A critique of The coming of the war, 19l4, by Bernadotte E. Schmitt.

When war broke out in Europe in 1914, it surprised a European population enjoying the most beautiful summer in memory. For nearly a century since, historians have debated the causes of the war. Some have cited the assassination of Archduke Franz Ferdinand; others have concluded it was unavoidable. In Europe’s Last Summer, David Fromkin provides a different answer: hostilities were commenced deliberately. In a riveting re-creation of the run-up to war, Fromkin shows how German generals, seeing war as inevitable, manipulated events to precipitate a conflict waged on their own terms. Moving deftly between diplomats, generals, and rulers across Europe, he makes the complex diplomatic negotiations accessible and immediate. Examining the actions of individuals amid larger historical forces, this is a gripping historical narrative and a dramatic reassessment of a key moment in the twentieth-century.

“A monumental new volume. . . . Revelatory, even revolutionary. . . . Clark has done a masterful job explaining the inexplicable.” — Boston Globe One of The New York Times Book Review’s 10 Best Books of the Year • Winner of the Los Angeles Times Book Prize (History) Historian Christopher Clark’s riveting account of the explosive beginnings of World War I. Drawing on new scholarship, Clark offers a fresh look at World War I, focusing not on the battles and atrocities of the war itself, but on the complex events and relationships that led a group of well-meaning leaders into brutal conflict. Clark traces the paths to war in a minute-by-minute, action-packed narrative that cuts between the key decision centers in Vienna, Berlin, St. Petersburg, Paris, London, and Belgrade, and examines the decades of history that informed the events of 1914 and details the mutual misunderstandings and unintended signals that drove the crisis forward in a few short weeks. Meticulously researched and masterfully written, The Sleepwalkers is a dramatic and authoritative chronicle of Europe’s descent into a war that tore the world apart.

The result of years of research in British, French and German archives, this is a new critical history of how close Germany came to winning the First World War in 1914. The German invasion of France and Belgium in August 1914 came close to defeating the French armies, capturing Paris and ending the First World War before the autumn leaves had fallen. But the German armies failed to score the knock-out blow they had planned and the war would drag on for four years of unprecedented slaughter. There are many accounts of 1914 from the British point of view, and the achievements of the British Expeditionary Force are the stuff of legend. But in reality, there were only four British divisions in the field, while the French and Germans had more than 60 each. The real story of the battle can only be told by an author with the skill to mine the extensive German and French archives. Ian Senior does this with consummate skill, weaving together strategic analysis with diary entries and interview transcripts from the soldiers on the ground to create a remarkable new history.

"People screamed, cried, and groaned. Above the tumult I could distinguish the voices of small children. All this time the soldiers were singing.... Sometime after the first salvo, there was another round of fire and, once again, I was not hit. After this I heard fewer cries, save from time to time a small child calling its mother."?Félix Bourdon, survivor of a mass execution in Dinant, BelgiumIn August 1914, without any legitimate pretext, German soldiers killed nearly 6,000 Belgian noncombatants, including women and children, and burned some 25,000 homes and other buildings. Rehearsals is the first book to provide a detailed narrative history of the German invasion of Belgium as it affected civilians. Based on extensive eyewitness testimony, the book chronicles events in and around the towns of Liége, Aarschot, Andenne, Tamines, Dinant, and Leuven, where the worst of the German depredations occurred. Accounts of the killing, looting, and arson have long been dismissed as "atrocity propaganda," particularly in the United Kingdom and the United States. Rehearsals examines the campaign by revisionists that led to voluminous and compelling testimony about German war crimes being discredited.Recently, the case has been made that the violence that came to a peak between August 19 and August 26, 1914, was the result of a spontaneous outbreak of German paranoia about civilian sharpshooters. In Rehearsals, Jeff Lipkes offers compelling evidence that the executions were in fact part of a deliberate campaign of terrorism ordered by military authorities. In his shocking account of events that have been largely overlooked by historians of World War I, Lipkes commemorates the heroism as well as the suffering of the Belgian victims of German aggression.

Imprint on cover: New York, German library of information, 1940."Published by the German foreign office and by the German library of information."--Verso of 2d prelim. leaf. Errata slip mounted on page 3 of cover."The American edition of Documents on the events preceding the outbreak of the war is a faithful rendition of the German original with minor additions. These additions to the present volume are summaries of official German replies to the British war blue book, the French yellow book and so forth. These will be found in the Supplement."--Page li. Includes "Pictorial supplement" which is not found in the original

Convinced that both God and the Kaiser were on their side, the officers and men of the German Army went to war in 1914, confident that they were destined for a swift and crushing victory in the West. The vaunted Schlieffen Plan on which the anticipated German victory was based expected triumph in the West to be followed by an equally decisive success on the Eastern Front. It was not to be. From the winter of 1914 until the early months of 1918, the struggle on the Western Front was characterised by trench warfare. But our perception of the conflict takes little or no account of the realities of life 'across the wire' in the German trenches. This book redresses that imbalance and reminds us how similar these young German men were to our own Tommies. Drawing from diaries and letters, Ian Passingham charts the hopes and despair of the German soldiers, filling an important gap in the history of the Western Front.

This volume begins with the origins and consequences of the medieval myth of the 'Reich,' which was to experience so fateful a renaissance in the 20th century, and ends with the collapse of the first German democracy. The author offers a synthesis of complex events and illuminates them with fresh insights.