Celebrating the voices, current and past, that surface in lyric poetry

To Go Into the Words is the latest book of critical prose from renowned poet and scholar of Jewish literature Norman Finkelstein. Through a rigorous examination of poets such as William Bronk, Helen Adam, and Nathaniel Mackey, the book engages the contemporary poetic fascination with transcendence through the radical delight with language. By opening up a given poem, Finkelstein seeks the “gnosis” or insight of what it contains so that other readers can understand and appreciate the works even more. Pulling from Finkelstein’s experience of writing thirteen books of poetry and six books of literary criticism, To Go Into the Words consistently rewards the reader with insights as transformative as they are well-considered and deftly mapped out. This volume opens the world of poetry to poets, scholars, and readers by showcasing “the gnosis that is to be found in modern poetry.”

Joy (Or Something Darker, but Like It), the first book of nonfiction by poet Nathaniel Perry, is a group of essays that considers poetry in the context of parenting—what poems and poets might teach us about parenting, what parenting might teach us about poetry, and also, what either of those things might have to teach us about simply being a relatively successful human being. While other poets have written about parenthood, few books consider how parenthood and poetry themselves intersect. The essays are affable and never technical, but take seriously the idea that thinking about poems might help us all think about our other roles in life, as parents, lovers, citizens, and friends. The book, in the end, imagines that this kind of insight is maybe one of the things most useful about poetry. It isn't, or at least doesn't have to be, always about itself; it can instead, surprisingly and wonderfully, be about us. Each of the twelve essays considers a different poet—Edward Thomas, Henry W. Longfellow, George Scarbrough, Elizabeth Bishop, Geoffrey Hill, Primus St. John, Robert Hayden, Elizabeth Coatsworth, Gwendolyn Brooks, Robert Frost, E.A. Robinson, and Belle Randall—and, alongside them, different concerns of parenting and living. Organized in chronological order, they track the growth of Nathaniel Perry’s own children who pop up from time to time in a believable way. Essays consider the idea of devotion and belief, the idea of imperfection, the small details we can focus on as parents, and the conceptions of the world we pass along to our children. Together these essays not only represent the author's personal canon of poets who have been important to him in his life and work, but also present a diverse slice of American poetry, in voice, form, identity, origin, and time period.

What is it to write a poem? What work do words do when placed with care and vision into the intensely charged space of poetic effort? How to Draw a Circle does not seek to answer those questions, but to encounter them as fully and honestly as one can. The thread running through the essays is an ongoing investigation into poetry as an epistemological experiment, one which binds the imagination to the worldly, and trusts that creative endeavor is a form of participation in the ongoing creation of the world. It does so in part by focusing on thinkers, poets, writers, and literary movements where such thinking for a while prevailed, from Socrates to Melville, Mythology to Romanticism. Here the poem is approached as something deeply rooted in human consciousness, done so not to make an atavistic claim about poetry's history, but to show the ways in which oldest tradition gives us ever-new eyes. The hope this book gathers around is that poetry—poetic expression, the wild wonder of working in words—turns us back toward the world in more vibrant, more open, more ethical ways. How to Draw a Circle summons lyric powers—not an argument, but a participation in the ways poetry works in us and on us.

America’s Unholy Ghosts examines the DNA of the ideologies that shape our nation, ideologies that are as American as apple pie but that too often justify and perpetuate racist ideas and racial inequalities. MLK challenged us to investigate the “ideational roots of race hate” and Ghosts does just that by examining a philosophical “trinity”—Thomas Hobbes, John Locke, and Adam Smith—whose works collectively helped to institutionalize, imagine, and ingrain racist ideologies into the hearts and minds of the American people. As time passed, America’s racial imagination evolved to form people incapable of recognizing their addiction to racist ideas. Thus, Ghosts comes to a close with the brilliant faith and politics of Martin Luther King, Jr. who sought to write the conscience of the Prophetic Black Church onto American hearts, minds, and laws. If our nation’s racist instincts still haunt our land, so too do our hopes and desires for a faith and politics marked by mercy, justice, and equity—and there is no better guide to that land than the Prophetic Black Church and the one who saw such a land from the mountaintop. .embed-container { position: relative; padding-bottom: 56.25%; height: 0; overflow: hidden; max-width: 100%; } .embed-container iframe, .embed-container object, .embed-container embed { position: absolute; top: 0; left: 0; width: 100%; height: 100%; }

Beyond the ocean mist is an area rich in history and lore. Explore the fascinating past of 16th through 20th Century Brunswick County, North Carolina. Visit these historic times through the eyes of its early residents, historical documents, ghosts, seafaring pirates, Indian predecessors, notable cemeteries (including known Slave Cemeteries), local facts, and legends. Take a glimpse into the rich tradition and culture of Brunswick County, and become a part of the southeastern North Carolina legacy. Meet Mary Hemingway, a plantation owner and one of the original settlers of Brunswick County. Read her Last Will & Testament and find out where her final resting place is located. Gain a deeper appreciation and understanding of colonial challenges, pirate lifestyles, and the intricacies of the Indian culture and their clashes with the early settlers. Peruse the names and lives of the original residents of Brunswick County, North Carolina. Enjoy your trip back into time.

Stunning natural wonders and bustling cities make Colorado's Front Range one of the country's best places to live, but its rowdy past left some residents unable to quit the state--even in death. Outside Fort Collins, many a startled visitor spies grisly shadows hanging from the notorious Hell Tree. A reputed murderer stalks the Greeley Courthouse near where he was lynched for his alleged crimes. The disembodied heads of two vengeful banditos float through the basement of the Capitol Building in Denver. And the Broadmoor Hotel of Colorado Springs plays nightly host to a mysterious phantom lady. Author Cindy Brick reveals these and more gripping tales of the Front Range's spectral history.

What is it like to live in a haunted house? To share your private space with a departed spirit? To meet a ghost on a lonely road or walk into a time that no longer exists? Paul Gater's investigative report takes the reader on a journey filled with fascinating incident, detail and information throughout the British Isles and even other parts of the world. This is a new, revised edition of his first 'ghost' book which appeared in several editions including the UK and USA. There are chapters on: A Very Haunted House; A World of Their Own; Close Encounters of a Ghostly Kind; Haunted Grounds; Poltergeists, Haunted Objects & Smells; On the Ghost Trail; Dark Shadows; A Disappearing Act. Including interviews with expert psychics, mediums, ghost hunters and dowsers as well as many 'ordinary' people who have never before told their stories. A gripping and fascinating read

A unique look into the minds and creative processes of contemporary Irish women poets, this book focuses on the transformation of their life experiences into poetry that blends personal identity with national identiry. It assembles many voices around common themes that are emerging to change Irish poetry permanently. Patricia Boyle Haberstroh, whose book Women Creating Women: Contemporary Irish Women Poets was a Choice Outstanding Academic book in 1996, shows in this new work how nine of the most prolific Irish women writers generate their poetry, broadening our understanding of the context of the poems. She pairs each author's verse with a companion (and often autobiographical) prose piece to illuminate the ways in which the poetry expresses the poet's personal experience. As women in a politically and religiously charged, male-dominated genre and country, these poets feel compelled to transcend daily life by articulating against the "norm." In this book, they describe the issues they confronted in their growth as poets and the strategies they developed to translate life into art. In linking these poets—drawn from Northern Ireland and England as well as the Republic of Ireland—Haberstroh throws into relief the characteristics that define their unique, individual subjects, themes, and styles.