During an 1865 raid through North Carolina, Major General George Stoneman missed capturing the fleeing Jefferson Davis only by a matter of hours, timing somewhat typical of Stoneman's life and career. This biography provides an in-depth look at the life and military career of Major General George Stoneman, beginning with his participation in the 2,000-mile march of the Mormon Battalion and other western expeditions. The main body of the work focuses on his Civil War service, during which he directed the progress of the Union cavalry and led several pivotal raids on Confederate forces. In spite of Stoneman's postwar career as military governor of Virginia and governor of California, his life was marked by his inability to reach ultimate success in war or politics, necessitating a discussion of his weaknesses as well as his achievements as a commander and a politician. Period photographs are included.

Striking out from Knoxville, Tennessee in late March of 1865, Major General George Stoneman unleashed his cavalry division upon Southern Appalachia intent on "leaving nothing for the Rebellion to stand upon." The raiders wreaked havoc on government stores, civilian property and indispensable infrastructure, dashing all hope for the dying Confederacy's stand on the rugged peaks of the Blue Ridge. They eventually trampled through five southern states, reduced to ashes one of the last major prisons in the south and helped pursue the renegade president. But much more than wanton destruction, their story is one of hardship, redemption and retribution. Taking into account the local folklore of the Raid, this volume traces the column's course as it departed Tennessee, penetrated Southwestern Virginia and stormed the North Carolina Piedmont.

This modern study focuses solely on the cavalry of the Army of the Potomac and includes all major battles and commanders. Drawing heavily on primary sources, the author has consulted 50 manuscript collections pertaining to general officers of cavalry as well as the unpublished letters and diaries of 200 officers and enlisted men, representing almost every mounted unit in the Army of the Potomac.

In the spring of 1865, Federal major general George Stoneman launched a cavalry raid deep into the heart of the Confederacy. Despite its geographic scope, Stonemans 1865 raid failed in its primary goal of helping to end the war. Based on exhaustive research in thirty-four repositories in twelve states and from more than 200 books and newspapers, Hartleys book tells the complete story of Stonemans 1865 raid for the first time.

An unprecedented account of one of the bloodiest and most significant racial clashes in American history In May 1866, just a year after the Civil War ended, Memphis erupted in a three-day spasm of racial violence that saw whites rampage through the city's black neighborhoods. By the time the fires consuming black churches and schools were put out, forty-six freed people had been murdered. Congress, furious at this and other evidence of white resistance in the conquered South, launched what is now called Radical Reconstruction, policies to ensure the freedom of the region's four million blacks—and one of the most remarkable experiments in American history. Stephen V. Ash's A Massacre in Memphis is a portrait of a Southern city that opens an entirely new view onto the Civil War and its aftermath. A momentous national event, the riot is also remarkable for being "one of the best-documented episodes of the American nineteenth century." Yet Ash is the first to mine the sources available to full effect. Bringing postwar Memphis to vivid life, he takes us among newly arrived Yankees, former Rebels, boisterous Irish immigrants, and striving freed people, and shows how Americans of the period worked, prayed, expressed their politics, and imagined the future. And how they died: Ash's harrowing and profoundly moving present-tense narration of the riot has the immediacy of the best journalism. Told with nuance, grace, and a quiet moral passion, A Massacre in Memphis is Civil War–era history like no other.

The author of Gold Rush Stories shares tales of the larger-than-life characters from the history of the legendary Sierra Nevada mountain range. With its 14,000-foot granite mountains, crystalline lakes, conifer forests, and hidden valleys, the Sierra Nevada has long been the domain of dreams, attracting the heroic and the delusional, the best of humanity and the worst. Stories abound, and characters emerge so outlandish and outrageous that they must be real. Could the human imagination have invented someone like Eliza Gilbert? Born in Limerick, Ireland, in 1818, she transformed herself into Lola Montez, born in Seville, Spain, in 1823, and brought to the Gold Country the provocative “Spider Dance”—impersonating a young woman repelling a legion of angry spiders under her petticoats. Or Otto Esche, who in 1860 imported fifteen two-humped Bactrian camels from Asia to transport goods to the mines. Or the artist Albert Bierstadt, whose paintings Mark Twain characterized as having “more the atmosphere of Kingdom-Come than of California.” Or multimillionaire George Whittell Jr., who was frequently spotted driving around Lake Tahoe in a luxurious convertible with his pet lion in the front seat. These, and scores more, spill out of the pages of this well-illustrated and lively tribute to the Sierra by a native son.

More than twenty years in the making, Country Music Records documents all country music recording sessions from 1921 through 1942. With primary research based on files and session logs from record companies, interviews with surviving musicians, as well as the 200,000 recordings archived at the Country Music Hall of Fame and Museum's Frist Library and Archives, this notable work is the first compendium to accurately report the key details behind all the recording sessions of country music during the pre-World War II era. This discography documents--in alphabetical order by artist--every commercial country music recording, including unreleased sides, and indicates, as completely as possible, the musicians playing at every session, as well as instrumentation. This massive undertaking encompasses 2,500 artists, 5,000 session musicians, and 10,000 songs. Summary histories of each key record company are also provided, along with a bibliography. The discography includes indexes to all song titles and musicians listed.