"An illustrated directory of experimental, Dada and, in particular, Surrealist photography from 1918-1948, containing over 200 photographic images by some 50 revolutionary artists."--Page 4 of cover.

When one of her clients turns up dead after buying an apparently unremarkable 16th century breviary, antiquarian book dealer Anne Wilkinson is suddenly swept into a world that she had previously considered imaginary. An esoteric world of occult spells and invocations, of cryptic texts and secret doctrines, a world where necromancers spy through mirrors and armed assassins blow up her office and try to gun her down. Before she knows it, Anne is recruited by representatives of a secretive government agency established by Calvin Coolidge to fight demons, vampires, werewolves, and other supernatural beings—and finds herself caught up in the pursuit of a renegade priest who seeks the power to unleash one of the darkest forces of the past into an unsuspecting present. When the unthinkable occurs, only Anne and a handful of books stand between humanity and the end of the world. Can her intrepid band of scientist-librarians steeped in occult lore and schooled in NSA-level techniques of surveillance, explosives and heavy weaponry prevent the demon known as Abbadon from immanentizing the eschaton? You’ll have to read to the end of this page-turning thriller to find out!

The Goodman children are spending their first proper holiday with their estranged archaeologist father since their parents divorced - looking forward to seeing what his new house in the country is like. They know it's a crumbling old pub, which he is renovating, but not long after they arrive, they realise their dad bought the pub for a reason, because of what is said to be buried beneath it. Objects move in the knight, strange noises can be heard coming from the cellar, and a creepy looking guy is hanging around the village asking sinister questions about their dad, and the old pub....13 year old Hugh Goodman is intrigued, and digs a little deeper into the mysteries of the house than he should. Before he knows it he and his siblings are caught up in a horrifying secret, and the discovery of an ancient chamber, where lies the restless ghost of a buried templar knight. Will the ghost avenge his own death using innocent children, or can they manage to beat evil forces?

Catherine Coulter's revamped first novel—a gothic regency romance. The #1 New York Times bestselling author's very first novel, rewritten as a Gothic. A woman who makes the wrong choice for a husband may not live to marry the man of her dreams...

Charles Stross takes a departure from his epic science fiction to craft this cross between Len Deighton—style espionage and H.P. Lovecraftian horror. Bob Howard is a computer-hacker desk jockey, who has more than enough trouble keeping up with the endless paperwork he has to do on a daily basis. He should never be called on to do anything remotely heroic. But somehow, he is...

Nobody does historical romance like #1 New York Times bestselling author Catherine Coulter—and this set includes five of her classic novels. THE COUNTESS THE REBEL BRIDE THE HEIR THE DUKE LORD HARRY

Colorado has some great ghost stories, and this book contains spirits, spooks, and sprites that are a colorful lot of characters. MaryJoy Martin brings them vividly into focus as she describes the San Juans marvelous mix of cultures, from ancient Puebolans, migratory gold seekers to the hungry immigrants straight off the boat. Woof and warp, these tales weave a unique tapestry that matches the mystery and majesty of the mountains. The majority of the tales originated before the 1920s, most going back to the gold rush days and earlier.

In this book Tiya Miles explores the popular yet troubling phenomenon of "ghost tours," frequently promoted and experienced at plantations, urban manor homes, and cemeteries throughout the South. As a staple of the tours, guides entertain paying customers by routinely relying on stories of enslaved black specters. But who are these ghosts? Examining popular sites and stories from these tours, Miles shows that haunted tales routinely appropriate and skew African American history to produce representations of slavery for commercial gain. "Dark tourism" often highlights the most sensationalist and macabre aspects of slavery, from salacious sexual ties between white masters and black women slaves to the physical abuse and torture of black bodies to the supposedly exotic nature of African spiritual practices. Because the realities of slavery are largely absent from these tours, Miles reveals how they continue to feed problematic "Old South" narratives and erase the hard truths of the Civil War era. In an incisive and engaging work, Miles uses these troubling cases to shine light on how we feel about the Civil War and race, and how the ghosts of the past are still with us.

During the California Gold Rush of 1848, ten-year-old Estrella, who runs so fast she is called "la Estrella corriente, " the running star, faces a group of greedy ghosts who have stolen her exotic pets to work in their gold mine.