The plays in this volume focus on the family and how it struggles to stay together by telling lies - and exposing them. In "Ghosts", Osvald Alving returns home only to discover the truth about the father he always looked up to, and learns the horrific effect his father's debauchery has had on him. It was Ibsen's most provocative drama, stripping away the surface of a middle-class family to expose layers of hypocrisy and immorality. "A Public Enemy" sets two brothers against each other when one wishes to make public the facts about the polluted water in the public baths of their home town. And "When We Dead Wake" tells of an artist meeting an old lover by chance and rejecting his wife, in a symbolic exploration of Ibsen's own literary life and the sacrifices he made in his work. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

“Provocative, insightful, and enlightening—a foray into an often-neglected topic that merits more attention than it typically receives.” --Lee Strobel, New York Times bestselling author of The Case for Christ What is Our Fascination with the Other Side? Join investigative reporter Billy Hallowell as he delves into the strange phenomena of supernatural activity. Themes of demonic possession, exorcism, and ghosts have overtaken Hollywood, with countless films and TV shows delving into the age-old struggle against evil. But the question is why? Even with so much focus on the topic, there seems to be very little public knowledge and discussion about the theology and real-life claims surrounding demons. Quite often, many people remain silent about their experiences or resort to quietly whispering about what they’ve seen, heard, or felt for fear of being labeled as crazy. The truth is, even pastors, priests, and clergy who have observed firsthand accounts of possession and deliverance can succumb to the strange and terrifying effects of intense spiritual warfare. For people of faith, Playing with Fire addresses these core questions: Are demons active today? If they do indeed exist, what are they? Fallen angels? Nephilim? Can demons inhabit human beings? According to the Bible, can people die and remain behind as “ghosts”? Playing with Fire explores the theological underpinnings surrounding the supernatural. Relying on firsthand accounts, newspaper reports, and Christian experts, Hallowell takes readers through the various views and perspectives surrounding supernatural activity.

Whether or not you believe in ghosts, you'll be spellbound by these nine supposedly true tales from the spirit world. Captivating creatures include the Horror of Berkeley Square, a demon that literally scares people to death, and White House specters of former presidents and first ladies. Suitable for readers of all ages. Narrated by Anthony Call (Star Trek, The Twilight Zone).

Four years before the publication of the First Folio, a group of London printers and booksellers attempted to produce a "collected works" of William Shakespeare, not in an imposingly large format but as a series of more humble quarto pamphlets. For mysterious reasons, perhaps involving Shakespeare's playing company, the King's Men, the project ran into trouble. In an attempt to salvage it, information on the title pages of some of the playbooks was falsified, making them resemble leftover copies of earlier editions. The deception worked for nearly three hundred years, until it was unmasked by scholars in the early twentieth century. The discovery of these "Pavier Quartos," as they became known, was a landmark success for the New Bibliography and played an important role in establishing the validity and authority of that method of analysis. While more recent scholars have reassessed the traditional narrative that the New Bibliographers wrote, no one has gone back to look at the primary evidence: the quartos themselves. In Ghosts, Holes, Rips and Scrapes Zachary Lesser undertakes a completely fresh study of these playbooks. Through an intensive bibliographical analysis of over three hundred surviving quartos, Lesser reveals evidence that has gone entirely unseen before: "ghosts" (faint, oily impressions produced when one book is bound next to another); "holes" (the tiny remains of the first simple stitching that held pamphlets together); and "rips and scrapes" (post-production alterations of title pages). This new evidence—much of it visible only with the aid of enhanced photographic methods—suggests that the "Pavier Quartos" are far more mysterious, with far more consequential ramifications for book history and Shakespeare scholarship than we have thought.

When he goes to spend the summer with his great-aunt in the family's old house, eleven-year-old Drew is drawn eighty years into the past to trade places with his great-great-uncle who is dying of diptheria.