Combining history, autobiography, and ethnography, Georges Woke Up Laughing provides a portrait of the Haitian experience of migration to the United States that illuminates the phenomenon of long-distance nationalism, the voicelessness of certain citizens, and the impotency of government in an increasingly globalized world. By presenting lively ruminations on his life as a Haitian immigrant, Georges Eugene Fouron—along with Nina Glick Schiller, whose own family history stems from Poland and Russia—captures the daily struggles for survival that bind together those who emigrate and those who stay behind. According to a long-standing myth, once emigrants leave their homelands—particularly if they emigrate to the United States—they sever old nationalistic ties, assimilate, and happily live the American dream. In fact, many migrants remain intimately and integrally tied to their ancestral homeland, sometimes even after they become legal citizens of another country. In Georges Woke Up Laughing the authors reveal the realities and dilemmas that underlie the efforts of long-distance nationalists to redefine citizenship, race, nationality, and political loyalty. Through discussions of the history and economics that link the United States with countries around the world, Glick Schiller and Fouron highlight the forces that shape emigrants’ experiences of government and citizenship and create a transborder citizenry. Arguing that governments of many countries today have almost no power to implement policies that will assist their citizens, the authors provide insights into the ongoing sociological, anthropological, and political effects of globalization. Georges Woke up Laughing will entertain and inform those who are concerned about the rights of people and the power of their governments within the globalizing economy. “In my dream I was young and in Haiti with my friends, laughing, joking, and having a wonderful time. I was walking down the main street of my hometown of Aux Cayes. The sun was shining, the streets were clean, and the port was bustling with ships. At first I was laughing because of the feeling of happiness that stayed with me, even after I woke up. I tried to explain my wonderful dream to my wife, Rolande. Then I laughed again but this time not from joy. I had been dreaming of a Haiti that never was.”—from Georges Woke Up Laughing

Elilal, exile, is the condition of thousands of Mayas who have fled their homelands in Guatemala to escape repression and even death at the hands of their government. In this book, Victor Montejo, who is both a Maya expatriate and an anthropologist, gives voice to those who until now have struggled in silence--but who nevertheless have found ways to reaffirm and celebrate their Mayaness. Voices from Exile is the authentic story of one group of Mayas from the Kuchumatan highlands who fled into Mexico and sought refuge there. Montejo's combination of autobiography, history, political analysis, and testimonial narrative offers a profound exploration of state terror and its inescapable human cost.

“This exceptional book makes several key contributions to the field and shows how freedom and anxiety, and the market and morality, tensely coexist in the business of sex. . . . Kelly's analysis is conveyed through vivid portraits of the lives of sex workers, showing that the women involved are neither victims nor heroines but something else: actors caught between agency and constraint.”—Roger N. Lancaster, author of The Trouble with Nature “In this tour de force of feminist anthropology, Patty Kelly gives her heart to the remarkable women who toil in the bawdy sweatshops of the Zona Galactica, a 'reformed' red-light district in the Chiapas capital of Tuxtla Gutiérrez. In fact, as Kelly shows, it is just the ultimate low-wage industrial district.”—Mike Davis, author of Planet of Slums and In Praise of Barbarians “The clarity of Kelly's perspective is neither apologetic, nor presumptive (as is usually the case); her focus is always on the political context of these women's lives. Patty Kelly writes like a poet and novelist, so much so that this work begs to be a movie.”—Carol Leigh, a.k.a. “Scarlot Harlot,” author of Unrepentant Whore

Nationalism is one of the most pressing of global problems. Drawing on examples from around the world, Craig Calhoun considers nationalism's diverse manifestations, its history, and its relationship to imperialism and colonialism. He also challenges attempts to "debunk" nationalism that fail to grasp why it still has such power and centrality in modern life.

This book describes the struggle of Haitians in the United States, the strain between pride in their Haitian roots and prejudice against Haitians, and its causes and consequences for approximately 500,000 Haitians in the U.S. The book examines the problems of prejudice, economics and immigration Haitians confront, along with their pride and resources of family, community and culture. Haitians reflect continuing difficulties in America concerning race, ethnicity and nationality. Part of the New Immigrants Series, edited by Nancy Foner. Focusing on the massive wave of immigration currently sweeping across America, this ground breaking series includes coverage of five new immigrant groups for 1998, the Hmong in Wisconsin, Brazilians and Koreans in New York City, Haitians in Miami, and Chinese in San Francisco. This series fills the gap in knowledge relating to today's immigrants, how these groups are attempting to redefine their cultures while here, and their contribution to a new and changing America.

Growing up on the rough streets of Newark, New Jersey, Rameck, George,and Sampson could easily have followed their childhood friends into drug dealing, gangs, and prison. But when a presentation at their school made the three boys aware of the opportunities available to them in the medical and dental professions, they made a pact among themselves that they would become doctors. It took a lot of determination—and a lot of support from one another—but despite all the hardships along the way, the three succeeded. Retold with the help of an award-winning author, this younger adaptation of the adult hit novel The Pact is a hard-hitting, powerful, and inspirational book that will speak to young readers everywhere.

Recounts how Jews assimilated into, and became accepted by, mainstream white society in the later twentieth century, as they lost their working-class orientation.

This books examines the relationship between migrants and cities in a time of massive urban restructuring, finding that locality matters in migration research and migrants matter in the reconfiguration of contemporary cities.

THE STORY: During the war Joe Keller and Steve Deever ran a machine shop which made airplane parts. Deever was sent to prison because the firm turned out defective parts, causing the deaths of many men. Keller went free and made a lot of money. The

NEW YORK TIMES BESTSELLER • “One of our most inventive purveyors of the form returns with pitch-perfect, genre-bending stories that stare into the abyss of our national character. . . . An exquisite work from a writer whose reach is galactic.”—Oprah Daily Booker Prize winner George Saunders returns with his first collection of short stories since the New York Times bestseller Tenth of December. ONE OF THE BEST BOOKS OF THE YEAR: The New Yorker The “best short-story writer in English” (Time) is back with a masterful collection that explores ideas of power, ethics, and justice and cuts to the very heart of what it means to live in community with our fellow humans. With his trademark prose—wickedly funny, unsentimental, and exquisitely tuned—Saunders continues to challenge and surprise: Here is a collection of prismatic, resonant stories that encompass joy and despair, oppression and revolution, bizarre fantasy and brutal reality. “Love Letter” is a tender missive from grandfather to grandson, in the midst of a dystopian political situation in the (not too distant, all too believable) future, that reminds us of our obligations to our ideals, ourselves, and one another. “Ghoul” is set in a Hell-themed section of an underground amusement park in Colorado and follows the exploits of a lonely, morally complex character named Brian, who comes to question everything he takes for granted about his reality. In “Mother’s Day,” two women who loved the same man come to an existential reckoning in the middle of a hailstorm. In “Elliott Spencer,” our eighty-nine-year-old protagonist finds himself brainwashed, his memory “scraped”—a victim of a scheme in which poor, vulnerable people are reprogrammed and deployed as political protesters. And “My House”—in a mere seven pages—comes to terms with the haunting nature of unfulfilled dreams and the inevitability of decay. Together, these nine subversive, profound, and essential stories coalesce into a case for viewing the world with the same generosity and clear-eyed attention Saunders does, even in the most absurd of circumstances.