"The name Andersonville has come to be synonymous with "American death camp." Its horrors have been portrayed in histories, art, television, and movies. The trial of its most famous figure, Captain Henry Wirz, still raises questions about American justice. This work unlocks the secret history of America's deadliest prison camp in ways that will spur debate for many years to come."--BOOK JACKET.

The War Criminal's Son brings to life hidden aspects of the Civil War through the sweeping saga of the firstborn son in the infamous Confederate Winder family, who shattered family ties to stand with the Union. Gen. John H. Winder was the commandant of most prison camps in the Confederacy, including Andersonville. When Winder gave his son William Andrew Winder the order to come south and fight, desert, or commit suicide, William went to the White House and swore his allegiance to President Lincoln and the Union. Despite his pleas to remain at the front, it was not enough. Winder was ordered to command Alcatraz, a fortress that became a Civil War prison, where he treated his prisoners humanely despite repeated accusations of disloyalty and treason because the Winder name had become shorthand for brutality during an already brutal war. John Winder died before he could be brought to justice as a war criminal. Haunted by his father's villainy, William went into a self-imposed exile for twenty years and eventually ended up at the Rosebud Reservation in South Dakota, to fulfill his longstanding desire to better the lot of Native Americans. In The War Criminal's Son Jane Singer evokes the universal themes of loyalty, shame, and redemption in the face of unspeakable cruelty.

It was the most witnessed execution in US history. On the evening of July 11, 1864, six men were marched into Andersonville Prison, surrounded by a cordon of guards, the prison commandant, and a Roman Catholic priest. The six men were handed over to a small execution squad, and while more than 26,000 Union prisoners looked on, the six were executed by hanging. The six, part of a larger group known as the Raiders, were killed, not by their Rebel enemies but by their fellow prisoners, for the crimes of robbing and assaulting their own comrades. Who were these six men? Were they really guilty of the crimes they were accused of? Were they really, as some prisoners alleged, murderers? What role did their Confederate captors play in their trial and execution? What brought about their downfall? Relying on military records, diaries, memoirs written within five years of the prison closing, and the recently discovered trial transcript, author Gary Morgan has discovered a version of events that is markedly different from the version told in later day “memoirs” and repeated in the history books. Here, for the first time in a century and a half, is the real story of the Andersonville Raiders.

The Confederate prison known as Andersonville existed for only the last fourteen months of the Civil War―but its well-documented legacy of horror has lived on in the diaries of its prisoners and the transcripts of the trial of its commandant. The diaries describe appalling conditions in which vermin-infested men were crowded into an open stockade with a single befouled stream as their water source. Food was scarce and medical supplies virtually nonexistent. The bodies of those who did not survive the night had to be cleared away each morning. Designed to house 10,000 Yankee prisoners, Andersonville held 32,000 during August 1864. Nearly a third of the 45,000 prisoners who passed through the camp perished. Exposure, starvation, and disease were the main causes, but excessively harsh penal practices and even violence among themselves contributed to the unprecedented death rate. At the end of the war, outraged Northerners demanded retribution for such travesties, and they received it in the form of the trial and subsequent hanging of Captain Henry Wirz, the prison’s commandant. The trial was the subject of legal controversy for decades afterward, as many people felt justice was ignored in order to appease the Northerners’ moral outrage over the horrors of Andersonville. The story of Andersonville is a complex one involving politics, intrigue, mismanagement, unfortunate timing, and, of course, people - both good and bad. Relying heavily on first-person reports and legal documents, author Catherine Gourley gives us a fascinating look into one of the most painful incidents of U.S. history.

In February 1864, five hundred Union prisoners of war arrived at the Confederate stockade at Anderson Station, Georgia. Andersonville, as it was later known, would become legendary for its brutality and mistreatment, with the highest mortality rate--over 30 percent--of any Civil War prison. Fourteen months later, 32,000 men were imprisoned there. Most of the prisoners suffered greatly because of poor organization, meager supplies, the Federal government’s refusal to exchange prisoners, and the cruelty of men supporting a government engaged in a losing battle for survival. Who was responsible for allowing so much squalor, mismanagement, and waste at Andersonville? Looking for an answer, Ovid Futch cuts through charges and countercharges that have made the camp a subject of bitter controversy. He examines diaries and firsthand accounts of prisoners, guards, and officers, and both Confederate and Federal government records (including the transcript of the trial of Capt. Henry Wirz, the alleged "fiend of Andersonville"). First published in 1968, this groundbreaking volume has never gone out of print.

The picture in the attic -- Behind enemy lines -- The woman in the sunlight.

This is a documentary work offering a first-person account of a Union soldier's daily adversity while a prisoner of war from 20 September 1863 to 4 June 1865. In 1891, while a patient at the Leavenworth National Home, Irish immigrant Edward Glennan began to write down his experiences in vivid detail, describing the months of malnutrition, exposure, disease and self-doubt. The first six months Glennan was incarcerated at Libby and Danville prisons in Virginia. On 20 March 1864, Glennan entered Camp Sumter, located near Andersonville, Georgia. He reminisced about the events of his eight-month captivity at Andersonville, such as the hanging of the Raider Six, escape tunnels, gambling, trading, ration wagons, and disease. Afflicted with scurvy, Glennan nearly lost his ability to walk. To increase his chances for survival, he skillfully befriended other prisoners, sharing resources acquired through trade, theft and trickery. His friends left him either by parole or death. On 14 November 1864, Glennan was transported from Andersonville to Camp Parole in Maryland; there he remained until his discharge on 4 June 1865.

During the Civil War, approximately 56,000 Union and Confederate soldiers died in enemy military prison camps. Even in the midst of the war's shocking violence, the intensity of the prisoners' suffering and the brutal manner of their deaths provoked outrage, and both the Lincoln and Davis administrations manipulated the prison controversy to serve the exigencies of war. As both sides distributed propaganda designed to convince citizens of each section of the relative virtue of their own prison system -- in contrast to the cruel inhumanity of the opponent -- they etched hardened and divisive memories of the prison controversy into the American psyche, memories that would prove difficult to uproot. In Haunted by Atrocity, Benjamin G. Cloyd deftly analyzes how Americans have remembered the military prisons of the Civil War from the war itself to the present, making a strong case for the continued importance of the great conflict in contemporary America. Throughout Reconstruction and well into the twentieth century, Cloyd shows, competing sectional memories of the prisons prolonged the process of national reconciliation. Events such as the trial and execution of CSA Captain Henry Wirz -- commander of the notorious Andersonville prison -- along with political campaigns, the publication of prison memoirs, and even the construction of monuments to the prison dead all revived the painful accusations of deliberate cruelty. As northerners, white southerners, and African Americans contested the meaning of the war, these divisive memories tore at the scars of the conflict and ensured that the subject of Civil War prisons remained controversial. By the 1920s, the death of the Civil War generation removed much of the emotional connection to the war, and the devastation of the first two world wars provided new contexts in which to reassess the meaning of atrocity. As a result, Cloyd explains, a more objective opinion of Civil War prisons emerged -- one that condemned both the Union and the Confederacy for their callous handling of captives while it deemed the mistreatment of prisoners an inevitable consequence of modern war. But, Cloyd argues, these seductive arguments also deflected a closer examination of the precise responsibility for the tragedy of Civil War prisons and allowed Americans to believe in a comforting but ahistorical memory of the controversy. Both the recasting of the town of Andersonville as a Civil War village in the 1970s and the 1998 opening of the National Prisoner of War Museum at Andersonville National Historic Site reveal the continued American preference for myth over history -- a preference, Cloyd asserts, that inhibits a candid assessment of the evils committed during the Civil War. The first study of Civil War memory to focus exclusively on the military prison camps, Haunted by Atrocity offers a cautionary tale of how Americans, for generations, have unconsciously constructed their recollections of painful events in ways that protect cherished ideals of myth, meaning, identity, and, ultimately, a deeply rooted faith in American exceptionalism.

Popular media can spark the national consciousness in a way that captures people’s attention, interests them in history, and inspires them to visit battlefields, museums, and historic sites. This lively collection of essays and feature stories celebrates the novels, popular histories, magazines, movies, television shows, photography, and songs that have enticed Americans to learn more about our most dramatic historical era. From Ulysses S. Grant’s Memoirs to Abraham Lincoln: Vampire Hunter, from Roots to Ken Burns’s The Civil War, from “Dixie” to “Ashokan Farewell,” and from Civil War photography to the Gettysburg Cyclorama, trendy and well-loved depictions of the Civil War are the subjects of twenty contributors who tell how they and the general public have been influenced by them. Sarah Kay Bierle examines the eternal appeal of Gone with the Wind and asks how it is that a protagonist who so opposed the war has become such a figurehead for it. H. R. Gordon talks with New York Times–bestselling novelist Jeff Shaara to discuss the power of storytelling. Paul Ashdown explores ColdMountain’s value as a portrait of the war as national upheaval, and Kevin Pawlak traces a shift in cinema’s depiction of slavery epitomized by 12 Years a Slave. Tony Horwitz revisits his iconic Confederates in the Attic twenty years later. The contributors’ fresh analysis articulates a shared passion for history’s representation in the popular media. The variety of voices and topics in this collection coalesces into a fascinating discussion of some of the most popular texts in the genres. In keeping with the innovative nature of this series, web-exclusive material extends the conversation beyond the book.

The story of the Liberators of the Ninth Minnesota, the state's "hard luck" Civil War regiment, from defying orders and saving a slave family, through bitter defeat and imprisonment, to the ultimate victory and their lives in postwar America.