she works to separate her evolution as an adult from the unresolved guilt and grief of her youth. As her professional accomplishments lift her out of depression, Daisy learns to hold onto her accountability without letting it become her identity. Years pass and she builds a beautiful life filled with dance and friends. Lovers come and eventually go, leaving her on her own with the old thought: Come back to me. In this parallel narrative, Laqueur peels open the beloved characters from The Man I Love to reveal new and complex layers of vulnerability. The scars from the shooting are deep and pervasive within this circle of friends. Like Daisy, they are trying to evolve without being fully resolved. But when questions from the past go unheeded, you alone must find and give your answers true.

Editor Craig Pospisil has drawn exclusively from Dramatists Play Service publications to compile this collection, which features over fifty monologues. You will find an enormous range of voices and subject matter, characters from their teens to their seve

This book offers a critical examination of Friel's dramatic writing both within the context of Irish storytelling and considering his crucial position as a writer from the north of Ireland negotiating between the responsibilities of art and the demands of violent conflict.

This collection of critical essays finds itself at the intersection of cultural, literary and film studies, and explores the various ways in which dysfunction is expressed in Irish studies. Dysfunction can be regarded as part and parcel of a portrayal of a landscape of trauma and crisis that may have been traditionally repressed in Ireland at large. However, dysfunction also envisages mediation, managing, transcending and healing. As such, this volume examines how Ireland tackles dysfunction at large, but more importantly, how mediation, managing, healing and transcending help in the understanding of the ever-changing and on-going process of the construction of an Irish identity today; sometimes looking back at the past, but always creating the need of inventing new ways to understand the future of Ireland. The collection presents essays which tackle dysfunction from different and multifarious perspectives that range from sociological, historical and literary discourses to more contemporary insights into dysfunction in today’s Ireland. It encompasses theory and analysis and includes the works of both senior academics and emerging scholars, as well as those outside academia.

Surveying the life, work and accolades of Irish playwright Brian Friel, this literary companion investigates his personal and professional relationships and his literary topics and themes, such as belonging, violence, patriarchy and hypocrisy. Character summaries describe his most significant figures, particularly St. Columba, the victims of Derry's Bloody Sunday, and Hugh O'Neill, the Lord of Tyrone. Entries analyze Friel's style in detail, from his column in the Irish Times and his short fiction in the New Yorker to his most recent plays, Philadelphia, Here I Come!, Translations, and Dancing at Lughnasa.