Eve, a runaway, finds a new job at a coffee shop on the outskirts of Tuscon. When she's approached by two wealthy teens who claim she bears an uncanny resemblance to their missing cousin Aurora, her life takes a turn for the dark and mysterious. Drawn into a scheme to win Aurora's inheritance, Eve finds herself impersonating the girl, who disappeared three years ago on the night her best friend Elizabeth died. But when Liza's ghost begins to haunt Eve, doing harm to the people close to her under the guise of "protecting" her, Eve finds herself in a nightmare maze of lies and deception that leads her to question even her own identity. She realizes her only chance is to uncover the truth about what happened the night Liza died, and to find Liza's killer - before she's next. This teen thriller by Michele Jaffe will keep readers turning pages well into the night.

**ONE OF THE GUARDIAN’S BEST BOOKS OF 2018** Join renowned naturalist Peter Marren on an exciting quest to see every species of wild plant native to Britain. The mysterious Ghost Orchid blooms in near darkness among rotting leaves on the forest floor. It blends into the background to the point of invisibility, yet glows, pale and ghostly. The ultimate grail of flower hunters, it has been spotted only once in the past twenty-five years. Its few flowers have a deathly pallor and are said to smell of over-ripe bananas. Peter Marren has been a devoted flower finder all his life. While the Ghost Orchid offers the toughest challenge of any wild plant, there were fifty more British species Peter had yet to see, having ticked off the first 1,400 rummaging in hedges, slipping down gullies and peering in peat bogs. But he set himself the goal of finding the remaining fifty in a single summer. As it turned out, the wettest summer in years. This expert and emotional journey takes Peter the length and the breadth of the British Isles, from the dripping ancient woods of the New Forest to the storm-lashed cliffs of Sutherland. He paddles in lakes, clambers up cliffs in mist and rain, and walks several hundred miles, but does he manage to find them all? Partly about plants, partly autobiography, Chasing the Ghost is also a reminder that to engage with wild flowers, all we need to do is look around us and enjoy what we see. Praise for Chasing the Ghost: ‘Peter Marren is the unsung hero of Britain’s nature writers’ Stephen Moss, author of Dynasties ‘Jolly, quixotic and ends with real poignancy’ Guardian ‘A poignant reminder to us all to engage with the wild flowers that grow around us’ i Newspaper

How gaming intersects with systems like history, bodies, and code Why do we so compulsively play video games? Might it have something to do with how gaming affects our emotions? In Playing with Feelings, scholar Aubrey Anable applies affect theory to game studies, arguing that video games let us “rehearse” feelings, states, and emotions that give new tones and textures to our everyday lives and interactions with digital devices. Rather than thinking about video games as an escape from reality, Anable demonstrates how video games—their narratives, aesthetics, and histories—have been intimately tied to our emotional landscape since the emergence of digital computers. Looking at a wide variety of video games—including mobile games, indie games, art games, and games that have been traditionally neglected by academia—Anable expands our understanding of the ways in which these games and game studies can participate in feminist and queer interventions in digital media culture. She gives a new account of the touchscreen and intimacy with our mobile devices, asking what it means to touch and be touched by a game. She also examines how games played casually throughout the day create meaningful interludes that give us new ways of relating to work in our lives. And Anable reflects on how games allow us to feel differently about what it means to fail. Playing with Feelings offers provocative arguments for why video games should be seen as the most significant art form of the twenty-first century and gives the humanities passionate, incisive, and daring arguments for why games matter.

NEW YORK TIMES BESTSELLER • A NEW YORK TIMES NOTABLE BOOK A modern classic of personal journalism, The Orchid Thief is Susan Orlean’s wickedly funny, elegant, and captivating tale of an amazing obsession. Determined to clone an endangered flower—the rare ghost orchid Polyrrhiza lindenii—a deeply eccentric and oddly attractive man named John Laroche leads Orlean on an unforgettable tour of America’s strange flower-selling subculture, through Florida’s swamps and beyond, along with the Seminoles who help him and the forces of justice who fight him. In the end, Orlean—and the reader—will have more respect for underdog determination and a powerful new definition of passion. In this new edition, coming fifteen years after its initial publication and twenty years after she first met the “orchid thief,” Orlean revisits this unforgettable world, and the route by which it was brought to the screen in the film Adaptation, in a new retrospective essay. Look for special features inside. Join the Random House Reader’s Circle for author chats and more. Praise for The Orchid Thief “Stylishly written, whimsical yet sophisticated, quirkily detailed and full of empathy . . . The Orchid Thief shows [Orlean’s] gifts in full bloom.”—The New York Times Book Review “Fascinating . . . an engrossing journey [full] of theft, hatred, greed, jealousy, madness, and backstabbing.”—Los Angeles Times “Orlean’s snapshot-vivid, pitch-perfect prose . . . is fast becoming one of our national treasures.”—The Washington Post Book World “Orlean’s gifts [are] her ear for the self-skewing dialogue, her eye for the incongruous, convincing detail, and her Didion-like deftness in description.”—Boston Sunday Globe “A swashbuckling piece of reporting that celebrates some virtues that made America great.”—The Wall Street Journal

An Post Irish Book Awards Nonfiction Book of the Year • A Guardian Best Book of 2020 • Shortlisted for the 2021 Rathbones Folio Prize • Longlisted for the 2021 Republic of Consciousness Prize • Winner of the James Tait Black Biography Prize • A New York Times New & Noteworthy Title • Longlisted for the 2021 Gordon Burn Prize • A Buzzfeed Recommended Summer Read • A Publishers Weekly Best Book of 2021 • A Book Riot Best Book of 2022 • An NPR Best Book of 2021 • A Chicago Public Library Best Book of 2021 • A Globe and Mail Book of the Year • A Winnipeg Free Press Top Read of 2021 • An Entropy Magazine Best of the Year • A LitHub Best Book of 2021 • A New York Times Critics' Top Book of 2021 • A National Book Critics Circle Award Finalist When we first met, I was a child, and she had been dead for centuries. On discovering her murdered husband’s body, an eighteenth-century Irish noblewoman drinks handfuls of his blood and composes an extraordinary lament. Eibhlín Dubh Ní Chonaill’s poem travels through the centuries, finding its way to a new mother who has narrowly avoided her own fatal tragedy. When she realizes that the literature dedicated to the poem reduces Eibhlín Dubh’s life to flimsy sketches, she wants more: the details of the poet’s girlhood and old age; her unique rages, joys, sorrows, and desires; the shape of her days and site of her final place of rest. What follows is an adventure in which Doireann Ní Ghríofa sets out to discover Eibhlín Dubh’s erased life—and in doing so, discovers her own. Moving fluidly between past and present, quest and elegy, poetry and those who make it, A Ghost in the Throat is a shapeshifting book: a record of literary obsession; a narrative about the erasure of a people, of a language, of women; a meditation on motherhood and on translation; and an unforgettable story about finding your voice by freeing another’s.

Virgil Flowers investigates a miracle--and a murder--in the wickedly entertaining new thriller from the master of "pure reading pleasure" (Booklist) Pinion, Minnesota: a metropolis of all of seven hundred souls, for which the word "moribund" might have been invented. Nothing ever happened there and nothing ever would--until the mayor of sorts (campaign slogan: "I'll Do What I Can") and a buddy come up with a scheme to put Pinion on the map. They'd heard of a place where a floating image of the Virgin Mary had turned the whole town into a shrine, attracting thousands of pilgrims. And all those pilgrims needed food, shelter, all kinds of crazy things, right? They'd all get rich! What could go wrong? When the dead body shows up, they find out, and that's only the beginning of their troubles--and Virgil Flowers'--as they are all about to discover all too soon.

Named one of the best books of 2017 by The Guardian, NPR, GQ, The Economist, Bookforum, and Lit Hub The definitive account of what happened, why, and above all how it felt, when catastrophe hit Japan—by the Japan correspondent of The Times (London) and author of People Who Eat Darkness On March 11, 2011, a powerful earthquake sent a 120-foot-high tsunami smashing into the coast of northeast Japan. By the time the sea retreated, more than eighteen thousand people had been crushed, burned to death, or drowned. It was Japan’s greatest single loss of life since the atomic bombing of Nagasaki. It set off a national crisis and the meltdown of a nuclear power plant. And even after the immediate emergency had abated, the trauma of the disaster continued to express itself in bizarre and mysterious ways. Richard Lloyd Parry, an award-winning foreign correspondent, lived through the earthquake in Tokyo and spent six years reporting from the disaster zone. There he encountered stories of ghosts and hauntings, and met a priest who exorcised the spirits of the dead. And he found himself drawn back again and again to a village that had suffered the greatest loss of all, a community tormented by unbearable mysteries of its own. What really happened to the local children as they waited in the schoolyard in the moments before the tsunami? Why did their teachers not evacuate them to safety? And why was the unbearable truth being so stubbornly covered up? Ghosts of the Tsunami is a soon-to-be classic intimate account of an epic tragedy, told through the accounts of those who lived through it. It tells the story of how a nation faced a catastrophe, and the struggle to find consolation in the ruins.

This one-of-a-kind collaboration between acclaimed author Susan Orlean and celebrated artist Philip Taaffe unites the literary and the visual, the nostalgic and the optimistic, and brings greenery to your bookshelf. Taking inspiration from the rapidly dwindling flower district of New York City, Orlean and Taaffe offer tandem musings on the conceit of the floral ghost. Orlean's essay, one of her first botanically themed writings since she penned the widely lauded The Orchid Thief, reflects on a poignant moment when she first visited the district in its resplendent heyday. Her text is accompanied by Taaffe's colorful silkscreen monotypes--a bouquet of paper and ink recalling the unique yet universal nature of time passing and petals fading. An evocative rendering of both the memories of youth and the ephemeral nature of the cityscape, The Floral Ghost makes an elegant gift for every aspiring writer, artist and dreamer who moves to a city to make his or her mark or who admires its mutable glory from afar. Susan Orlean (born 1955) is the bestselling author of eight books, including The Bullfighter Checks Her Makeup; My Kind of Place; Saturday Night; and Lazy Little Loafers. In 1999, she published The Orchid Thief, a narrative about orchid poachers in Florida, which was made into the Academy Award-winning film Adaptation, written by Charlie Kaufman and directed by Spike Jonze. Her 2011 book, Rin Tin Tin: The Life and the Legend, was a New York Times bestseller. Orlean has been a staff writer for the The New Yorker since 1992. She lives in Los Angeles and upstate New York. Philip Taaffe was born in Elizabeth, New Jersey, in 1955, and studied at the Cooper Union in New York. He has exhibited worldwide since his first solo exhibition in New York, in 1982. Taaffe has traveled widely in the Middle East, South America and Morocco, where he collaborated with Mohammed Mrabet on the 1993 book Chocolate Creams and Dollars, translated by Paul Bowles. His work is in numerous public collections, including The Museum of Modern Art, New York, the Philadelphia Museum of Art and the Whitney Museum of American Art. Taaffe lives and works in New York and West Cornwall, Connecticut.

One day Ben Gould slips on the ice, hits his head, and is supposed to die. But he doesn’t. Instead, Gould finds himself in a strange situation where he continues to live as if nothing happened. As a result, a ghost that was originally sent to guide Ben to the Afterlife is stuck on earth while its bosses try to figure out what went wrong. The situation catches the attention of various supernatural entities, besides the ghost. The story weaves through the perspectives of Ben, the ghost, his girlfriend German Landis, and even a talking dog named Pilot. As Ben and these characters grapple with the implications of his non-death, they start to uncover deeper mysteries about love, destiny, and the reasons why some people are chosen to live or die. The story delves into the complexities of human emotions and connections, with a focus on how love can transcend even death itself and the invisible forces that shape our destinies.

Brigg lives in a small, grey room in a large, grey city. When he finds a book in the library labelled 'Do Not Read', he cannot resist borrowing it. In it, he comes upon pictures of bright, vibrant objects called flowers. A deceptively simple and haunting story, beautifully and mysteriously illustrated, set in a bleak future metropolis.