Since the advent of autism as a diagnosed condition in the 1940s, the importance of music in the lives of autistic people has been widely observed and studied. Articles on musical savants, extraordinary feats of musical memory, unusually high rates of absolute or "perfect" pitch, and the effectiveness of music-based therapies abound in the autism literature. Meanwhile, music scholars and historians have posited autism-centered explanatory models to account for the unique musical artistry of everyone from Béla Bartók and Glenn Gould to "Blind Tom" Wiggins. Given the great deal of attention paid to music and autism, it is surprising to discover that autistic people have rarely been asked to account for how they themselves make and experience music or why it matters to them that they do. In Speaking for Ourselves, renowned ethnomusicologist Michael Bakan does just that, engaging in deep conversations--some spanning the course of years--with ten fascinating and very different individuals who share two basic things in common: an autism spectrum diagnosis and a life in which music plays a central part. These conversations offer profound insights into the intricacies and intersections of music, autism, neurodiversity, and life in general, not from an autistic point of view, but rather from many different autistic points of view. They invite readers to partake of a rich tapestry of words, ideas, images, and musical sounds that speak to both the diversity of autistic experience and the common humanity we all share.

Since the advent of autism as a diagnosed condition in the 1940s, the importance of music in the lives of autistic people has been widely observed and studied. Articles on musical savants, extraordinary feats of musical memory, unusually high rates of absolute or "perfect" pitch, and the effectiveness of music-based therapies abound in the autism literature. Meanwhile, music scholars and historians have posited autism-centered explanatory models to account for the unique musical artistry of everyone from Béla Bartók and Glenn Gould to "Blind Tom" Wiggins. Given the great deal of attention paid to music and autism, it is surprising to discover that autistic people have rarely been asked to account for how they themselves make and experience music or why it matters to them that they do. In Speaking for Ourselves, renowned ethnomusicologist Michael Bakan does just that, engaging in deep conversations--some spanning the course of years--with ten fascinating and very different individuals who share two basic things in common: an autism spectrum diagnosis and a life in which music plays a central part. These conversations offer profound insights into the intricacies and intersections of music, autism, neurodiversity, and life in general, not from an autistic point of view, but rather from many different autistic points of view. They invite readers to partake of a rich tapestry of words, ideas, images, and musical sounds that speak to both the diversity of autistic experience and the common humanity we all share.

From the incomparable Emmy, Grammy, and Tony Award winner, a powerful and revealing autobiography about race, sexuality, art, and healing—now in paperback It’s easy to be yourself when who and what you are is in vogue. But growing up Black and gay in America has never been easy. Before Billy Porter was slaying red carpets and giving an iconic Emmy-winning performance in the celebrated TV show Pose; before he was the groundbreaking Tony and Grammy Award–winning star of Broadway’s Kinky Boots; and before he was an acclaimed recording artist, actor, playwright, director, and all-around legend, Porter was a young boy in Pittsburgh who was seen as different, who didn’t fit in. At five years old, Porter was sent to therapy to “fix” his effeminacy. He was endlessly bullied at school, sexually abused by his stepfather, and criticized at his church. Porter came of age in a world where simply being himself was a constant struggle. Billy Porter’s Unprotected is the life story of a singular artist and survivor in his own words. It is the story of a boy whose talent and courage opened doors for him, but only a crack. It is the story of a teenager discovering himself, learning his voice and his craft amid deep trauma. And it is the story of a young man whose unbreakable determination led him through countless hard times to where he is now; a proud icon who refuses to back down or hide. Porter is a multitalented, multifaceted treasure at the top of his game, and Unprotected is a resonant, inspirational story of trauma and healing, shot through with his singular voice.

"Rarefied but unpretentious, each issue is an artfully curated collection of essays, poems, art, and journalistic reportage. . . . Gastronomica's fare never fails to nourish us." --Saveur magazine "I am so impressed with this journal. It indicates an accuracy and diversity of information and style that will inspire and encourage people to pay attention to what they are eating."--Alice Waters "Food, even more than sex, is the basis for human relationships, and if Brillat-Savarin's 'Tell me what you eat and I will tell you who you are' is right, Gastronomica: The Journal of Food and Culture will enhance your life and improve your relationships with your family and your friends."--Jacques Pépin "Gastronomica deserves the food world's attention." --Paul Levy "A food journal of high standards that takes on substantive food issues."--Patricia Unterman "Interacting with so many disciplines, Gastronomica will assure a fine intellectual menu and reinvigorate the worlds of food and culture with ever higher standards of scholarship."--Anne Willan "[One of] my top food favorites from 2008. . . . A delightful study of all things food, even those that touch the world of food in a peripheral way."--The Zest, food blog

Fox (literature, emeritus, Michigan State U.), himself a part of the loose post-Beat literary movement he calls the Invisible Generation, presents selections from the work of 33 unheralded writers of the past 40 years, including himself. A brief biography is included for each author. The material for the collection has been previously published in little magazines and small literary press publications.

Jeffrey Reiner is a middle manager’s dream. Predictable, almost invisible, and lacking ambition, he’s held the same tedious job for eighteen years, typing up the calendar listings for a South Florida weekly. As the economy and the newspaper industry crashed around him, Jeffrey kept his head comfortably in the sand until he was terminated in the middle of his lunch hour. Suddenly Jeffrey is staring at a deadline of twenty-one weeks before his severance pay and unemployment benefits dry up and he has to figure out what to do next. Plunged into the bizarre world of unemployment, Jeffrey’s attempts at networking lead him to his slacker neighbors, an unorthodox state facilitator, and a 1-800 mental health counselor. What’s even worse is now that he has no job to fill the daytime hours, he can’t ignore the fact that his family life is unraveling: his wife communicates almost solely through detailed daily honey-do lists; his mother seems determined to get herself kicked out of her assisted-living facility; his teenage daughter has no use for him and seems wiser to the ways of the world than he’ll ever be; and his son has taken up a disturbing form of pest control to help make ends meet. Even his dog finds a way to let him down. With his job search going nowhere amid the wreckage of the American economy, Jeffrey has no choice but to push beyond his comfort zone. He takes on a string of ridiculous odd jobs for a guy known as “enterprising dude” that include dressing up as the Statue of Liberty and breeding fish in a tub of mud. But as Jeffrey stumbles from one comic catastrophe to another, he realizes that in opening up to the world, he no longer wants to go back to his safe, sheltered corner. Full of whimsy, wry humor, and surprising insight, Nothing Happens Until It Happens to You is a weird, wonderful journey of self-discovery that proves there’s life after the pink slip after all.

Are you a music teacher or college music student who wants to make good money on the weekend doing something you love? Are you already a wedding musician, but want to charge higher prices and get more, better quality gigs? Are you a wedding planner, photographer, DJ, or florist who wants to get your website on page one of Google, network with other wedding professionals, and discover the key ingredients you need to respond to leads and make the sale? If so, then this book is for you! Atlanta pianist Jennifer McCoy Blaske generously shares her hard-earned knowledge and invaluable insights about being a working musician. She covers everything from figuring out if this is the industry for you, to setting prices, networking, building your repertoire, answering your first query (with the best chance of getting a positive response), and lots more. In fact, reading Giggin' for a Livin' is like having a frank conversation with a really knowledgeable friend who's there to guide you through the maze and set you on the right path. But Giggin' for a Livin' isn't just for wedding and special events musicians and professionals. Brimming with practical advice and great tips, it's a must-read for any professional or freelancer just starting out or wanting to take their business to the next level. Jennifer McCoy Blaske has been playing weddings and other special events for over seven years. She's performed at The Fox Theater, Lake Lanier Islands, The Ritz-Carlton in Buckhead, and countless other venues in the Atlanta area. When her fingers aren't dancing over the keys she's hanging out with her family or working on her second novel.

...a great reference guide, detailing artists, chart activity, career milestones, tours and recent activity.

A member of Muddy Waters' legendary late 1940s-1950s band, Jimmy Rogers pioneered a blues guitar style that made him one of the most revered sidemen of all time. Rogers also had a significant if star-crossed career as a singer and solo artist for Chess Records, releasing the classic singles "That's All Right" and "Walking By Myself." In Blues All Day Long, Wayne Everett Goins mines seventy-five hours of interviews with Rogers' family, collaborators, and peers to follow a life spent in the blues. Goins' account takes Rogers from recording Chess classics and barnstorming across the South to a late-in-life renaissance that included new music, entry into the Blues Hall of Fame, and high profile tours with Eric Clapton and the Rolling Stones. Informed and definitive, Blues All Day Long fills a gap in twentieth century music history with the story of one of the blues' eminent figures and one of the genre's seminal bands.