This is a study of the wars in Afghanistan. It puts the recent conflict there in the context of Russia's invasion and the British imperial wars that preceded them.

The news-breaking book that has sent schockwaves through the White House, Ghost Wars is the most accurate and revealing account yet of the CIA's secret involvement in al-Qaeada's evolution. Prize-winning journalist Steve Coll has spent years reporting from the Middle East, accessed previously classified government files and interviewed senior US officials and foreign spymasters. Here he gives the full inside story of the CIA's covert funding of an Islamic jihad against Soviet forces in Afghanistan, explores how this sowed the seeds of bn Laden's rise, traces how he built his global network and brings to life the dramatic battles within the US government over national security. Above all, he lays bare American intelligence's continual failure to grasp the rising threat of terrrorism in the years leading to 9/11 - and its devastating consequences.

A masterful blend of graphic reporting, illuminating interviews, and insightful analysis. Ghosts of Afghanistan is the first account of Afghanistan's turbulent recent history by an independent eyewitness. Jonathan Steele, an award–winning journalist and commentator, has covered the country since his first visit there as a reporter in 1981. He tracked the Soviet occupation and the communist regime of Najibullah, which held the Western–backed resistance at bay for three years after the Soviets left. He covered the arrival of the Taliban to power in Kabul in 1996, and their retreat from Kandahar under the weight of U.S. bombing in 2001. Most recently Steele has reported from the epicenter of the Taliban resurgence in Helmand. Ghosts of Afghanistan turns a spotlight on the numerous myths about Afghanistan that have bedeviled foreign policy–makers and driven them to repeat earlier mistakes. Steele has conducted numerous interviews with ordinary Afghans, two of the country's Communist presidents, senior Soviet occupation officials, as well as Taliban leaders, Western diplomats, NATO advisers, and United Nations negotiators. Comparing the challenges facing the Obama Administration as it seeks to find an exit strategy with those the Kremlin faced in the 1980s, Steele cautions that military victory will elude the West just as it eluded the Kremlin. Showing how and why Soviet efforts to negotiate an end to the war came to nothing, he explains how negotiations today could put a stop to the tragedies of civil war and foreign intervention that have afflicted Afghanistan for three decades.

"A majestic book."--Bessel van der Kolk, MD, author of The Body Keeps the Score A unique joint memoir by a U.S. Marine and a conflict photographer whose unlikely friendship helped both heal their war-wounded bodies and souls "The dueling-piano spirit of SHOOTING GHOSTS works because its authors are so committed to transparency, admitting readers into the dark crevices of their isolation."--Wall St Journal Through the unpredictability of war and its aftermath, a decorated Marine sergeant and a world-trotting war photographer became friends, their bond forged as they patrolled together through the dusty alleyways of Helmand province and camped side by side in the desert. But when Sergeant T. J. Brennan was injured during a Taliban ambush, he and conflict photographer Finbarr O’Reilly returned home, each to face the fallout of war in their own way. Their friendship offered them both a shot at redemption. Shooting Ghosts looks at the horrors of war directly, but then turns to a journey that draws on our growing understanding of what recovery takes, charting the ways two survivors have found to calm the ghosts and reclaim a measure of peace.

I Am the Beggar of the World presents an eye-opening collection of clandestine poems by Afghan women. Because my love's American, blisters blossom on my heart. Afghans revere poetry, particularly the high literary forms that derive from Persian or Arabic. But the poem above is a folk couplet—a landay, an ancient oral and anonymous form created by and for mostly illiterate people: the more than 20 million Pashtun women who span the border between Afghanistan and Pakistan. War, separation, homeland, love—these are the subjects of landays, which are brutal and spare, can be remixed like rap, and are powerful in that they make no attempts to be literary. From Facebook to drone strikes to the songs of the ancient caravans that first brought these poems to Afghanistan thousands of years ago, landays reflect contemporary Pashtun life and the impact of three decades of war. With the U.S. withdrawal in 2014 looming, these are the voices of protest most at risk of being lost when the Americans leave. After learning the story of a teenage girl who was forbidden to write poems and set herself on fire in protest, the poet Eliza Griswold and the photographer Seamus Murphy journeyed to Afghanistan to learn about these women and to collect their landays. The poems gathered in I Am the Beggar of the World express a collective rage, a lament, a filthy joke, a love of homeland, an aching longing, a call to arms, all of which belie any facile image of a Pashtun woman as nothing but a mute ghost beneath a blue burqa.

FINALIST FOR THE 2022 NATIONAL BOOK AWARD FOR FICTION WINNER OF THE 2023 ASPEN WORDS LITERARY PRIZE, AND THE 2023 O. HENRY PRIZE NAMED ONE OF THE NEW YORKER'S BEST BOOKS OF 2022 "An endlessly inventive and moving collection from a thrilling and capacious young talent." —Jess Walter, author of Beautiful Ruins. A luminous new collection of stories from a young writer who “has brought his culture’s rich history, mythology, and lyricism to American letters.” —Sandra Cisneros Pen/Hemingway finalist Jamil Jan Kochai ​breathes life into his contemporary Afghan characters, moving between modern-day Afghanistan and the Afghan diaspora in America. In these arresting stories verging on both comedy and tragedy, often starring young characters whose bravado is matched by their tenderness, Kochai once again captures “a singular, resonant voice, an American teenager raised by Old World Afghan storytellers.”* In “Playing Metal Gear Solid V: The Phantom Pain," a young man's video game experience turns into a surreal exploration on his own father's memories of war and occupation. Set in Kabul, "Return to Sender" follows two married doctors driven by guilt to leave the US and care for their fellow Afghans, even when their own son disappears. A college student in the US in "Hungry Ricky Daddy" starves himself in protest of Israeli violence against Palestine. And in the title story, "The Haunting of Hajji Hotak," we learn the story of a man codenamed Hajji, from the perspective of a government surveillance worker, who becomes entrenched in the immigrant family's life. The Haunting of Hajji Hotak and Other Stories is a moving exploration of characters grappling with the ghosts of war and displacement—and one that speaks to the immediate political landscape we reckon with today. *The New York Times Book Review

Told through the lives of three Afghans, the stunning tale of how the United States had triumph in sight in Afghanistan--and then brought the Taliban back from the dead In a breathtaking chronicle, acclaimed journalist Anand Gopal traces in vivid detail the lives of three Afghans caught in America's war on terror. He follows a Taliban commander, who rises from scrawny teenager to leading insurgent; a US-backed warlord, who uses the American military to gain personal wealth and power; and a village housewife trapped between the two sides, who discovers the devastating cost of neutrality. Through their dramatic stories, Gopal shows that the Afghan war, so often regarded as a hopeless quagmire, could in fact have gone very differently. Top Taliban leaders actually tried to surrender within months of the US invasion, renouncing all political activity and submitting to the new government. Effectively, the Taliban ceased to exist--yet the Americans were unwilling to accept such a turnaround. Instead, driven by false intelligence from their allies and an unyielding mandate to fight terrorism, American forces continued to press the conflict, resurrecting the insurgency that persists to this day. With its intimate accounts of life in war-torn Afghanistan, Gopal's thoroughly original reporting lays bare the workings of America's longest war and the truth behind its prolonged agony. A heartbreaking story of mistakes and misdeeds, No Good Men Among the Living challenges our usual perceptions of the Afghan conflict, its victims, and its supposed winners.

"First published in hardback by Eye Books Ltd in 2007"--Title page verso.

A true-life Catch-22 set in the deeply dysfunctional countries of Afghanistan and Pakistan, by one of the region’s longest-serving correspondents. Kim Barker is not your typical, impassive foreign correspondent—she is candid, self-deprecating, laugh-out-loud funny. At first an awkward newbie in Afghanistan, she grows into a wisecracking, seasoned reporter with grave concerns about our ability to win hearts and minds in the region. In The Taliban Shuffle, Barker offers an insider’s account of the “forgotten war” in Afghanistan and Pakistan, chronicling the years after America’s initial routing of the Taliban, when we failed to finish the job. When Barker arrives in Kabul, foreign aid is at a record low, electricity is a pipe dream, and of the few remaining foreign troops, some aren’t allowed out after dark. Meanwhile, in the vacuum left by the U.S. and NATO, the Taliban is regrouping as the Afghan and Pakistani governments floun­der. Barker watches Afghan police recruits make a travesty of practice drills and observes the disorienting turnover of diplomatic staff. She is pursued romantically by the former prime minister of Pakistan and sees adrenaline-fueled col­leagues disappear into the clutches of the Taliban. And as her love for these hapless countries grows, her hopes for their stability and security fade. Swift, funny, and wholly original, The Taliban Shuffle unforgettably captures the absurdities and tragedies of life in a war zone.