Steven L. Peck's intriguing, literary narrative follows Gilda Trillim's many adventures; from her origins on a potato farm in Idaho, to an Orthodox Convent in the Soviet Union, to her life as a badminton champion... When Gilda is taken prisoner during the Vietnam war, she finds comfort in the company of the rats who cohabit her cell. Follow Gilda as she struggles to comprehend the meaning of life in this uncanny, philosophical novel which explores Mormonism, spirituality and what it means to be human.

Latter-day Saint Art: A Critical Reader seeks to fill a substantial gap by providing a comprehensive examination of the visual art of the Latter-day Saints from the nineteenth century to the present. The volume includes twenty-two essays examining art by, for, or about Mormons, as well as over 200 high-quality color illustrations.

A mysterious package from an anonymous artifact donor arrives on the desk of Jill Levin, the senior curator at a Holocaust museum: a secret diary, written by the eldest daughter of St. Thomas More, legal advisor to and close friend of Henry VIII. As Jill and her colleagues work to authenticate this rare find, letters arrive to convey the manuscript's history and the donor's unimaginable story of survival. At the same time, representatives from the Archdiocese of New York arrive to stake their claim to this controversial document, hoping to send it to a Vatican archive before its explosive content becomes public. As the process of authentication hovers between find and fraud, and as the battle for provenance plays out between religious institutions, Jill struggles with her own family history, and her involvement in a relationship she fears will disrupt and disappoint her family.

Philosophy meets satire, poetry, cosmology, and absurdity in this tragicomic brew of magical realism and 1970s rural Mormon Utah.

Down-and-out actor Stan Pavlov’s life takes an unexpected turn when his beloved Dog inadvertently gets cast in the commercial Stan was auditioning for. Pavlov’s Dog moves to LA and ascends to stardom in a late-night talk show. Stan quits. He has flushed acting out of his system, until the Dog, sick and broke, needs money for an operation - having blown all his on chew toys and bitches... Stan grudgingly agrees to become a prime-time game show host, but finds that money, fame and attention can’t erase the simple truth: there is no loneliness quite as profound as a man separated from his dog.

A damned man struggles to find meaning in a library, the dimensions of which are measured in light years.

'Engaging, light-hearted and deeply touching, this book deals with universal themes: alienation, exploration and the quest for reconciliation - with who you were, where you are and what you want to be.'Jane Bailey Bain, Author, Lifeworks Katy is a career mum in her 40s who's stressed out, time-starved, and disenchanted with her successful life. She has a handsome husband, a house in London, and two teenage children. Her therapy practice in Harley Street is thriving, but she feels empty and lost. She's forgotten who she is and what makes her tick. An impulsive decision sets in motion a domino effect that changes her life. A series of events, a meeting with someone from the past, and a sequence of numbers, send her on a rollercoaster ride to finding herself. With some trepidation, Katy embarks on a path of spiritual awakening and embraces a new way of thinking.

The slave experience was a defining one in American history, and not surprisingly, has been a significant and powerful trope in African American literature. In Re-Forming the Past, A. Timothy Spaulding examines contemporary revisions of slave narratives that use elements of the fantastic to redefine the historical and literary constructions of American slavery. In their rejection of mimetic representation and traditional historiography, postmodern slave narratives such as Ishmael Reed's Flight to Canada, Octavia Butler's Kindred, Toni Morrison's Beloved, Charles Johnson's Ox Herding Tale and Middle Passage, Jewelle Gomez's The Gilda Stories, and Samuel Delaney's Stars in My Pocket like Grains of Sand set out to counter the usual slave narrative's reliance on realism and objectivity by creating alternative histories based on subjective, fantastic, and non-realistic representations of slavery. As these texts critique traditional conceptions of history, identity, and aesthetic form, they simultaneously re-invest these concepts with a political agency that harkens back to the original project of the 19th-century slave narratives. In their rejection of mimetic representation and traditional historiography, Spaulding contextualizes postmodern slave narrative. By addressing both literary and popular African American texts, Re-Forming the Past expands discussions of both the African American literary tradition and postmodern culture.

Zacharias Harker is a brilliant botanist and an aging recluse. Haunted by his mistakes and living without his wife and daughter for the past twenty years, he hatches the idea to write his magnum opus, a book on the implications of climate change for humanity focused on the wildflowers of Utah's Wasatch Mountains. Just prior to the tragedy of 9/11, he hires a young artist, Alba, to paint flowers for the book. Over the course of their unlikely friendship, Harker convinces Alba to return to Chile to learn the story, long hidden from her by her mother, of her father's disappearance under Pinochet. Alba's discovery of her family history and her experience listening to the stories of Chileans who have resisted a government ruled by fear inspire her return to Utah with renewed purpose. As America grows more distrusting of immigration and diversity, Alba commits her art to the protection of the environment and to a more inclusive meaning of family and belonging while she and her husband, John, strive to learn Harker's hidden past and include him in their lives before it is too late. Rooted in the Mormon heritage of Utah but hemispheric in its reach, American Fork is a story of restoration and healing in the wake of loss and betrayal.