Rumor has it that water--still or flowing--is a medium for paranormal activity. Residents of Greenville, South Carolina, have gathered at Falls Park on the river for generations, so it is no coincidence that this upstate city is teeming with spirits whose stories have yet to be told. From the aggressive spirits trapped in the 1920s grandeur of the Westin Poinsett Hotel to the moans of the wrongly accused Willie Earle, these ghosts have unfinished business. Watch as phantoms of children drift through the rows of Springwood Cemetery and discover what lurks behind the Tiffany stained-glass hallways of the Gassaway Mansion, as paranormalist and owner of Greenville Ghost Tours Jason Profit guides readers through the chilling past of this historic city with an entertaining collection of tales.

They scream in the night. They watch through the window. And sometimes they chase you right out of the woods. They are the Upstate's ghosts, and there are more of them than you think. While South Carolina's Lowcountry has a long and well-documented history with its spectral residents, the Upstate's phantoms have led quieter lives, or afterlives. But no more. In Ghosts of Upstate South Carolina, John Boyanoski, a reporter for the Greenville Journal, tells the true stories of the region's many haunted places. From Spartanburg to Union, from Anderson to Newberry, from Powdersville to Pickens, the South Carolina Upstate is haunted. Numerous ghosts and spirits haunt the Old Poinsett Bridge, and in Gaffney cries for help can still be heard from the victims of the Gaffney Strangler. Near Highway 11 there is a haunted tree. Even the squirrels won't go near it. In Greenville, a lynching victim still seeks vengeance, while wayward rocking chairs, a haunted balcony, and walled-off stairs to nowhere are just the start in Abbeville. In other towns there are ladies in white, a menacing hound, crying babies, spectral voices, a devil on a tombstone, floating lights, phantom brides, glowing red eyes, ghostly children who make the living want to hop and skip, and at least one specter who likes to play catch. Ghosts haunt the Upstate's roads and railroads, its hotels and theaters, its colleges and churches. (Youll be hard-pressed to find an Upstate college that isn't home to at least one.) And of course they haunt its homes. The ten ghosts at the Merridun Inn even throw their own Christmas party! And then theres the zombie.

With a history that stretches back to the earliest years of America, it comes as little surprise that the Upstate region of South Carolina is home to many ghosts and to hundreds of intriguing legends. In Ghosts of the South Carolina Upcountry, librarian and folklorist Tally Johnson introduces us to some of the area's most colorful specters, from Major Ferguson, a British officer in the Revolutionary War who still haunts the grounds of his last battle at Kings Mountain, to the Hound of Goshen, a demon dog who has been chasing passersby in Union and Newberry Counties since the mid-nineteenth century. Among these stories Johnson weaves the local lore and history of thirteen upstate counties, drawing upon sources as varied as historic records, newspapers and personal interviews.

Ghosts and other supernatural phenomena are widely represented throughout modern culture. They can be found in any number of entertainment, commercial, and other contexts, but popular media or commodified representations of ghosts can be quite different from the beliefs people hold about them, based on tradition or direct experience. Personal belief and cultural tradition on the one hand, and popular and commercial representation on the other, nevertheless continually feed each other. They frequently share space in how people think about the supernatural. In Haunting Experiences, three well-known folklorists seek to broaden the discussion of ghost lore by examining it from a variety of angles in various modern contexts. Diane E. Goldstein, Sylvia Ann Grider, and Jeannie Banks Thomas take ghosts seriously, as they draw on contemporary scholarship that emphasizes both the basis of belief in experience (rather than mere fantasy) and the usefulness of ghost stories. They look closely at the narrative role of such lore in matters such as socialization and gender. And they unravel the complex mix of mass media, commodification, and popular culture that today puts old spirits into new contexts.

The father of "Ghostbusters" star Dan Aykroyd shares the blockbuster movie's real-life inspiration: his own family's colorful history and experiences with the paranormal. color photo insert.

The Pulitzer Prize-winning author of The Poision Squad and The Poisoner's Handbook tells the amazing story of William James's quest for empirical evidence of the spirit world What if a world-renowned philosopher and professor of psychiatry at Harvard suddenly announced he believed in ghosts? At the close of the nineteenth century, the illustrious William James led a determined scientific investigation into "unexplainable" incidences of clairvoyance and ghostly visitations. James and a small group of eminent scientists staked their reputations, their careers, even their sanity on one of the most extraordinary quests ever undertaken: to empirically prove the existence of ghosts, spirits, and psychic phenomena. What they pursued—and what they found—raises questions as fascinating today as they were then.

"From horse thieves to hurricanes, from shattered Southern myths to fractured family ties, from Nashville to Myrtle Beach to Miami, Low Country is a lyrical, devastating, fiercely original memoir" of one family's changing fortunes in the Low Country of South Carolina (Justin Taylor, author of Riding with the Ghost). J. Nicole Jones is the only daughter of a prominent South Carolina family, a family that grew rich building the hotels and seafood restaurants that draw tourists to Myrtle Beach. But at home, she is surrounded by violence and capriciousness: a grandfather who beats his wife, a barman father who dreams of being a country music star. At one time, Jones's parents can barely afford groceries; at another, her volatile grandfather presents her with a fur coat. After a girlhood of extreme wealth and deep debt, of ghosts and folklore, of cruel men and unwanted spectacle, Jones finds herself face to face with an explosive possibility concerning her long-abused grandmother that she can neither speak nor shake. And through the lens of her own family's catastrophes and triumphs, Jones pays homage to the landscapes and legends of her childhood home, a region haunted by its history: Eliza Pinckney cultivates indigo, Blackbeard ransacks the coast, and the Gray Man paces the beach, warning of Hurricane Hazel.

NATIONAL BESTSELLER • A modern classic of true crime, set in a most beguiling Southern city—now in a 30th anniversary edition with a new afterword by the author “Elegant and wicked . . . might be the first true-crime book that makes the reader want to book a bed and breakfast for an extended weekend at the scene of the crime.”—The New York Times Book Review Shots rang out in Savannah’s grandest mansion in the misty, early morning hours of May 2, 1981. Was it murder or self-defense? For nearly a decade, the shooting and its aftermath reverberated throughout this hauntingly beautiful city of moss-hung oaks and shaded squares. In this sharply observed, suspenseful, and witty narrative, John Berendt skillfully interweaves a hugely entertaining first-person account of life in this isolated remnant of the Old South with the unpredictable twists and turns of a landmark murder case. It is a spellbinding story peopled by a gallery of remarkable characters: the well-bred society ladies of the Married Woman’s Card Club; the turbulent young gigolo; the hapless recluse who owns a bottle of poison so powerful it could kill every man, woman, and child in Savannah; the aging and profane Southern belle who is the “soul of pampered self-absorption”; the uproariously funny drag queen; the acerbic and arrogant antiques dealer; the sweet-talking, piano-playing con artist; young people dancing the minuet at the black debutante ball; and Minerva, the voodoo priestess who works her magic in the graveyard at midnight. These and other Savannahians act as a Greek chorus, with Berendt revealing the alliances, hostilities, and intrigues that thrive in a town where everyone knows everyone else. Brilliantly conceived and masterfully written, Midnight in the Garden of Good and Evil is a sublime and seductive reading experience.

In the wake of World War I in the small, Southern town of Bellhaven, South Carolina, the town folk believe they’ve found a little slice of heaven in a mysterious chapel in the woods. But they soon realize that evil can come in the most beautiful of forms. The people of Bellhaven have always looked to Ellsworth Newberry for guidance, but after losing his wife and his future as a professional pitcher, he is moments away from testing his mortality once and for all. Until he finally takes notice of the changes in his town . . . and the cardinals that have returned. Upon the discovery of a small chapel deep in the Bellhaven woods, healing seems to fall upon the townspeople, bringing peace after several years of mourning. But as they visit the “healing floor” more frequently, the people begin to turn on one another, and the unusually tolerant town becomes anything but. The cracks between the natural and supernatural begin to widen, and tensions rise. Before the town crumbles, Ellsworth must pull himself from the brink of suicide, overcome his demons, and face the truth of who he was born to be by leading the town into the woods to face the evil threatening Bellhaven.