Arthurian literature is a popular field, but most of the published work focuses on the vernacular tradition. This book, uniquely, looks at Latin Arthurian works. Geoffrey of Monmouth is treated at length and this is the first book to put him in a context which includes other Latin histories, monastic chronicles, saints' lives and other Latin prose Arthurian narratives. Like Geoffrey's works, most can be associated with the Angevin court of Henry II and by placing these works against the court background, this book both introduces a new set of texts into the Arthurian canon and suggests a way to understand their place in that tradition. The unfamiliar works are summarized for the reader, and there are extensive quotations, with translations, throughout. The result is a thorough exploration of Latin Arthurian narrative in the foundational period for the Arthurian tradition.

Offer an overview and a number of examinations of Arthur's fortunes. This work reveals the role of Fortune itself, often personified and consistently instrumental, in accounts of Arthur's court and reign. It traces the trajectory of the Arthurian legend, and follows the turning of Fortune's wheel, emphasizing the flourishing of the legend.

Written from a post-colonial North American perspective, this study considers the ways in which medieval British writers, in the wake of the Norman Conquest, used Arthurian historiography to reflect their fears about `colonial contamination' and about borders in general. The first half of the study examines the presentation of British history in works written on the Anglo-Welsh border. Warren then examines literature from the continent to look at British history from a Norman perspective. Parts of this study have been previously published.

A survey of critical attention devoted to Arthurian matters. This book offers the first comprehensive and analytical account of the development of Arthurian scholarship from the eighteenth century, or earlier, to the present day. The chapters, each written by an expert in the area under discussion, present scholarly trends and evaluate major contributions to the study of the numerous different strands which make up the Arthurian material: origins, Grail studies, editing and translation of Arthurian texts, medieval and modern literatures (in English and European languages), art and film. The result is an indispensable resource for students and a valuable guide for anyone with a serious interest in the Arthurian legend. Contributors: NORRIS LACY, TONY HUNT, KEITH BUSBY, JANE TAYLOR, CHRISTOPHER SNYDER, RICHARD BARBER, SIAN ECHARD, GERALD MORGAN, ALBRECHT CLASSEN, ROGER DALRYMPLE, BART BESAMUSCA, MARIANNE E. KALINKE, BARBARA MILLER, CHRISTOPHER KLEINHENZ, MURIEL WHITAKER, JEANNE FOX-FRIEDMAN, DANIEL NASTALI, KEVIN J. HARTY NORRIS J. LACY is Edwin Erle Sparks Professor of French and Medieval Studies at Pennsylvania State University.

"The few full-length studies of the Morte D'Arthur and other Arthurian texts published in the past 15 years have rarely reached and sustained the level of theoretical and interpretive sophistication found here. King Arthur and the Myth of History ought to have quite an impact on Arthurian studies, in part because Finke and Shichtman take medieval Arthurian literature--particularly what passes for history and chronicle--very seriously, on its own terms, in its different cultural contexts."--Kathleen Kelly, Northeastern University King Arthur and the Myth of History considers why, in the 12th century, tales of a 6th-century British king who achieved immortality in an apparently hopeless struggle to repel Saxon invaders, suddenly emerged full blown, virtually from nowhere. Further, why did this figure from the margins of the Norman empire suddenly become an important subject of historical writing at the center of that empire, and why has he since continued to be an enduring cultural icon? Laurie Finke and Martin Shichtman contend that Arthur has been employed by historians as a potent but empty symbol to legitimize institutional political ambitions during times of social stress. The study focuses on three periods of cultural crisis: the Norman colonization of England in the 11th and 12th centuries, the Warsof the Roses in the 15th century, and the rise and resurgence of fascism in 20th-century Europe. It examines four English chronicles of the Norman period--those of William of Malmesbury, Geoffrey of Monmouth, Wace, and Layamon. Other chapters investigate John Hardyng's Chronicle and Malory's Morte D'Arthur, both produced during the tumult of the Wars of the Roses. Finally, it considers more contemporary texts that offer the history of Adolf Hitler's acquisition of the Holy Grail: Jean-Michel Angebert's The Occult and the Third Reich: The Mystical Origins of Nazism and the Search for the Holy Grail and Trevor Ravenscroft's Spear of Destiny. Finke and Shichtman argue that these texts reveal tensions between the claims that history makes about objectivity or referentiality and particular social, political, and ideological agendas. They demonstrate that at historical moments of great stress, the turn to antiquarianism, in an effort to bypass traumas of the recent past in favor of archaic origins, offers a unique opportunity for the literary and cultural theorists to investigate the aims and uses of history itself. Laurie A. Finke is chair of the Women and Gender Studies Program at Kenyon College. Martin B. Shichtman is professor of English at Eastern Michigan University.

King Arthur is arguably the most recognizable literary hero of the European Middle Ages. His stories survive in many genres and many languages, but while scholars and enthusiasts alike know something of his roots in Geoffrey of Monmouth's Latin History of the Kings of Britain, most are unaware that there was a Latin Arthurian tradition which extended beyond Geoffrey. This collection of essays will highlight different aspects of that tradition, allowing readers to see the well-known and the obscure as part of a larger, often coherent whole. These Latin-literate scholars were as interested as their vernacular counterparts in the origins and stories of Britain's greatest heroes, and they made their own significant contributions to his myth.

Written in the 1130s, Geoffrey's imaginative history of the Britons from Brutus to Cadwallader, and the first to recount the woes of Lear and the glittering career of Arthur, rapidly became a bestseller. An ideal text for scholars, this is a reprint of the Latin text with a facing English translation.

Excerpt from Gesta Regum Britanniae: A Metrical History of the Britons of the 13th Century Another manuscript copy of the same poem is preserved in the Cottonian Library, under the press mark of Julius D.XI. That copy, which is of the ki11 century, bears no author's name; we have already given a fragment of it in one of our former publications 5. Beside these, there is a third copy of the same work, also comprised in a collection of the X111 century, on vellum, Bulletin da bibliophile, mai 1837. Echo da monde savant, juin 1839, etc. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works."

This medieval chronicle tells the story of the kings of Britain from the legendary King Brutus to the reign of King Edward I. It is a fascinating historical document, offering insight into the political and cultural life of medieval England. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.