Ghosts and Ballyhoo: Memoirs of a Failed L.A. Music Journalist chronicles Thomas Wictor's ten years in the Los Angeles music industry and his quest to free himself from the past. Ostensibly a memoir, Ghosts also asks – and possibly answers – provocative questions about fate, destiny, and life after death. The book is structured as a collection of anthologies rather than a continuous narrative; the seven anthologies detailing Wictor's failed career are separated by six interludes with the Collateral Ghost, one of the most brilliant, yet unsuccessful, musicians who ever played – former Frank Zappa bassist Scott Thunes. Thomas Wictor's experiences include multiple failures across multiple spectra and an endless series of coincidences that always returned him to the notion that there is a Plan. Losing nearly everything he loved gave the author clarity, enabling him to see patterns of guidance and sustenance visible everywhere once he was no longer blinded by rage and negativity. This clarity exorcised Thomas Wictor and brought him peace of mind, which allowed him to transform the anger over what he lost into gratitude for what he once had. Written with profane humor and no self-pity, Ghosts and Ballyhoo includes previously unpublished articles, excerpts from interview transcripts personal correspondence, and photos.

William Castle, for instance, was a master promoter. In one scheme involving The Tingler, Vincent Price warns in the movie that "the only way to stop the monster is to scream. That's the signal to the projectionist to throw the switch. Under ten or twelve seats were some electric motors, war surplus things that Castle got a bargain on. The motors vibrated the seat, in the hope of scaring a scream out of someone. Just in case it didn't Castle planted someone in the audience to get the screams rolling." This book is about flamboyant promotion, the con artist side of the movie world--everything the ballyhoo boys did to separate the customer from the price of a movie ticket--Emergo, HypnoVista, 3-D, Wide Screen, Cinemagic, Duo-Vision, Dynamation, Smell-O-Vision, plenty more. Supporting the text are 107 photos and illustrations, some never-before-published, and a filmography.

"The book contains a full discography for each of the artists, and every interview - illustrated with striking, often candid photographs - includes an introduction and a postscript that together serve to recognize the artist's accomplishments and define his place in the current pop scene."--BOOK JACKET.

Hallucinabulia: the Dream Diary of an Unintended Solitarian is a document of disaster and recovery. The third volume in the Ghosts Trilogy, it joins Ghosts and Ballyhoo: Memoirs of a Failed L.A. Music Journalist and Chasing the Last Whale, a fictional black comedy about love and suicide in contemporary, wartime America. Like its two companion titles, Hallucinabulia explores the theme of overcoming a deeply traumatic past by transforming anger over loss into gratitude for what once was. Plagued by chronic nightmares until an incurable illness finally allowed him to achieve happiness, Wictor published this very private record in order to bear witness, banish, and entertain. The healing power of laughter is again demonstrated and affirmed. Wictor's near-perfect recall allowed him to capture some of the most off-kilter, frightening, strange, and funny imagery that a twisted imagination could ever devise. The diary-divided into twelve chapters organized by subject matter-provides context to the memoir and the novel by presenting the nocturnal battles the author fought with his demons, as well as the salvation that his angels conferred. Straight from Wictor's subconscious, the dialog, bizarre scenery, and outlandish situations are preserved in the form of intricately detailed short stories. The characters introduced in Ghosts and Ballyhoo and romanticized in Chasing the Last Whale are finally set free in Hallucinabulia, being no longer bound by law, nature, or even reality. The result is a book that travels an arc from incomprehensibly brutal to indestructibly optimistic, as intense evil gives way to infinite beauty and good.

Beastie bloopers, fiddle-de-riddles, creepy critters, tongue twisters, and so much more! Filled with hundreds of jokes of every type, this hilarious compilation is sure to tickle the funny bone and have kids screaming with laughter for hours on end. What do you call a lazy kangaroo? A pouch potato. What should you wear when you go to the beach with a monster? Sunscream. What did the skeleton say to the doctor? "This will cost me an arm and a leg!" Give this riddle a try: I have many teeth but cant chew. What am I? (A comb.) How fast do happy bikers ride? Ten smiles per hour--and there are even more smiles than that in here.

Are you a ghost or a machine? You don't need to be a superstitious believer to support the side of the ghosts. Machine people reduce everything to lifeless, mindless, purposeless atoms of matter: the ultimate little machines. For "ghost" people, reality reduces to dimensionless, mathematical singularities, which are none other than the hyperrational monadic souls posited by Pythagoras and Leibniz. Ghost people subscribe to atoms (minds) with atomic number zero, i.e. minds/souls are made of massless, dimensionless photons. Machine people start with hydrogen atoms, with atomic number one. All "ghost" entities are associated with zero and infinity. All machine people deny the existence of zero and infinity. Mathematically, these are the two numbers where the ghosts and the machines collide head on. This book is all about demonstrating that there are indeed ghosts in the machines.

This book covers the organization, tactics, weapons, equipment, orders of battle, and uniforms of official and unofficial units, from early raiding parties to formal assault battalions. Rare photos depict badges and insignia not previously known, while primary documents describing regulations and training are provided in their entirety. New information on the origin of shock tactics is presented, gleaned from German archives and not previously published in English. Specific operations on all fronts are included, along with extracts from German army manuals for shock-troop arms such as flamethrowers, mortars, machine guns, grenade launchers, assault artillery, and tanks.

The United States had never lost a war —that is, until 1975, when it was forced to flee Saigon in humiliation after losing to what Lyndon Johnson called a "raggedy-ass little fourth-rate country." The legacy of this first defeat has haunted every president since, especially on the decision of whether to put "boots on the ground" and commit troops to war. In Haunting Legacy, the father-daughter journalist team of Marvin Kalb and Deborah Kalb presents a compelling, accessible, and hugely important history of presidential decisionmaking on one crucial issue: in light of the Vietnam debacle, under what circumstances should the United States go to war? The sobering lesson of Vietnam is that the United States is not invincible —it can lose a war —and thus it must be more discriminating about the use of American power. Every president has faced the ghosts of Vietnam in his own way, though each has been wary of being sucked into another unpopular war. Ford (during the Mayaguez crisis) and both Bushes (Persian Gulf, Iraq, Afghanistan) deployed massive force, as if to say, "Vietnam, be damned." On the other hand, Carter, Clinton, and Reagan (to the surprise of many) acted with extreme caution, mindful of the Vietnam experience. Obama has also wrestled with the Vietnam legacy, using doses of American firepower in Libya while still engaged in Iraq and Afghanistan. The authors spent five years interviewing hundreds of officials from every post war administration and conducting extensive research in presidential libraries and archives, and they've produced insight and information never before published. Equal parts taut history, revealing biography, and cautionary tale, Haunting Legacy is must reading for anyone trying to understand the power of the past to influence war-and-peace decisions of the present, and of the future.

Theatre and Ghosts brings theatre and performance history into dialogue with the flourishing field of spectrality studies. Essays examine the histories and economies of the material operations of theatre, and the spectrality of performance and performer.