A literary antholog of over 80 visitors to Germany... ?By following over eighty North American and British literary travellers, starting in the sixteenth century with some of the earliest travel accounts in English, Brian Melican presents a wide range of writing about, or set in, Germany. Letters from Boswell and Garrick, Coleridge and Wordsworth; the journals of Herman Melville and Henry James; fiction by D. H. Lawrence and Ford Madox Ford reveal an oft-forgotten richness in encounters with Germany before the horrors of the twentieth century. Post-war writing ranges from the spy fiction of Len Deighton, to travel writing by Leigh Fermor, and the writers who dissected post-Nazi Germany. The diversity of writing about Germany today encompasses light-hearted accounts and more searching passages taken from an eclectic selection of authors. Recorded and imagined images of Germany have changed dramatically across the centuries. Yet views on many of its features especially its cities and rivers, customs and cuisine have often remained constant. This anthology invites readers to venture beyond the usual discussion about this country at the very heart of Europe.

This collection of poetry, prose and art by 19 Black womxn and femmes in Pittsburgh grew out of a longing for connection and comfort in a city and a world that is not always tender toward them. The book is a balm they made for themselves. Co-edited and co-published by artist vanessa german and writer/editor Deesha Philyaw, TENDER is brought to you by late-night conversations among Black womxn and femmes telling our stories, talking about us, loving on us. Conversations of reckoning and consideration of the heart and the soul and how we are living with ourselves, friends, family and lovers, through times of stress and social media and false media. This book is brought to you by healing hands, prayers, loud laughter, and freestyles.

German military figures had a certain terrifying glamour,' wrote Patrick Leigh Fermor, recalling views about Germany during the First World War. When, he asked, had the bristling general replaced the 'philosophers and composers and bandsmen and peasants and students drinking and singing in harmony?' The enchanted forest, symbol of Romantic idealism and traditional folktales, had given way to other images of Germany and Germans. By following Leigh Fermor, and over eighty other British and North American literary visitors to Germany, this original anthology shows how different generations of English-speakers have depicted this country. Starting in the sixteenth century with some of the earliest travel accounts in English, Brian Melican presents a wide range of writing about, or set in, Germany. Letters from Johnsonians such as Boswell and Garrick and the Romantic poets Coleridge and Wordsworth; the journals of Herman Melville and Henry James; ante bellum fiction by authors such as D. H. Lawrence and Ford Madox Ford: all of this and more reveals an oft-forgotten richness in encounters with Germany before the horrors of the twentieth century. Work by Christopher Isherwood, Stephen Spender and wartime reporters through the 1940s exposes the country's darkest moments, while sometimes surprising takes on the conflict emerge from authors inside Germany with unique perspectives such as Christabel Bielenberg and Michael Howard. Post-war writing ranges from the spy fiction of Len Deighton to the writers who dissected post-Nazi Germany. The diversity of writing about Germany today encompasses light-hearted accounts and more searching passages taken from an eclectic selection of authors. Recorded and imagined images of Germany have changed dramatically across the centuries. Yet views on many of its features especially its cities and rivers, customs and cuisine have often remained constant. This anthology, with extensive introductions and annotations, offers a range of opinions, both typical and atypical of their time, and invites readers to venture beyond the usual discussion about this country at the very heart of Europe.

'I love the German character more than anything else in the world, and my breast is an archive of German song' So wrote Heinrich Heine in 1824, adding: 'It is likely that my Muse gave her German dress something of a foreign cut from annoyance with the German character'. Here Heine sums up the ambivalent emotions of Jews who felt at home in German culture and yet, even in the age of emancipation, foundGermany less than welcoming. This anthology illustrates the history of Jews in Germany from the eighteenth century, when it was first proposed to give Jews civil rights, to the 1990's and the problems of living after the Holocaust. The texts include short stories, plays, poems, essays, letters anddiary entries, all chosen for their literary merit as well as the light they shed on the relations between Jews in Germany and Austria and their Gentile fellow-citizens. Ritchie Robertson's lucid introduction provides the necessary historical context and his translations make available in Englishin some cases for the first time - both Jewish writers on various aspects of Jewish experience and responses of Gentile writers to the Jews in their midst. Each is introduced by a short illuminating preface.

Reproduction of the original.

An anthology of German literature: Large print by Calvin Thomas This book is designed to accompany an introductory study of the history of German literature. It is assumed that the history itself will be learned, so far as necessary, either from lectures or from some other book devoted to the subject. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.

'A New History of German Literature' offers some 200 essays on events in German literary history.

Excerpt from An Anthology Of German Literature This book is designed to accompany an introductory study of the his tory of German literature. It is assumed that the history itself will be learned, so far as may be necessary, either from lectures or from some other book devoted to the subject. I have tried to make a good anthology for students who have learned to read the language of Goethe and Schiller with some facility, and would like to know something of the earlier periods, but have not studied, and may not care to study, Old and Middle German. On this account the selections in Part First are given in modern German translations. The original texts are omitted because space was very precious and the book was intended as an aid to literary rather than linguistic study. In making the selections my first principle was to give a good deal of the best rather than a little of everything. I wished to make friends for medieval German poetry, and it seemed to me that this could best be done by showing it in its strength and its beauty. So I have ignored much that might have had a historical or linguistic interest for the scholar, and have steadily applied the criterion of literary worth. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

This comprehensive anthology of original Pennsylvania German writings makes accessible a literature that is becoming increasingly rare. The Buffington/Barba system of German sound values has been applied to help the reader understand and appreciate the selections, which provide a view to virtually every facet of Pennsylvania German life.