A selection of Santayana's notes in the margins of other authors' works that sheds light on his thought, art, and life. In his essay "Imagination," George Santayana writes, "There are books in which the footnotes, or the comments scrawled by some reader's hand in the margins, may be more interesting than the text." Santayana himself was an inveterate maker of notes in the margins of his books, writing (although neatly, never scrawling) comments that illuminate, contest, or interestingly expand the author's thought. These volumes offer a selection of Santayana's marginalia, transcribed from books in his personal library. These notes give the reader an unusual perspective on Santayana's life and work. He is by turns critical (often), approving (seldom), literary slangy, frivolous, and even spiteful. The notes show his humor, his occasional outcry at a writer's folly, his concern for the niceties of English prose and the placing of Greek accent marks. These two volumes list alphabetically by author all the books extant that belonged to Santayana, reproducing a selection of his annotations intended to be of use to the reader or student of Santayana's thought, his art, and his life. Santayana, often living in solitude, spent a great deal of his time talking to, and talking back to, a wonderful miscellany of writers, from Spinoza to Kant to J. S. Mill to Bertrand Russell. These notes document those conversations.

Santayana at 150: International Interpretations is a collection of essays by seventeen authors celebrating the life and thought of Spanish–American philosopher George Santayana. This book appears on the occasion of the one hundred and fiftieth anniversary of Santayana’s birth. Appropriately, the authors come from both sides of the Atlantic and put forth a range of insights that demonstrate the continuing life and relevance of Santayana’s thinking. The book includes considerations of the major themes of his philosophy—materialism, naturalistic ethics, and aesthetics—and of the influence exerted on Santayana’s work by his life circumstances and geographic surroundings, especially of Rome.

From the late nineteenth century to the middle of the twentieth, George Santayana was a highly esteemed and widely read writer of philosophy, poetry, essays, memoirs, and even a best-selling novel, The Last Puritan. After a period of relative neglect, interest in his work has revived. A complete edited edition of his works is in progress and he has become the object of renewed scholarly activity. Contributing significantly to the renewal was John McCormick's 1987 biography, the first full-scale volume to treat an elusive figure's life and thought in the detail they deserve. Santayana's life was rich in its interior and outer associations. There was his birth and early childhood in Spain followed by a move to Boston, where he came under the influence of William James at Harvard. This led to his career at Harvard as a professor, where Wallace Stevens, Robert Frost, Conrad Aiken, Franklin D. Roosevelt, and Walter Lippmann were among his devoted students. We see Santayana in correspondence and conversation with Bertrand Russell, G.E. Moore, Ezra Pound, and Robert Lowell. Predominant in Santayana's life was his philosophical work. Hostile to the dominant empiricism of Anglo-American philosophy, he left the academy and remained detached from both the political and ideological movements of early decades of the twentieth century. McCormick relates his skepticism and materialism to a form of idealism deriving from his classical education in Plato and Aristotle, together with his readings in Descartes and Spinoza. He presents Santayana as a supreme stylist in English, who lived a long life always consistent with his stoic epicureanism.

Regarding Santayana it has been claimed that he lacks a system while contradicting himself in outrageous ways. An attentive analysis of his complete œuvre, however, reveals something else entirely. It is not easy to classify a thinker as a Platonic materialist, an ironic nihilist, a spiritual atheist, and a conservative without political commitment, but, if one respects his own language, one discerns an astonishing, little-known Santayana, whose philosophical leitmotif consists in: 1) detecting the numerous “false steps,” logical and moral, supplied by the imagination when it confuses things with the names that designate them, or the world with the feelings that it provokes in the human animal—these errors assume diverse faces: pantheism, moralism, egotism, subjectivism, transcendentalism, Platonism, Puritanism, and utopianism; 2) avoiding these illusions in such a way as to keep the spiritual door open as a form of life to be lived out in an honest fashion; 3) recognizing the natural origin of these temptations and asking oneself what moves humans to succumb imperceptibly to these mistakes, at times tragic, at others comical, and what precautions one can take to remain cognizant of the deceitful leaps that can hijack one’s life; and 4) proposing as an alternative the radical distinction between essence and existence, which leads him to distinguish four realms of being: the realm of essence, the realm of matter, the realm of truth, and the realm of spirit. Essence as logical identity, matter as contingent existence, truth as frozen history, and spirit as the flames that part from contingency and approximate the eternal. An attempt has been made in this book to expand on and clarify these questions.

In this book, Katarzyna Kremplewska offers a thorough analysis of Santayana's conception of human self, viewed as part of his larger philosophy of life. Santayana emerges as an author of a provocative philosophy of drama, in which human life is acted out. Kremplewska demonstrates how his thought addresses the dynamics of human self in this context and the possibility of sustaining self-integrity while coping with the limitations of finite life. Focusing on particular aspects of Santayana's thought such as his conception of the tragic aspect of existence, and the role of the doctrine of spirit in his philosophical anthropology and critique of culture, this book also sets Santayana's thought in substantial dialogue with other thinkers, such as Heidegger, Bergson, and Nietzsche. Like Santayana's philosophy, this book seeks to build passages between theoretical reflection and practical life with the possibility of a good life in view.

Gift of Rabbi W. Gunther Plaut.

An annual publication, Overheard in Seville: Bulletin of the George Santayana Society includes scholarly articles on American philosophy, poet, critic, and best-selling novelist George Santayana as well as announcements of publications and meetings pertaining to Santayana Scholarship.

The seventh and penultimate book of the letters of American philosopher George Santayana, covering the years 1941 to 1947 and including letters to such correspondents as Daniel Cory, John Hall Wheelock, Robert Lowell, and others. This penultimate volume of Santayana's letters chronicles Santayana's life during a difficult time--the war years and the immediate postwar period. The advent of World War II left Santayana isolated in Rome, and the difficulties of wartime travel across borders forced him to abandon plans to move to more agreeable locations in Switzerland or Spain. During these years, Santayana lived in a single room in a nursing home run by the Blue Sisters of the Little Company of Mary in Rome, where, during the winter months, he did much of his writing in bed (wearing well-mended gloves) in order to stay warm. And yet, despite wartime deprivations, illness, and old age (he was 77 in 1941), Santayana was remarkably productive, completing both his autobiography Persons and Places and The Idea of Christ in the Gospels: or God in Man, and all but completing Dominations and Powers. He confided to one correspondent that he had never been more at peace or more happy. The eight books of The Letters of George Santayana bring together over 3,000 letters, many of which have been discovered in the fifty years since Santayana's death. Letters in Book Seven are written to such correspondents as his friend and protégée Daniel Cory, his financial manager and heir George Sturgis, and the American poet Robert Lowell. The correspondence with Lowell--which began when the younger writer sent Santayana a copy of his Pulitzer Prize-winning Lord Weary's Castle--signals an important new friendship, which became a source of affection and intellectual engagement in Santayana's final years.