Censored. Repressed. Subdued. Bound. Muted. No more. In a world pushed to the precipice of change, in a society that values the tried and true over the dynamic and new, what does it mean to be unmuted? In this anthology, a chorus of young women and gender-expansive teens give voice to fear and silence, hold nothing back, and demand justice. To be unmuted right now requires a new brand of bravery and these writers show us how it’s done. Using stories, poems, essays, fiction, drama, interviews, and more, they report on a global pandemic, a climate crisis, and the movement for racial equity. They also invite us on their personal journeys through the labyrinth of young adulthood: feeling the rich soil of a neighborhood garden between their fingers; traveling through time in search of their parents; inhaling the charged air where young love is brewing. For twenty-three years, the nationally award-winning nonprofit Girls Write Now has broken down the barriers of gender, race, age, and poverty, elevating the voices of writers who are too often not heard—or worse, silenced. Girls Write Now is the first writing and mentoring organization for girls and gender expansive youth of color, ranking today as one of the top programs nationwide for driving social-emotional growth for youth.

This anthology is a catalog of seeds—the work of a network of young writers and mentors, each cultivating a shimmering, emergent voice. For the past two years, New York City high school students have weathered an adolescence shaped by an ongoing global pandemic. Throughout it all, they have found new ways to build community and take root. Roots allow for living beings to journey into our past and forward into the future, toward and away from home, and enable us to withstand the storms that invariably pass through. In short stories, personal essays, poetry, and more, the students reflect on endurance, change, and growth. For twenty-five years, Girls Write Now has been amplifying transformative stories that break down the barriers of gender, race, age and poverty. In addition to being the first writing and mentoring organization of its kind, Girls Write Now continually ranks among the top programs nationwide for driving social-emotional growth for youth. The nationally award-winning nonprofit mentors the next generation of female and gender expansive writers and leaders who are shaping culture, impacting businesses and creating change.

Featured in multiple “must-read” lists, No One Tells You This is “sharp, intimate…A funny, frank, and fearless memoir…and a refreshing view of the possibilities—and pitfalls—personal freedom can offer modern women” (Kirkus Reviews). If the story doesn’t end with marriage or a child, what then? This question plagued Glynnis MacNicol on the eve of her fortieth birthday. Despite a successful career as a writer, and an exciting life in New York City, Glynnis was constantly reminded she had neither of the things the world expected of a woman her age: a partner or a baby. She knew she was supposed to feel bad about this. After all, single women and those without children are often seen as objects of pity or indulgent spoiled creatures who think only of themselves. Glynnis refused to be cast into either of those roles, and yet the question remained: What now? There was no good blueprint for how to be a woman alone in the world. It was time to create one. Over the course of her fortieth year, which this ​“beguiling” (The Washington Post) memoir chronicles, Glynnis embarks on a revealing journey of self-discovery that continually contradicts everything she’d been led to expect. Through the trials of family illness and turmoil, and the thrills of far-flung travel and adventures with men, young and old (and sometimes wearing cowboy hats), she wrestles with her biggest hopes and fears about love, death, sex, friendship, and loneliness. In doing so, she discovers that holding the power to determine her own fate requires a resilience and courage that no one talks about, and is more rewarding than anyone imagines. “Amid the raft of motherhood memoirs out this summer, it’s refreshing to read a book unapologetically dedicated to the fulfillment of single life” (Vogue). No One Tells You This is an “honest” (Huffington Post) reckoning with modern womanhood and “a perfect balance between edgy and poignant” (People)—an exhilarating journey that will resonate with anyone determined to live by their own rules.

AN INSTANT NEW YORK TIMES BESTSELLER A READ WITH JENNA TODAY SHOW BOOK CLUB PICK! “Brave, fresh . . . unforgettable.”—The New York Times Book Review “A celebration of girls who dare to dream.”—Imbolo Mbue, author of Behold the Dreamers (Oprah’s Book Club pick) Shortlisted for the Desmond Elliott Prize and recommended by The New York Times, Marie Claire, Vogue, Essence, PopSugar, Daily Mail, Electric Literature, Red, Stylist, Daily Kos, Library Journal, The Everygirl, and Read It Forward! The unforgettable, inspiring story of a teenage girl growing up in a rural Nigerian village who longs to get an education so that she can find her “louding voice” and speak up for herself, The Girl with the Louding Voice is a simultaneously heartbreaking and triumphant tale about the power of fighting for your dreams. Despite the seemingly insurmountable obstacles in her path, Adunni never loses sight of her goal of escaping the life of poverty she was born into so that she can build the future she chooses for herself – and help other girls like her do the same. Her spirited determination to find joy and hope in even the most difficult circumstances imaginable will “break your heart and then put it back together again” (Jenna Bush Hager on The Today Show) even as Adunni shows us how one courageous young girl can inspire us all to reach for our dreams…and maybe even change the world.

The fourth and final adventure in the brilliant Taylor & Rose series by bestselling author, Katherine Woodfine. For fans of The Sinclair Mysteries and Murder Most Unladylike series

Clare L. Taylor investigates the problematic question of female fetishism within modernist women's writing, 1890-1950. Drawing on gender and psychoanalytic theory, she re-examines the works of Sarah Grand, Radclyffe Hall, H.D., Djuna Barnes, and Anaïs Nin in the context of clinical discourses of sexology and psychoanalysis to present an alternative theory of female fetishism, challenging the perspective that denies the existence of the perversion in women.

New York Times bestselling author Elle Kennedy brings her signature angst, drama, and humor to a new standalone romance. My Oxford Year meets We Met In December, Girl Abroad finds the daughter of a retired rock star studying abroad in London and entangled in scandal and romance. When nineteen-year-old Abbey Bly gets the opportunity to study abroad for a year in London, it's the perfect chance to finally slip out from under the thumb of her beloved but overbearing retired rock star father. She's ready to be free, to discover herself—but first off, to meet the girls she's rooming with. That is, until she arrives at her gorgeous new flat to discover those roommates are actually all boys. Charming, funny, insufferably attractive boys. And off-limits, with a rule against fraternizing between housemates after unwanted drama with the previous girl. Abbey has never considered herself a rulebreaker. But soon, she's lying to her father about her living situation and falling for not one, but two men she can't have: her rugby-player roommate and a broody musician with a girlfriend. Not to mention, her research for school has gotten her tangled in a deeply hidden scandal of a high nobility family, surrounding her in secrets on all sides. If there's any hope of Abbey finding love, answers, or a future in London, she'll have to decide which rules—and hearts—might be worth breaking.

Girls Write Now: Two Decades of True Stories from Young Female Voices offers a brave and timely portrait of teenage-girl life in the United States over the past twenty years. They're working part-time jobs to make ends meet, deciding to wear a hijab to school, sharing a first kiss, coming out to their parents, confronting violence and bullying, and immigrating to a new country while holding onto their heritage. Through it all, these young writers tackle issues of race, gender, poverty, sex, education, politics, family, and friendship. Together their narratives capture indelible snapshots of the past and lay bare hopes, insecurities, and wisdom for the future. Interwoven is advice from great women writers—Roxane Gay, Francine Prose, Chimamanda Ngozi Adichie, Zadie Smith, Quiara Alegria Hudes, Janet Mock, Gloria Steinem, Lena Dunham, Mia Alvar, and Alice Walker—offering guidance to a young reader about where she's been and where she might go. Inspiring and informative, Girls Write Now belongs in every school, library and home, adding much-needed and long-overdue perspectives on what it is to be young in America.

In this lyrical coming-of-age story about family, sisterhood, music, race, and identity, Schneider Family Book Award and Stonewall Honor-winning author Mariama J. Lockington draws on some of the emotional truths from her own experiences growing up with an adoptive white family. I am a girl but most days I feel like a question mark. Makeda June Kirkland is eleven years old, adopted, and black. Her parents and big sister are white, and even though she loves her family very much, Makeda often feels left out. When Makeda's family moves from Maryland to New Mexico, she leaves behind her best friend, Lena— the only other adopted black girl she knows— for a new life. In New Mexico, everything is different. At home, Makeda’s sister is too cool to hang out with her anymore and at school, she can’t seem to find one real friend. Through it all, Makeda can’t help but wonder: What would it feel like to grow up with a family that looks like me? Through singing, dreaming, and writing secret messages back and forth with Lena, Makeda might just carve a small place for herself in the world. For Black Girls Like Me is for anyone who has ever asked themselves: How do you figure out where you are going if you don’t know where you came from?