In this book, the editors focus on architecture and communication from various different perspectives – taking into account that the term “architecture” is used for buildings as well as in the context of computer software. Data and software also impact on our cities; raw data, however, do not convey any information – in order to generate information and communication they have to be organized and must make sense to the reader. The contributions avoid clear separation of the various communication spheres of their disciplines. Instead, they use the wide range of approaches to explore meanings – an ambitious aim that leaves the destination wide open; the reader is invited to share in this adventure.

Indonesia has been an electoral democracy for more than a decade, and yet the political landscape of the world’s third-largest democracy is as complex and enigmatic as ever. The country has achieved a successful transition to democracy and yet Indonesian democracy continues to be flawed, illiberal, and predatory. This book suggests that this and other paradoxes of democracy in Indonesia often assume occult forms in the Indonesian political imagination, and that the spirit-like character of democracy and corruption traverses into the national media and the political elite. Through a series of biographical accounts of political entrepreneurs, all of whom employ spirits in various, but always highly contested, ways, the book seeks to provide a portrait of Indonesia’s contradictory democracy, contending that the contradictions that haunt democracy in Indonesia also infect democracy globally. Exploring the intimate ways in which the world of politics and the world of spirits are entangled, it argues that Indonesia’s seemingly peculiar problems with democracy and spirits in fact reflect a set of contradictions within democracy itself. Engaging with recent attempts to look at contemporary politics through the lens of the occult, Democracy, Corruption and the Politics of Spirits in Contemporary Indonesia will be of interest to academics in the fields of Asian Studies, Anthropology and Political Science and relevant for the study of Indonesian politics and for debates about democracy in Asia and beyond.

"In this rich survey Susan Owens explores the wide range of roles that ghosts have played in Britain's cultural life, looking at how they reflect our changing attitudes, our hopes and fears. Featuring a dazzling range of artists, including William Blake, Dante Gabriel Rossetti, John Everett Millais, Paul Nash, and Jeremy Deller, alongside writers such as William Shakespeare, Daniel Defoe, Mary Shelley, Emily Brontë, Charles Dickens, Thomas Hardy, Hilary Mantel and Sarah Waters." -- Back cover.

The appearance of ghosts in art and popular culture has transformed throughout history. From the undead corpse of the medieval tradition to the transparent forms of photographic film, to the infrared and thermal images that now populate reality television, the paranormal has literally changed shape over the centuries. In Poetics of the Paranormal Kevin Chabot articulates the idea of spectrality, demonstrating how the paranormal is far from a stable, metaphysical category: it is a dynamic and historically contingent discourse, the contours of which shift over time. Specific media, Chabot argues, present the ghost in distinct ways that emphasize the ghostly qualities of the medium and, conversely, the technological qualities of the ghost. Through detailed analyses of nineteenth-century spirit photography, horror films, ghost-hunting reality television, and the viral internet phenomenon Slender Man, Chabot shows how the paranormal both shapes and is shaped by media. Exploring key historical shifts in contemporary media while providing a rich and novel theoretical framework, Poetics of the Paranormal addresses with renewed rigour the relationships between media, perception, temporality, and the elusive concept of the evidential.

Award nominated SF author Adam Roberts takes on Dickens in this festive zombie gorefest. Marley was dead. To begin with. The legendary Ebenezeer Scrooge sits in his house counting money. The boards that he has nailed up over the doors and the windows shudder and shake under the blows from the endless zombie hordes that crowd the streets hungering for his flesh and his miserly braaaaiiiiiinns! Just how did the happiest day of the year slip into a welter of blood, innards and shambling, ravenous undead on the snowy streets of old London town? Will the ghosts of Christmas Past, Present and Future be able to stop the world from drowning under a top-hatted and crinolined zombie horde? It's the Dickensian Zombie Apocalypse - God Bless us, one and all!

Making spirits visible has been a part of the theatrical experience since at least the sixteenth century. Instead of illusions, however, ghostly doubles in theatre are materially real and pervasive. In Ghosts, Alice Rayner examines theatre as a memorial practice that is haunted by the presence of loss, looking at how aspects of stagecraft turn familiar elements into something uncanny. Citing examples from the works of Shakespeare, Beckett, and Suzan-Lori Parks as well as the films Vertigo, Gaslight, and The Sixth Sense, she begins by describing time as it is employed by theatre with multiple aspects of presence, duration, and passage. Suggesting that objects connect past to present through the sense of touch, she explores how props are suspended backstage between motion and meaning. Her final chapters consider the curtain as theatre’s means for attempting to divide real and imaginary worlds. If ghosts hover where secrets—secrets of the past, secrets from oneself, secrets of life and death—are kept, then, according to Rayner, “theatre is where ghosts best make their appearances and let communities and individuals know that we live amid secrets hiding in plain sight.” Alice Rayner is associate professor of drama at Stanford University and author of, most recently, To Act, To Do, To Perform: Drama and the Phenomenology of Action.

A selected perforations compilation of material from 1992 until 2014: calls, articles, and more. Theory, anti-data, communitarian, ghostly, hysterical, missed aim, infra thin (where the brain rubber hits the road)

In a world-altering cosmic event, the ghosts of everyone who ever died suddenly become visible to the living. They may be dead, but they're ready to rejoin society. All hundred billion of them. In this strange new world where everyone stays around forever, Ryan Matney decides that life really begins at death. So, with the help of some questionable technology, he embarks on a permanent out-of-body experience and becomes a ghost himself. It doesn’t go well. And soon, Ryan finds that he wants his body back. But it’s not where he left it. And if he doesn’t get back into it by the end of the week, he’ll cease to exist. Totally. Forever. Also, there’s a breakfast cereal he really wants to try. That’s less of a problem. But still a problem. “Laced with poignancy, humor, and loads of twists and turns” (Rachel Reads). “I found myself up late at night instead of sleeping and ignoring household chores wanting to know what happened next” (JBronder Book Reviews)