'Dark, funny and wild.' - Chloe Ashby, author of WET PAINT 'As ballsy as you'd hope' - Grazia 'The words just sizzle off the page' - Glamour 'Another triumph for feminism' - Red 'Set to be one of the best books of 2022' - Red 'A thrilling, bisexual romcom that doubles as a smart skewering of social media' - Evening Standard '... enjoyable first novel...' '...easy-to-read story...' - Independent '... the voice of her generation' '... the face of the future' - The Times Magazine 'It's Carrie Bradshaw's columns in Sex and the City on steroids.' - The Times 'Everything is IMMEDIATE. Emphasised.' - The Times 'It's a kind of rags-to-unexpected-riches-to-devastating-realisation-back-to-older-wiser-rags type tale, almost 18th century in progression, except set in a thoroughly modern, even slightly futuristic world where life online is even more all consuming than we know it now.' - Sunday Independent 'A hot debut novel with a dash of relatable existential dread' - Cosmopolitan 'Seriously hot' - Cosmopolitan 'Girlcrush is a funny, filthy and furious exploration of sexuality, identity and the expectations on us all. It's a rare combination - a page turner with a message.' - Daisy Buchanan 'It feels like a ball of energy coming right for you. I loved this debut.' - Emma Gannon GIRLCRUSH is a dark feminist retelling of Jekyll & Hyde by bestselling author Florence Given. In Given's debut novel, we follow Eartha on a wild, weird and seductive modern-day exploration as she commences life as an openly bisexual woman whilst also becoming a viral sensation on Wonderland, a social media app where people project their dream selves online. The distance between her online and offline self grows further and further apart until something dark happens that leads her into total self-destruction, forcing Eartha to make a choice; which version of herself should she kill off? Warning this book does include storylines that some readers may find triggering. *Also by Florence Given* Women Don't Owe You Pretty

Glamour and gowns and cool girls, oh my! From Jennifer Lawrence to Tina Fey, Kate Moss to Kerry Washington, and Twiggy to Audrey Hepburn, Color Me Girl Crush features drawings of some of the world’s most admirable ladies (as well as the ensembles they’re known for)—all for coloring in! You’ll find true-life stories about your favorite It girls, along with fill-in-the-blank activities so you can weigh in on what makes them so darn appealing. Here’s your chance to style some of the loveliest ladies around, while celebrating everything that makes them crush-worthy.

(Piano Vocal). This sheet music features an arrangement for piano and voice with guitar chord frames, with the melody presented in the right hand of the piano part as well as in the vocal line.

I was done. Done with men. Women say it all the time; they get fed up, throw their hands in the air, and vow a life of celibacy-until the next chiseled chest comes into view and then they're foaming at the mouth and wiping the drool from their chins. But this was different, I really meant it. I'd been manhandled by the last pig that would ever bring his sausage near me. After one of the nastiest divorces in history, followed by some of the crudest and raunchiest dates, I'd decided to bat for the other team. ...At least, I tried. But creating the next Brat Pack hadn't been on the agenda. Neither had my date's brother, Collier West. And I wasn't prepared for finding true love at the end of my gal-pal tryst

This book examines evolving pop culture representations of sex and relationships from the 1970s onwards, to demonstrate parallels between the strength of the feminist movement and positive portrayals of women’s sexuality. In charting changes in the sex and relationship content of women’s magazines over time, this analysis reveals that despite surface-level changes in sexual and relationship content, the underlying paradigm of hetero-monogamy remains unchanged. Despite a seemingly more diverse, empowered and liberated sexuality for women in contemporary magazines, in reality, such feminist rhetoric masks an enduring model of sexuality, which rests on women’s sexual and emotional maintenance of male partners and their own self-objectification and self-surveillance. Where substantive changes can be identified, they rise and fall in tandem with feminism. By demonstrating this empirical relationship between cultural products and feminist organising, the book validates an assumption that has rarely been tested: that a feminist social milieu improves cultural narratives about sexuality for women. Sex, Feminism and Lesbian Desire builds on ground-breaking feminist texts such as Susan Faludi’s Backlash to present an empirically focused, comprehensive study interrogating changes in content over the lifetime of women’s magazines. By charting the representation of sex and relationships in two women’s magazines—Cosmopolitan and Cleo—since the 1970s through an analysis of over 6,500 magazine pages and 1,500 articles, this timely work interrogates—and ultimately complicates—the apparent linear progression of feminism. This book is suitable for researchers and students in women’s and gender studies, queer studies, LGBT studies, media studies, cultural studies and sociology.

'THE BEAUTY MYTH' FOR THE INSTAGRAM GENERATION Women Don't Owe You Pretty is the ultimate book for anyone who wants to challenge the out-dated narratives supplied to us by the patriarchy. Through Florence's story you will learn how to protect your energy, discover that you are the love of your own life, and realise that today is a wonderful day to dump them. Florence Given is here to remind you that you owe men nothing, least of all pretty. WARNING: CONTAINS EXPLICIT CONTENT (AND A LOAD OF UNCOMFORTABLE TRUTHS). THE FEMINIST BOOK EVERYONE IS TALKING ABOUT. 'An incredible mouthpiece for modern intersectional feminism.' - Glamour 'A fearless book.' - Cosmopolitan 'A hugely influential young woman.' - Woman's Hour 'Rallying, radical and pitched perfectly for her generation.' - Evening Standard

Named one of the Best Books of 2021 by Oprah Daily, Glamour, Shondaland, BuzzFeed, and more! A hilarious and whip-smart collection of essays, offering an intimate look at bisexuality, gender, and, of course, sex. Perfect for fans of Lindy West, Samantha Irby, and Rebecca Solnit—and anyone who wants, and deserves, to be seen. If Jen Winston knows one thing for sure, it’s that she’s bisexual. Or wait—maybe she isn’t? Actually, she definitely is. Unless…she’s not? Jen’s provocative, laugh-out-loud debut takes us inside her journey of self-discovery, leading us through stories of a childhood “girl crush,” an onerous quest to have a threesome, and an enduring fear of being bad at sex. Greedy follows Jen’s attempts to make sense of herself as she explores the role of the male gaze, what it means to be “queer enough,” and how to overcome bi stereotypes when you’re the posterchild for all of them: greedy, slutty, and constantly confused. With her clever voice and clear-eyed insight, Jen draws on personal experiences with sexism and biphobia to understand how we all can and must do better. She sheds light on the reasons women, queer people, and other marginalized groups tend to make ourselves smaller, provoking the question: What would happen if we suddenly stopped?​​ Greedy shows us that being bisexual is about so much more than who you’re sleeping with—it’s about finding stability in a state of flux and defining yourself on your own terms. This book inspires us to rethink the world as we know it, reminding us that Greedy was a superpower all along.

(Easy Piano Songbook). 14 of the most popular contemporary country hits in simplified arrangements for piano. Includes: Biscuits * Burning House * Cruise * Die a Happy Man * Girl Crush * H.O.L.Y. * Humble and Kind * Huntin', Fishin' and Lovin' Every Day * Nobody to Blame * Something in the Water * Somewhere on a Beach * Take Your Time * (Smooth As) Tennessee Whiskey * You Should Be Here.

Women We Love: Femininities and the Korean Wave is an edited volume exploring femininities in and around the Korean Wave since 2000. While studies on the Korean Wave are abundant, there is a dearth of thought put toward the female-identifying stars, characters, and fans who shape and lead this crucial cultural movement. This collection of essays is one of the first works to focus on gender and the key female actors of this global phenomenon. Using “women” as an inclusive term extending to all those who self-define as women, this volume examines the role of women in K-pop and K-drama industries and fandom spaces, encompassing crucial intersectional topics such as queering of gender, dissemination of media, and fan culture. In addition to the communities engaged with visual culture of the Korean Wave, the audience for Women We Love will reflect the contributors to this text. They are K-pop and K-drama fans, queer, international; they are also academics of Asian histories, sociology, gender and sexuality, art history, and visual culture. The chapters are playful, intersectional, and will be adapted well into syllabi for media studies, gender studies, visual culture studies, sociology, and contemporary global history. “Women We Love goes far beyond the dyad of the flower boy Hallyu star and his female fan to offer readers an illuminating discussion of plural femininities in the Korean Wave since the turn of the millennium. The essays will answer many burning yet heretofore unanswered questions about the affective resonances and political significance of Korean popular culture’s gender dynamics, which have fascinated, puzzled, and at times frustrated many fans and observers. Rigorously interdisciplinary, yet grounded in textual detail, historical context, and material reception practices, this is a timely and valuable contribution to the study of gender, fandom, and global media.” —Michelle Cho, University of Toronto “This is a provoking and fascinating book—one of the most awaited books in Hallyu studies. Drawing from a multitude of feminist theories and case studies, this edited volume not only provides captivating and much-needed discussions but also critically expands the current debates in gender studies, feminism studies, and fan studies. This book is vital literature for researchers, students, and practitioners who are willing to advance their understanding of the Korean Wave from a new scope and angle.” —Dal Yong Jin, Simon Fraser University

FINALIST FOR THE 2018 CHARLOTTE MEW PRIZE summer jade leavitt