"This phenomenal collection of photographs, coupled with the stories which illuminate each image, will enrich any reader's mind with deeply thought-provoking concepts. What Julie Griffin has captured on film is equally compelling and significant. It will prove to be an outstanding contribution to a supernatural conversation occurring worldwide." Andrea Perron, Author "House of Darkness House of Light" www.houseofdarknesshouselight.com ~ o ~ The spirit world is constantly around us; they dont wait until the middle of the night. I have photographed spirit energy as early as 11:30 in the morning, outdoors on a clear sunny day in May. Learn out about the full body apparitions that were captured indoors by the camera not once, but twice as they moved. My travels have taken me to the Lizzie Borden House, Gettysburg, Rolling Hills Asylum, Eastern State Penitentiary, an amazing haunted B&B in NY State, and many other places. These are the stories behind the photographs and what happened on the investigations. I have experienced objects physically moved by an unknown source, a frightened spirit rush out of a basement and pass through the right side of my body, plus a disembodied male voice whos comment was directed at me. And an unexpected message given by a Medium from a friends late husband. I was told a list of many items to tell her about, including a broken gravy boat. So enjoy these real ghost encounters from the comfort of your favorite chair. They are ghost stories you can see with your own eyes.

Home, we are taught from childhood, is safe. Home is a refuge that keeps the monsters out--until it isn't. This collection of new essays focuses on genre horror movies in which the home is central to the narrative, whether as refuge, prison, menace or supernatural battleground. The contributors explore the shifting role of the home as both a source and a mitigator of the terrors of this world, and the next. Well known films are covered--including Psycho, Get Out, Insidious: The Last Key and Winchester House--along with films produced outside the U.S. by directors such as Alejandro Amenabar (The Others), Hideo Nakata (Ringu) and Guillermo Del Toro (The Orphanage), and often overlooked classics like Alfred Hitchcock's The Lodger.

The Photographic Experience deals with episodes and issues relating to the spread and practice of photography from its beginnings to World War I. Bridget and Heinz Henisch concern themselves with the reception accorded to the new art by professionals, amateurs, and the general public. They examine reactions to the new invention in the press, literature, poetry, music, and fashion; the response of intellectuals and painters; and the beliefs held by prominent photographers concerning the nature of the medium and its mission. With a wide array of images - many never before published - they illustrate the photograph's use as a record of public and private moments in life.

The possibility of life after death is a significant theme in cinema, in which ghosts return to the world of the living to wrap up unfinished business, console their survivors, visit lovers or just enjoy a well-wreaked scaring. This work focuses on film depictions of survival after death, from meetings with the ghost of Elvis to AIDS-related ghosts: apparitions, hauntings, mediumship, representations of heaven, angels, near-death experiences, possession, poltergeists and all the other ways in which the living interact with the dead on screen. The work opens with a historical perspective, which outlines the development of pre-cinematic technology for "projecting" phantoms, and discusses the use of these skills in early ghost cinema. English-language sound films are then examined thematically with topics ranging from the expiation of sins to "hungry" ghosts. Six of the most significant films, Dead of Night, A Matter of Life and Death, The Innocents, The Haunting, The Shining, and Jacob's Ladder, are given a detailed analysis. A conclusion, filmography, and bibliography follow.

Victorian Hauntings asks its reader to consider the following questions: What does it mean to read or write with ghosts, or to suggest that acts of reading or writing are haunted? In what ways can authors in the nineteenth century be read so as to acknowledge the various phantom effects which return within their texts? In what ways do the traces of such "ghost writing" surface in the works of Dickens, Tennyson, Eliot and Hardy? How does the work of spectrality, revenance and the uncanny transform materially both the forms of the literary in the Victorian era and our reception of it today? Beginning with an expoloration of matters of haunting, the uncanny, the gothic and the spectral, Julian Wolfreys traces the ghostly resonances at work in Victorian writing and how such persistence addresses isues of memory and responsibility which haunt the work of reading. 'Taking the familiar genre of the Gothic as a point of departure and revisiting it through Derridean theory, Wolfreys' book, the first application of "hauntology" to the domain of Victorian Studies is a remarkable achievement. Wolfreys never reduces reading to instrumentality but remains alert to all the potentialities of the texts he reads with a great attention to their idiosyncrasies. Victorian Hauntings should bring a new tone to Victorian Studies, this clever book is quite perfect.' - Jean Michel Rabate, Professor of English, University of Pennsylvania 'You'd have to be dead to know more about ghosts than Julian Wolfreys.' - Martin McQuillan, University of Leeds

This thought-provoking study of paranormal phenomena traces the impact of supernatural beliefs on popular culture and, conversely, examines the influence of new communication technologies on research being conducted in the field. Did you know that interest in UFO research increased during the 1960s as a result of the Kennedy assassination? Or that America experienced a Satanic Panic in the 1980s that culminated with the longest, most expensive court trial in American history? This book reviews the history, economy, and community of paranormal research in this country, and considers the deeper meaning behind the philosophies and theories surrounding the industry. Paranormal Nation: Why America Needs Ghosts, UFOs, and Bigfoot explores the events that have defined paranormal belief systems today. From the birth of religious doctrine, to European witch hunts, to the increasing popularity of the supernatural in American television programming, the author examines the past and present conditions that have fueled interest in the unexplained and considers what this trend means for modern-day America.

This little gem of a book is a repository of intriguing, fascinating, obscure, strange and entertaining facts and trivia about ghosts and all things that go bump in the night. Within this volume are such chapters as haunted houses, roads, woods and byways, phantom animals, royal ghosts, poltergeists and haunted objects, while not forgotten are spooky séances and time-slip ghosts, as well as some of the famous ghost-hunters themselves, including Harry Price, Elliot O’Donnell and R. Thurston Hopkins. Anyone curious enough to pick up this book will be terrified and enthralled and never short of some frivolous fact to enhance a conversation or quiz! The Little Book of Ghosts is the perfect introduction to the mysterious realm of ghosts and haunted places. Step inside, if you dare...

Photography and spirit examines images of phantoms, psychical emanations, and religious apparitions.

Tracing the development of horror entertainment since the late 18th century, this study argues that scientific discovery, technological progress, and knowledge in general have played an unparalleled role in influencing the evolution of horror. Throughout its many subgenres (biological horror, cosmic horror and others) and formats (film, literature, comics), horror records humanity's uneasy relationship with its own ability to reason, understand, and learn. The text first outlines a loose framework defining several distinct periods in horror development, then explores each period sequentially by looking at the scientific and cultural background of the period, its expression in horror literature, and its expression in horror visual and performing arts.