He spent a hundred years waiting for her. She hated him in a heartbeat. In a world where paranormals live side by side with humans, everybody knows about Ordinance 7304: the Bond Laws. Or, as the Paras snidely whisper to each other, the Claws Clause--a long and detailed set of laws that bonded couples must obey if they want their union to be recognized. Because it wasn't already damn near impossible to find a fated mate in the first place. Now the government just has to get involved... I exist-- Dodge McCoy is dead. Died more than a century ago, one of countless who never made it out of his New York City slum. And while a bullet might've ended his life, his afterlife was only just beginning. He's a ghost. A phantom. A spirit. And he's just about gone. Without his fated mate--without his "key"--Dodge will experience his second (and final) death. For years, he put off searching, mainly because he still harbors scars over the betrayal that led to his first death. In his eyes, it would be better to fade away than let another woman tear his heart to shreds. Too bad it isn't as easy as that. Turns out there's a catch that no one's ever mentioned to him before: when he dies again, so does his key. Which would be fine--if Dodge didn't know who his key was. Since he does, and he's been avoiding her for more than a decade, it doesn't seem right to take the talented beauty with him when he goes. So, using the last of his energy, he leaves the Bumptown behind in search of the one woman who could save him... I escape-- Laurel Kane is a star. America's sweetheart since she was a teen, she stepped away from the limelight at the height of her fame. Rumors swirled, gossip bloggers coming up with the most outrageous reasons why she walked away from her high-profile career. Laurel heard it all and said nothing. What could she say? That she saw dead people? She always knew that Paras were out there. In Hollywood, nearly everyone has some kind of power--there just wasn't anyone like her. Afraid she was losing her mind, she sought help and treatment, whatever it would take to stop the visions. But, just when she thought she had, right on the cusp of her comeback, he shows up. Brash. Cocky. Arrogant. A relic from the past, the century-old ghost bumps into her and, to her surprise, she actually feels it. And that's when she realizes her new sitcom might just have to be put on hold... With time running out and Death literally at their back, these two will have to get along long enough to break the curse tying them together--or else Dodge won't be the only ghost. * Ghost of Jealousy is the fourth full-length novel in the Claws Clause series. It's the story of a ghostly hero from another time and the secretive starlet who holds his life--and his heart--in her hands.

From USA TODAY Bestselling Author, C. L. Stone, read The Other Side of Envy, the eighth book in The Academy Ghost Bird Series. Sang Sorenson dreams of what life might be like for her in the Academy, but joining isn't as easy as simply writing an exam or passing an interview. She'll need to pull the team together to get them on her side in order for it to work, which is harder than it sounds. The boys will do anything to protect her, which, for some, means keeping her out. But that's not all that's going on in Sang's complicated life. After a shocking revelation, Gabriel Coleman splinters himself off from everyone, avoiding not just his Academy team, but even going so far as to avoid Sang. Desperate to bring him back and get him on her side, Sang digs deep into his past to try to discover a way to reach out to him. His truth is riddled with tragic events, but with the help of Kota, Victor, Silas, Nathan, Luke and North, she might be able to reach out to him before envy and despair drag him too far down to be saved. The Academy, Deeply Bonded

A Boston Globe Best Nonfiction Book of 2011 Celebrated as one of the most poignant stylists of his generation, André Aciman has written a luminous series of linked essays about time, place, identity, and art that show him at his very finest. From beautiful and moving pieces about the memory evoked by the scent of lavender; to meditations on cities like Barcelona, Rome, Paris, and New York; to his sheer ability to unearth life secrets from an ordinary street corner, Alibis reminds the reader that Aciman is a master of the personal essay.

Satoko Shimazaki revisits three centuries of kabuki theater, reframing it as a key player in the formation of an early modern urban identity in Edo Japan and exploring the process that resulted in its re-creation in Tokyo as a national theatrical tradition. Challenging the prevailing understanding of early modern kabuki as a subversive entertainment and a threat to shogunal authority, Shimazaki argues that kabuki instilled a sense of shared history in the inhabitants of Edo (present-day Tokyo) by invoking "worlds," or sekai, derived from earlier military tales, and overlaying them onto the present. She then analyzes the profound changes that took place in Edo kabuki toward the end of the early modern period, which witnessed the rise of a new type of character: the vengeful female ghost. Shimazaki's bold reinterpretation of the history of kabuki centers on the popular ghost play Tokaido Yotsuya kaidan (The Eastern Seaboard Highway Ghost Stories at Yotsuya, 1825) by Tsuruya Nanboku IV. Drawing not only on kabuki scripts but also on a wide range of other sources, from theatrical ephemera and popular fiction to medical and religious texts, she sheds light on the development of the ubiquitous trope of the vengeful female ghost and its illumination of new themes at a time when the samurai world was losing its relevance. She explores in detail the process by which nineteenth-century playwrights began dismantling the Edo tradition of "presenting the past" by abandoning their long-standing reliance on the sekai. She then reveals how, in the 1920s, a new generation of kabuki playwrights, critics, and scholars reinvented the form again, "textualizing" kabuki so that it could be pressed into service as a guarantor of national identity.

This book is the first in-depth comparative analysis of envy, jealousy, and vengefulness experienced by divine personalities in the Hebrew Bible and ancient Greek texts and the functions served by attributing negative emotions and traits to one’s gods. Readers are informed about the vigorous debates concerning the nature of emotion, a field with rapidly growing interest, including the specific emotions of envy, jealousy, and vengefulness. The book charts the complex, multi-faceted presentation of divine beings in the Hebrew Bible and ancient Greek literature, including their negative emotions. While the detailed readings of key biblical and Greek texts can stand on their own, Lasine’s comparative analyses allow readers to appreciate the uniqueness of each tradition. Finally, examining the functions served by envisioning one’s God or gods as jealous, envious, and vengeful offers readers a fresh perspective on biblical theology and the ways in which Greek poets and dramatists imagined the nature of their deities. Divine Envy, Jealousy, and Vengefulness in Ancient Israel and Greece is intended for biblical, classical, and literary scholars, as well as the general reader interested in the Hebrew Bible and/or ancient Greek literature.

* Chosen as a 2020 Kirkus Prize Finalist for Young Readers' Literature! * A Malaysian folk tale comes to life in this emotionally layered, chilling middle grade debut, perfect for fans of The Book of Boy and The Jumbies. I am a dark spirit, the ghost announced grandly. I am your inheritance, your grandmother’s legacy. I am yours to command. Suraya is delighted when her witch grandmother gifts her a pelesit. She names her ghostly companion Pink, and the two quickly become inseparable. But Suraya doesn’t know that pelesits have a dark side—and when Pink’s shadows threaten to consume them both, they must find enough light to survive . . . before they are both lost to the darkness. Fans of Holly Black’s Doll Bones and Tahereh Mafi’s Furthermore series will love this ghostly middle grade debut that explores jealousy, love, and the extraordinary power of friendship.

Eleven-year-old April Sloane has never set foot in a school before, and now that President Hoover and his wife are building a one-room schoolhouse in the hollow of the Blue Ridge Mountains where April lives, she is eager to attend it. But these are the Depression years, and Mama, who has been grieving ever since the accidental death of her seven-year-old son, wants April to stay home and do the chores around their dilapidated farm. With her grandmother's intercession, April is grudgingly allowed to go. The kind teacher encourages her apt pupil, who finds a new world opening up to her. But at home, April cannot repair the relationship with her mother, and worse, her mother overhears the dark secret April confesses to her teacher regarding the true cause of her brother's death, for which April feels responsible. The author has used her own experience growing up in a rural area of northern Virginia to create the vivid characters and authentic dialogue and background detail that characterize this finely honed debut novel. She has based the one-room schoolhouse on papers in the Hoover Presidential Library in West Branch, Iowa, which include letters between the White House and the young teacher who taught at the school.

Offers an objective analysis of hauntings, the ghost psyche, spirit communication, and spirit guides, providing amazing insights into a phenomenon that has fascinated mankind for centuries.

Analyzes all of Shakespeare's sonnets in terms of their poetic structure, semantics, and use of sounds and images.