Widely regarded as one of the most important figures in Indian (and more specifically Bengali) literary history, Rabindranath Tagore was the first Indian—indeed, the first person outside Europe—to win the Nobel Prize in Literature, largely in recognition of his “spiritual offering of songs,” Gitanjali. Tagore himself translated the poems from the original Bengali, taking many liberties in the process. His English translation is rightly recognized as a work distinct from the Bengali original, consisting of major revisions, many elisions, and many poems originally published in other collections. Tagore’s lyrical simplicity, vivid imagery, and themes of nature, spirituality, death, and transcendence combine to produce a truly unique, powerfully moving work of thoughtful beauty. For many who read it, Tagore’s words in Song XCVI ring true: “What I have seen is unsurpassable. I have tasted of the hidden honey of this lotus that expands on the ocean of light, and thus I am blessed.” This book is part of the Standard Ebooks project, which produces free public domain ebooks.

Described by Rabindranath Tagore as 'revelations of my true self', the poems and songs of Gitanjali established the writer's literary talent worldwide. They include eloquent sonnets such as the famous 'Where the mind is without fear', intense explorations of love, faith and nature ('Light, oh where is the light?') and tender evocations of childhood ('When my play was with thee'). In this new translation to mark Tagore's one-hundred-and-fiftieth birth anniversary, William Radice renders with beauty and precision the poetic rhythm and intensity of the Bengali originals. In his arrangement of Tagore's original sequence of poems alongside his translations, Radice restores to Gitanjali the structure, style and conception that were hidden by W. B. Yeats's edition of 1912, making this book a magnificent addition to the Tagore library.

Radice, himself a recognized English poet and erudite scholar, delved into the deeper meaning of Tagore’s poems and songs, and discussed his ideas on education and the environment with an insight probably no other Westerner has. He also translated Tagore’s short stories and short poems, and finally was able to make a complete breakthrough by translating Gitanjali afresh and restoring Tagore’s original English manuscript. Martin Kämpchen lives in Santiniketan, West Bengal and Germany and is a reputed Tagore scholar and writer.

Written by the most famous Bengali poet, philosopher, social reformer, and dramatist who came into international prominence when he was awarded the Nobel Prize for literature in 1913. For the Bengali public, Tagore has been, and remains, an altogether exceptional literary figure, towering over all others. His poems, songs, novels, short stories, critical essays, and other writings have vastly enriched the cultural environment in which hundreds of millions of people live in the Bengali-speaking world, whether in Bangladesh or in India. - Amartya Sen, Harvard University and Nobel Prize in Economics in 1998 Formerly issued in a limited edition by the India Society in 1912. This edition was first published by Macmillan & Co. in March 1913. This text was retrieved from the digitized version of Gitanjali available in the internet archive of the University of Toronto. The hard copy of this version was presented to the Library of the University of Toronto by Lord Falconer from the books of the late Sir Robert Falconer, President of the University of Toronto, 1907-1932. A COLLECTION OF PROSE TRANSLATIONS MADE BY THE AUTHOR FROM THE ORIGINAL BENGALI

“Gitanjali” of Rabindranath Tagore: With Critical Evaluations, which was originally published with the same title and content in 2006, depicts Tagore’s spiritual journey towards the Supreme Being. It is a collection of devotional songs in which he offers his prayer to God. But the religious fervour of these songs never affects the poetic beauty. It appeals to the readers with its oceanic depth expressed in simplicity, optimism and spiritual affirmation, richness and variety, humanization of the divine, use of domestic image and symbols. The relationship between the Supreme Being and human being is shown. This book is a modest endeavour to evaluate the complete poems. Nature, common people, music, humanity, sympathy and sense-perceptions are the core feelings of these poems. Tagore uses a wide range of vivid and picturesque image and symbols, which are drawn from everyday life as well as from age-old myths. Several symbols like light, boat, cloud, pitcher, flute, palace, flowers, river, star, sky recur in his songs. These natural objects are used to convey deeper spiritual truth.

Rabindranath Tagore once said: “Sometimes the meaning of a poem is better understood in a translation, not necessarily because it is more beautiful than the original, but as in the new setting the poem has to undergo a trial; it shines more brilliantly if it comes out triumphant." Sohini Sen re-discovered Tagore’s Gitanjali: Song Offerings in recent years, when the whole world was in a dark, vulnerable space. Revisiting the 103 original Bengali poems of Tagore and working on ‘re-presenting’ these gave her the creative solace she so needed to survive. That immersion into Gitanjali made Sen realise just how timeless Tagore’s works were, for they spoke with ease of a profound spiritual connection with one’s higher self. Across religions, across cultures. Most of all, across generations. ‘To come closest to oneself is to traverse far’, and yet, all of us do go on that journey at some point in our lives. This book promises to be a kind companion on your travel along that path.