"A deeply moving story of family, homelessness, and the ghosts that won't let us go. Haunting and unforgettable."—Megan Shepherd, New York Times bestselling author of The Secret Horses of Briar Hill Told in the naïve voice of a homeless girl sheltered by her mother from the world, this is a moving debut perfect for fans of David Almond, A Monster Calls, and Room. I'm invisible. Ma says I'm supposed to be so the Authorities don't get me. She goes out into the streets almost every day but I'm not allowed. I've got to stay inside the mill so they don't see me. In an old, abandoned mill, a girl and her ma take shelter from their memories of life on the streets, and watch the busy world go by. The girl calls it the Castle because it's the biggest place they've ever stayed, a home of her own like no other. The windows are boarded up and the floorboards are falling in, but for her neither of those things matter. Then developers show up, and it's clear that their lives are about to change forever. Desperate to save their refuge from the Authorities and her mother from her own personal demons, the girl seeks out the ghosts of the mill. And with only Caretaker—the old man who's slept outside the mill for decades—around to answer her questions, she begins to wonder what kind of ghosts are haunting both the mill and her mother. The Girl in Between is a compelling, witty, and at times heartbreaking novel that explores themes of loneliness and grief with effortless warmth and an unforgettable voice that will stick with you long after you've finished.

Lucy Crighton has just moved in with some gregarious housemates called Brian and Denise ... who are her parents. She's also the proud mother of Glenda, her beloved 10-year-old ... kelpie. And she has absolutely no interest in the dashing son of her parents' new next-door neighbour ... well, maybe just a little ... As the girl in between relationships, careers and cities, Lucy is facing some awkward truths - like her mum's obsession with Cher, her father's unsolicited advice, and the probability there's more cash on the floor of her parents' car than in her own bank account. Thank goodness for Lucy's crazy-but-wonderful best friend, Rosie, who's around to cushion reality with wild nights at the local Whipcrack Hotel, escapades in Japanese mud baths, and double dating under the Christmas lights in London. But will Lucy work out what she really wants to do in life - and who she wants to share it with? Girl in Between is a warm, funny, charmingly Australian story about life at the crossroads. Featuring an endearing and irrepressible cast of characters, it will have you chuckling from start to finish.

"...this well-crafted novel which explores the nature of obsessive love and the possible inspiration for The Scream." — Publishers Weekly In this breathtaking literary novel, an innocent maid discovers the power of obsession when she is caught between two lovers in an illicit affair. Johanne Lien has grown up living a simple life with her family in Åsgårdstrand, Norway. Now that she's working as a maid for an admiral's family, Johanne thinks her carefree summers are over. She doesn't yet know that an infamous artist will lead her down a path of scorching chaos. The admiral's daughter has become obsessed with the painter, a man years older with a dark reputation. When a forbidden affair beings, and Johanne is asked to hide more than just secrets, she must decide whether to take the risk... Seen through the eyes of a young maid who finds herself drawn ever deeper into the intense relationship between her mistress and the painter, The Girl Between explores how one of the most famous paintings of all time may have been inspired by an intoxicating love affair. "...this well-crafted novel which explores the nature of obsessive love and the possible inspiration for The Scream." — Publishers Weekly

In this poignant and timely memoir—written with the searing power of Beautiful Struggle and Born a Crime—Degrassi Junior High star Anais Granofsky contemplates the lingering impact of a childhood spent in two opposite and warring worlds. Though recognized around the world for her role as Lucy Hernandez on the hit show Degrassi, Anais Granofsky’s true childhood story is largely unknown. Growing up, Anais was caught between two vastly different worlds: her father, Stanley, came from a wealthy, prominent, white Jewish family in Toronto. Her mother, Jean, was one of 15 children from a poor Black Methodist family in Ohio directly descended from freed Randolph slaves. When Anais’s parents met at Antioch College in the early 1970s and soon had their first child, they didn’t anticipate being cut off by the wealthy Granofskys, or that Stanley would find his calling in the spiritual teaching of Bhagwan Shree Rajneesh, change his name to Fakeer, and leave his family for an ashram in India. Young Anais and her mother teetered on the abyss of poverty, sharing a mattress in a single room in social housing in Toronto, while her grandparents lived in a mansion that was 20 minutes away. As Anais grew up, she spent weekends with her wealthy Granofsky grandparents. On Saturdays and Sundays she would wear expensive clothes and eat lunch by the pool. In the weeks between, she and her mother lived day by day penniless, rarely knowing where their next meal would come from. From her earliest youth, Anais realized that if she wanted to be loved, she had to keep her two lives separate, learning to code switch between her Jewish identity on the weekend and her Black one during the week. Her life was compartmentalized, until at age 12, Anais was cast in the internationally successful television show Degrassi Junior High. The Girl in the Middle is a tale of two vastly different families and the granddaughter they shared and clashed over. Compassionate and vivid, Anais’s story is a powerful lens revealing two divided families and the systematic, generational oppression that separated them. As Anais shares her experiences growing up in opposing worlds, she offers a heart-wrenching exploration of generational trauma, love, shame, grief, and prejudice—and essential insight for healing and acceptance.

It wasn’t until Libby Phelps was an adult, a twenty-five year old, that she escaped the Westboro Baptist Church. She is the granddaughter of its founder, Fred Phelps, and when she left, the church and its values were all she’d known. She didn’t tell her family she was leaving. It happened in just a few minutes; she ran into her house, grabbed a bag, and fled. No goodbyes. Based in Topeka, Kansas, the Westboro Baptist Church community is one the country’s most notorious evangelical groups. Its members are known for their boisterous picketing—their zealous members with anti-military, anti-Semitic, and anti-gay signs—“Thank God for Dead Soldiers,” “God Hates Jews,” or “Thank God for 9/11”—and their notorious catchphrase “God hates fags.” Search for them online and you’re directed to their website, www.godhatesfags.com. The church makes headlines in news across the country. You’ve driven past its picketers or seen them on TV. It has seventy members and ninety percent of them are part of Libby’s family. They picket concerts, football games, other churches, and, most notoriously, the funerals of servicemen and victims of hate crimes. For its members, to question its rules is to risk going to hell—where worms eat at your body and fire shoots out of your eyeballs. In Girl on a Wire, Libby is candid about her experience and what’s happened since her escape. On Anderson Cooper Live, she was confronted by the mother of a soldier whose funeral had been picketed, and had to respond. Despite it all, she cares for her family. Her grandfather’s sermons were fear mongering, but she loves him. This unusual memoir presents a rare, inside look into a notorious cult, and is an astonishing story of strength, bravery, and determination.

The day after Karina's sixteenth birthday, supernatural things start to happen around her and she has no idea why. Her mother, who disappeared soon after they migrated from the Philippines to America, speaks to her in prophetic dreams. Stranger still is the old man who turns up at her house one day and claims to be her grandfather, even though Karina's mother had told her he died a long time ago. Karina discovers that her mother is an engkanto princess who ran away from Engkantasia. Karina is now of age to take the throne and must do so to prevent a war between Engkantasia and the human world. She must learn to control her powers and fight a range of weird creatures trying to kill her and her family. To make matters worse, she finally meets a boy she likes and there's something about him she can't quite figure out.

NATIONAL BESTSELLER WINNER OF THE BOOKER PRIZE “A must-read about modern Britain and womanhood . . . An impressive, fierce novel about the lives of black British families, their struggles, pains, laughter, longings and loves . . . Her style is passionate, razor-sharp, brimming with energy and humor. There is never a single moment of dullness in this book and the pace does not allow you to turn away from its momentum.” —Booker Prize Judges Bernardine Evaristo is the winner of the 2019 Booker Prize and the first black woman to receive this highest literary honor in the English language. Girl, Woman, Other is a magnificent portrayal of the intersections of identity and a moving and hopeful story of an interconnected group of Black British women that paints a vivid portrait of the state of contemporary Britain and looks back to the legacy of Britain’s colonial history in Africa and the Caribbean. The twelve central characters of this multi-voiced novel lead vastly different lives: Amma is a newly acclaimed playwright whose work often explores her Black lesbian identity; her old friend Shirley is a teacher, jaded after decades of work in London’s funding-deprived schools; Carole, one of Shirley’s former students, is a successful investment banker; Carole’s mother Bummi works as a cleaner and worries about her daughter’s lack of rootedness despite her obvious achievements. From a nonbinary social media influencer to a 93-year-old woman living on a farm in Northern England, these unforgettable characters also intersect in shared aspects of their identities, from age to race to sexuality to class. Sparklingly witty and filled with emotion, centering voices we often see othered, and written in an innovative fast-moving form that borrows technique from poetry, Girl, Woman, Other is a polyphonic and richly textured social novel that shows a side of Britain we rarely see, one that reminds us of all that connects us to our neighbors, even in times when we are encouraged to be split apart.

Everything is a struggle for Karina after she took over her mother's role as the next heir in Engkantasia-she faces lukewarm reception from the royal guild who doubts her capability to rule the kingdom well, she yearns for the family she left in the human world, and she has to beat the daughter of one of the council leaders who challenged her for the throne. Feeling lost, she wanders around the kingdom and stumbles upon the mysterious Untraveled Forest, where she soon finds herself in the midst of a secret plot to take over the two worlds. Now she must find a way to save Engkantasia and the human world from the clutches of the Dark Clans.

The former movie star shares her spiritual passion in this conversational dialog between a seeking soul and the God she loves.

On a very cold and cloudy planet far away, there lived a great magician. Although she was just a little girl, she was always very serious. One day, while she was practicing her magic, she conjured a dragon from another world! Although the dragon was huge, he was not serious. The girl and the dragon were so different that they could hardly understand each other at first. But they soon became inseparable. Would the new friends be able to bring the sunlight back to the freezing planet?