"Opening the enormous metal gate, the guard suddenly took away my blindfold and asked me, tauntingly, if I would recognize my parents. With my eyes hurting from the strange light and anger in my voice, I assured him that I would. Suddenly I was pushed through the gate and the door was slammed behind me. After more than eight years, here I was, finally, out of jail . . . ." In this haunting account, Shahla Talebi remembers her years as a political prisoner in Iran. Talebi, along with her husband, was imprisoned for nearly a decade and tortured, first under the Shah and later by the Islamic Republic. Writing about her own suffering and survival and sharing the stories of her fellow inmates, she details the painful reality of prison life and offers an intimate look at a critical period of social and political transformation in Iran. Somehow through it all—through resistance and resolute hope, passion and creativity—Talebi shows how one survives. Reflecting now on experiences past, she stays true to her memories, honoring the love of her husband and friends lost in these events, to relate how people can hold to moments of love, resilience, and friendship over the dark forces of torture, violence, and hatred. At once deeply personal yet clearly political, part memoir and part meditation, this work brings to heartbreaking clarity how deeply rooted torture and violence can be in our society. More than a passing judgment of guilt on a monolithic "Islamic State," Talebi's writing asks us to reconsider our own responses to both contemporary debates of interrogation techniques and government responsibility and, more simply, to basic acts of cruelty in daily life. She offers a lasting call to us all. "The art of living in prison becomes possible through imagining life in the very presence of death and observing death in the very existence of life. It is living life so vitally and so fully that you are willing, if necessary, to let that very life go, as one would shed chains on the legs. It is embracing, and flying on the wings of death as though it is the bird of freedom."

The American Revolution is stained with blood and its ghosts are still lurking in the shadows seeking postmortem revenge. Come explore the haunts associated with the colonial rebels' fight for independence, from an aura of disaster lingering from the “shot heard round the world” in Concord, Massachusetts, to the battle cries of our forefathers in Philadelphia, Pennsylvania. Using a paranormal lens, Baltrusis breathes new life into the ghosts of the American Revolution that include both unknown patriots and familiar names.

When two Hungarian Jewish refugees landed by accident in Britain in the winter of 1956, they had little idea what the future would hold. But they carried with them the traces of their turbulent past, just enough to provide the clues to their past. Scattered Ghosts combines memoir, investigation and travel to resurrect 200 years of wars and revolutions, from the Austro-Hungarian Empire via two totalitarianisms to contemporary Britain. It is the story of an all but disappeared world told through the eyes of a single family ruptured by great forces, and occasionally brought together by cherry strudel. Through haphazard and fragmented possessions - a blunt-pencilled letter; a final photograph; a hastily typed certificate; a protecting document; a farewell postcard from a distant place; a recipe - Nick Barlay retraces the footsteps of the vanished. There is the death march of a grandfather, the military manoeuvres of a great uncle, the final weeks and moments of a great grandmother deported to Auschwitz, two boys' survival of an untold massacre, and codenamed spies operating in Cold War Britain. The ordinary mysteries and emotional legacies still resonate today in the parallel lives of far-flung family members. Diaspora, division and cultural identity form the backdrop to the story of ancestors who walked barefoot from Eastern Europe to experience Communism and Nazism, and to outlive them both. Scattered Ghosts is a family history that explores the events, great and small, on which a family's existence hinges. How did one person survive and another die? How did a Soviet tank shell cause a revolution between sisters? How did two refugees escape an invading army? Where did successive generations end up? And, ultimately, where did the recipe for cherry strudel come from?

The Revolutionary War has sparked legends, ghost stories, and tales of haunted battlefields. Explore the ghostly side of the fight for American independence with stories collected for the first time in one volume, from all thirteen of the original American colonies that rebelled against England. Find out how a group of boy scouts got more than they bargained for after camping at the haunted Spy House in New Jersey. Cross paths with the Headless Horseman of Paoli and pray that you don't gaze into his guilty eyes. Travel to Valley Forge, Pennsylvania, where George Washington had his lowest moment in the war and was visited by an angel that may have changed the course of history. Ride with General " Mad Anthony" Wayne on his annual quest to retrieve his missing bones. These stories and more are why you'll want to get caught up in the Spirits of 76'.

The official centenary commemorating the Mexican Revolution of 1910 provided scholars with an opportunity to consider memorialization and its legacies and 'afterimages' in the twentieth century through to the present time. This collection of new essays, commissioned from experts based in Mexico, Europe and the United States, plays on the interrelated notions of 'revisitation', haunting, residual traces and valediction to interrogate the Revolution's multiple appearances, reckonings and reconfigurations in art, photography, film, narrative fiction, periodicals, travel-testimonies and poetry, examining key constituencies of creative media in Mexico that have been involved in historicizing, contesting or evading the mixed legacies of the Revolution. The interplay of themes, practices and contexts across the chapters (ranging from the 1920s through to the present day) draws on interdisciplinary thinking as well as new findings, framing the volume's discourse with a deliberately multi-dimensional approach to an often homogenized topic. The contributors' scholarly referencing of artists, novelists, poets, photographers, foreign correspondents, critics, filmmakers and curators is detailed and wide-ranging, creating new juxtapositions that include some rarely studied material.

The question of what caused the Spanish Civil War (1936–39) is the central focus of modern Spanish historiography. In Ghosts of Passion, Brian D. Bunk argues that propaganda related to the revolution of October 1934 triggered the broader conflict by accentuating existing social tensions surrounding religion and gender. Through careful analysis of the images produced in books, newspapers, posters, rallies, and meetings, Bunk contends that Spain’s civil war was not inevitable. Commemorative imagery produced after October 1934 bridged the gap between rhetoric and action by dehumanizing opponents and encouraging violent action against them. In commemorating the uprising, revolutionaries and conservatives used the same methods to promote radically different political agendas: they deployed religious imagery to characterize the political situation as a battle between good and evil, with the fate of the nation hanging in the balance, and exploited traditional gender stereotypes to portray themselves as the defenders of social order against chaos. The resulting atmosphere of polarization combined with increasing political violence to plunge the country into civil war.

Instant New York Times bestseller “Howard Zinn on acid or some bullsh*t like that.” —Tim Heidecker The creators of the cult-hit podcast Chapo Trap House deliver a manifesto for everyone who feels orphaned and alienated—politically, culturally, and economically—by the lanyard-wearing Wall Street centrism of the left and the lizard-brained atavism of the right: there is a better way, the Chapo Way. In a guide that reads like “a weirder, smarter, and deliciously meaner version of The Daily Show’s 2004 America (The Book)” (Paste), Chapo Trap House shows you that you don’t have to side with either sinking ships. These self-described “assholes from the internet” offer a fully ironic ideology for all who feel politically hopeless and prefer broadsides and tirades to reasoned debate. Learn the “secret” history of the world, politics, media, and everything in-between that THEY don’t want you to know and chart a course from our wretched present to a utopian future where one can post in the morning, game in the afternoon, and podcast after dinner without ever becoming a poster, gamer, or podcaster. A book that’s “as intellectually serious and analytically original as it is irreverent and funny” (Glenn Greenwald, New York Times bestselling author of No Place to Hide) The Chapo Guide to Revolution features illustrated taxonomies of contemporary liberal and conservative characters, biographies of important thought leaders, “never before seen” drafts of Aaron Sorkin’s Newsroom manga, and the ten new laws that govern Chapo Year Zero (everyone gets a dog, billionaires are turned into Soylent, and logic is outlawed). If you’re a fan of sacred cows, prisoners being taken, and holds being barred, then this book is NOT for you. However, if you feel disenfranchised from the political and cultural nightmare we’re in, then Chapo, let’s go…

This “novel of extraordinary humanity” (Madeleine Thien, author of Do Not Say We Have Nothing) from New York Times bestselling author Vaddey Ratner reveals “the endless ways that families can be forged and broken hearts held” (Chicago Tribune) as a young woman begins an odyssey to discover the truth about her missing father. Leaving the safety of America, Teera returns to Cambodia for the first time since her harrowing escape as a child refugee. She carries a letter from a man who mysteriously signs himself as “the Old Musician” and claims to have known her father in the Khmer Rouge prison where he disappeared twenty-five years ago. In Phnom Penh, Teera finds a society still in turmoil, where perpetrators and survivors of unfathomable violence live side by side, striving to mend their still beloved country. She meets a young doctor who begins to open her heart, confronts her long-buried memories, and prepares to learn her father’s fate. Meanwhile, the Old Musician, who earns his modest keep playing ceremonial music at a temple, awaits Teera’s visit. He will have to confess the bonds he shared with her parents, the passion with which they all embraced the Khmer Rouge’s illusory promise of a democratic society, and the truth about her father’s end. A love story for things lost and restored, a lyrical hymn to the power of forgiveness, Music of the Ghosts is a “sensitive portrait of the inheritance of survival” (USA TODAY) and a journey through the embattled geography of the heart where love can be reborn.

According to Chinese tradition, those who die hungry or unjustly come back to haunt the living. Some are appeased with food. But not all ghosts are successfully mollified. In this chilling collection of stories,Ying Chang Compestine takes readers on a journey through time and across different parts of China. From the building of the GreatWall in 200 BCE to themodern day of iPods, hungry ghosts continue to torment those who wronged them. At once a window into the history and culture of China and an ode to Chinese cuisine, this assortment of frightening tales—complete with historical notes and delectable recipes—will both scare and satiate!

For southwest Missouri, the Civil War was an unparalleled period of violence, sorrow and anger. As the torches burned the physical landscape, the depredations inflicted were also scorched upon the psyche of the people who lived through fires. Survey Carthage's battlefield for stubborn holdouts or hold vigil at the Kendrick House for innocent bystanders who were swept up into the stratagems of bushwhackers and guerrillas. Meet the Bloody Spikes, Rotten Johnny Reb and scores more figures from the region's past who continue to trouble its present.