Reveals changing perceptions of ghosts at different social levels from the Reformation through to the twentieth century in Britain and America. This five-volume set focuses on the key published debates that emerged in each century, and illustrates the range of literary formats that reported or discussed ghosts.

Reveals changing perceptions of ghosts at different social levels from the Reformation through to the twentieth century in Britain and America. This five-volume set focuses on the key published debates that emerged in each century, and illustrates the range of literary formats that reported or discussed ghosts.

'The Haunted' is the first truly comprehensive social history of ghosts. Using fascinating and entertaining examples, Davies places the history of ghosts within their wider social and cultural context, and examines why a belief in ghosts continues to be vibrant, socially relevant and historically illuminating.

Reveals changing perceptions of ghosts at different social levels from the Reformation through to the twentieth century in Britain and America. This five-volume set focuses on the key published debates that emerged in each century, and illustrates the range of literary formats that reported or discussed ghosts.

Reveals changing perceptions of ghosts at different social levels from the Reformation through to the twentieth century in Britain and America. This five-volume set focuses on the key published debates that emerged in each century, and illustrates the range of literary formats that reported or discussed ghosts.

Reveals changing perceptions of ghosts at different social levels from the Reformation through to the twentieth century in Britain and America. This five-volume set focuses on the key published debates that emerged in each century, and illustrates the range of literary formats that reported or discussed ghosts.

A New York Times Book Review Editor's Choice A comprehensive, authoritative and readable history of the evolution of the ghost in the west, examining the behavior of the subject in its preferred environment: the stories we tell each other. "Roger Clarke tells this [the story that inspired Henry James' The Turn of the Screw] and many other gloriously weird stories with real verve, and also a kind of narrative authority that tends to constrain the skeptical voice within... [An] erudite and richly entertaining book." —New York Times Book Review No matter how rationally we order our lives, few of us are completely immune to the suggestion of the uncanny and the fear of the dark. What explains sightings of ghosts? Why do they fascinate us? What exactly do those who have been haunted see? What did they believe? And what proof is there? Taking us through the key hauntings that have obsessed the world, from the true events that inspired Henry James's classic The Turn of the Screw right up to the present day, Roger Clarke unfolds a story of class conflict, charlatans, and true believers. The cast list includes royalty and prime ministers, Samuel Johnson, John Wesley, Harry Houdini, and Adolf Hitler. The chapters cover everything from religious beliefs to modern developments in neuroscience, the medicine of ghosts, and the technology of ghosthunting. There are haunted WWI submarines, houses so blighted by phantoms they are demolished, a seventeenth-century Ghost Hunter General, and the emergence of the Victorian flash mob, where hundreds would stand outside rumored sites all night waiting to catch sight of a dead face at a window. Written as grippingly as the best ghost fiction, A Natural History of Ghosts takes us on an unforgettable hunt through the most haunted places of the last five hundred years and our longing to believe.

Ghosts are woven into the very fabric of British life. Their enduring popularity in literature, art, folklore and film attests to their continuing power to fascinate, terrify and inspire. Our conceptions of ghosts - the fears that they provoke, the forms they take - personifies our shared past, reminding us of the layers of history beneath our feet and of old stories and timeless terrors that refuse to be erased. In this broad cultural history, Susan Owens reveals what these spirits and apparitions can tell us about our culture and about ourselves, and explores how ghosts have inhabited a wide range of roles from medieval times to the present day. A dazzling range of artists are featured, including William Blake, Henry Fuseli, Dante Gabriel Rossetti, John Everett Millais, Paul Nash and Jeremy Deller, alongside writers such as John Donne, William Shakespeare, Samuel Pepys, Daniel Defoe, Mary Shelley, Emily Brontë, Charles Dickens, Thomas Hardy, Hilary Mantel and Sarah Waters.

A natural history of the supernatural from Roger Clarke, lifelong investigator into England's creepiest real-life ghost stories 'Is there anybody out there?' No matter how rationally we order our lives, few of us are completely immune to the suggestion of the uncanny and the fear of the dark. The subject of whether ghosts exist has fascinated some of the finest minds in history and it remains a subject of overwhelming interest today. This is the first comprehensive, authoritative and readable history of the evolution of the ghost in the west, examining as every good natural history should, the behaviour of the subject in its preferred environment: the stories we tell each other. What explains sightings of ghosts? Why do they fascinate us? What exactly did the haunted see? What did they believe? And what proof is there? Taking us through the key hauntings that have obsessed the world from the poltergeist of Cock Lane through the true events that inspired The Turn of the Screw and the dark events of Borley Rectory right up to the present day, Roger Clarke unfolds a story of class conflict, charlatans and true believers. His surprising castlist ranges from Samuel Johnson to John Wesley, and from Harry Houdini to Adolf Hitler. Inspired by a childhood spent in two haunted houses, Roger Clarke has spent much of his life trying to see a ghost. Written as grippingly as the best ghost fiction, A Natural History of Ghosts takes us on an unforgettable hunt through the most haunted places of the last five hundred years and our longing to believe.

From that cheerful puff of smoke known as Casper to the hunkiest potter living or dead, Sam Wheat, there is probably no more iconic entity in supernatural history than the ghost. And these are just recent examples. From the earliest writings such as the Epic of Gilgamesh to today’s ghost-hunting reality TV shows, ghosts have chilled the air of nearly every era and every culture in human history. In this book, Lisa Morton uses her scholarly prowess—more powerful than any proton pack—to wrangle together history’s most enduring ghosts into an entertaining and comprehensive look at what otherwise seems to always evade our eyes. Tracing the ghost’s constantly shifting contours, Morton asks the most direct question—What exactly is a ghost?—and examines related entities such as poltergeists, wraiths, and revenants. She asks how a ghost is related to a soul, and she outlines all the different kinds of ghosts there are. To do so, she visits the spirits of the classical world, including the five-part Egyptian soul and the first haunted-house, conceived in the Roman playwright Plautus’s comedy, Mostellaria. She confronts us with the frightening phantoms of the Middle Ages—who could incinerate priests and devour children—and reminds us of the nineteenth-century rise of Spiritualism, a religion essentially devoted to ghosts. She visits with the Indian bhuta and goes to the Hungry Ghost Festival in China, and of course she spends time in Mexico, where ghosts have a particularly strong grip on belief and culture. Along the way she gathers the ectoplasmic residues seeping from books and film reels, from the Gothic novel The Castle of Otranto to the 2007 blockbuster Paranormal Activity, from the stories of Ann Radcliffe to those of Stephen King. Wide-ranging, informative, and slicked with over fifty unearthly images, Ghosts is an entertaining read of a cultural phenomenon that will delight anyone, whether they believe in ghosts or not.