This report is a profile on child labour among girls and draws attention to the international legal framework as it relates to child labour. It identifies the reasons why it is important that the issues facing girls engaged in child labour be urgently addressed. Girls are highly vulnerable as many forms of girls' work is hidden, girls face multiple disadvantages, and have the "double burden" of having to combine household chores and economic activity, which as a result jeopardises their schooling. The report provides an analysis of the work of girls and boys in sixteen countries looking both at economic activities and unpaid household services. The observations that emerge are that overall, girls work longer hours than boys, and girls constitute a large proportion of the children engaged in the most dangerous forms of child labour, including forced and bonded labour and prostitution. The report calls for strengthening the knowledge base on issues of child labour among girls and suggests that policy steps include free quality education for all children up to the minimum age of employment.

In Shapeshifters Aimee Meredith Cox explores how young Black women in a Detroit homeless shelter contest stereotypes, critique their status as partial citizens, and negotiate poverty, racism, and gender violence to create and imagine lives for themselves. Based on eight years of fieldwork at the Fresh Start shelter, Cox shows how the shelter's residents—who range in age from fifteen to twenty-two—employ strategic methods she characterizes as choreography to disrupt the social hierarchies and prescriptive narratives that work to marginalize them. Among these are dance and poetry, which residents learn in shelter workshops. These outlets for performance and self-expression, Cox shows, are key to the residents exercising their agency, while their creation of alternative family structures demands a rethinking of notions of care, protection, and love. Cox also uses these young women's experiences to tell larger stories: of Detroit's history, the Great Migration, deindustrialization, the politics of respectability, and the construction of Black girls and women as social problems. With Shapeshifters Cox gives a voice to young Black women who find creative and non-normative solutions to the problems that come with being young, Black, and female in America.

Many Americans hold fast to the notion that gay men and women, more often than not, have been ostracized from disapproving families. Not in This Family challenges this myth and shows how kinship ties were an animating force in gay culture, politics, and consciousness throughout the latter half of the twentieth century. Historian Heather Murray gives voice to gays and their parents through an extensive use of introspective writings, particularly personal correspondence and diaries, as well as through published memoirs, fiction, poetry, song lyrics, movies, and visual and print media. Starting in the late 1940s and 1950s, Not in This Family covers the entire postwar period, including the gay liberation and lesbian feminist movements of the 1960s and 1970s, the establishment of PFLAG (Parents, Families, and Friends of Lesbians and Gays), and the AIDS crisis of the 1980s and 1990s. Ending her story with an examination of contemporary coming-out rituals, Murray shows how the personal that was once private became political and, finally, public. In exploring the intimate, reciprocal relationship of gay children and their parents, Not in This Family also chronicles larger cultural shifts in privacy, discretion and public revelation, and the very purpose of family relations. Murray shows that private bedrooms and consumer culture, social movements and psychological fashions, all had a part to play in transforming the modern family.

First published by St. Martin's Press in 1986, Blackbird is a funny, moving, coming-of-age novel about growing up black and gay in southern California. The lead character, Johnnie Ray Rousseau, is a high school student upset over losing the lead role in the school staging of Romeo and Juliet. As if that weren't enough, his best friend has been beaten badly by his father, and his girlfriend is pressuring him to have sex for the first time. All the while, he's intrigued by Marshall MacNeill, whom he meets at an audition and is surely the sexiest man to walk God's green eartha "at least according to Johnnie Ray. This novel of adolescent awakening is as fresh and heartfelt as it was when first published. With an introduction by Michael Nava, who is best-known for his gay mystery novels featuring Henry Rios, five of which have won Lambda Literary Awards, including Goldenboy and Howtown. He lives in San Francisco.