In the early 1930s, George Raft, an actor and dancer from New York City's Hell's Kitchen, gained a name for himself playing stylish and charismatic gangsters in films like 1932's original Scarface. Raft's own real-life connection to the New York mob added frightening authenticity to his portrayals, and his star quality coincided with the peak years of the Hollywood factory to produce a remarkable track record of successful movies. Highly regarded during his lifetime as a performer, his reputation as an actor suffered a steep decline after his death. This definitive study of all of Raft's films offers intimate insight into all of his productions, including casts, characters, technical credits, and story synopses, and dispels a number of myths surrounding his legendary career.

揧ablonsky, a sociologist and one of the foremost authorities in phychodrama, raises the book from ordinary show biz profiles to a penetrating insight into the relationship of personality to screen image, of character to social symbol. Like much about Raft, the book has class.?br>?i>Los Angeles Times 揟he most roguishly appealing movie bio since Errol Flynn抯 My Wicked, Wicked Ways.?br>?i>Kirkus Reviews 揟he story of my good friend George抯 climb from the rowdy speakeasy clubs on Broadway in the twenties to the top of Hollywood stardom is an exciting American saga. Reading George抯 biography by Lewis Yablonsky is the next best thing to being there.?br>?i>Frank Sinatra 揂 great story. George was an important and exciting star. When better men like George are made梩hen I'll make 抏m.?br>?i>Mae West

During his lengthy show business career, George Raft achieved the reputation as one of the screen's toughest and most convincing movie mobsters. His roles in Scarface, Each Dawn I Die, Invisible Stripes, Rogue Cop and Some Like it Hot were so convincing that audiences frequently thought they were watching the genuine article. Yet to classify Raft merely as a cinema gangster is to do him a disservice. He delivered equally strong performances in such classics as Night After Night, Bolero, Souls at Sea, Spawn of the North, They Drive by Night and Manpower, his success in these roles quickly establishing him as one of the top box office draws during the 1930s and 40s. But Raft just missed the brass ring of superstardom - due to his notorious friendships with men such as "Bugsy" Siegel and, more significantly, his famous rejections of films that his rival Humphrey Bogart turned into major triumphs: Dead End, High Sierra and The Maltese Falcon. Written with the generous cooperation of many of Raft's friends and co-workers, George Raft: The Man Who Would Be Bogart details the fascinating life and career highs and lows of a man who created an unforgettable image - onscreen and off.

In the early 1930s, George Raft, an actor and dancer from New York City's Hell's Kitchen, gained a name for himself playing stylish and charismatic gangsters in films like 1932's original Scarface. Raft's own real-life connection to the New York mob added frightening authenticity to his portrayals, and his star quality coincided with the peak years of the Hollywood factory to produce a remarkable track record of successful movies. Highly regarded during his lifetime as a performer, his reputation as an actor suffered a steep decline after his death. This definitive study of all of Raft's films offers intimate insight into all of his productions, including casts, characters, technical credits, and story synopses, and dispels a number of myths surrounding his legendary career.

Renowned for her screen performances, down-to-earth personality, and love affair with Frank Sinatra, Ava Gardner left an indelible mark on Hollywood history. Her adventurous life story is told through authoritative text and hundreds of photos in Ava: A Life in Movies. Ava is an illustrated tribute to a legendary life. Authors Kendra Bean and Anthony Uzarowski take a closer look at the Academy Award-nominated actress's life and famous screen roles. They also shed new light on the creation and maintenance of her glamorous image, her marriages, and friendships with famous figures such as Ernest Hemingway, John Huston, and Tennessee Williams. From the backwoods of Grabtown, North Carolina to the bullfighting rings of Spain, from the MGM backlot to the Rome of La Dolce Vita, this lavishly illustrated biography takes readers on the exciting journey of a life lived to the fullest and through four decades of film history with an iconic star.

During his lengthy show business career, George Raft achieved the reputation as one of the screen's toughest and most convincing movie mobsters. His roles in Scarface, Each Dawn I Die, Invisible Stripes, Rogue Cop and Some Like it Hot were so convincing that audiences frequently thought they were watching the genuine article.Yet to classify Raft merely as a cinema gangster is to do him a disservice. He delivered equally strong performances in such classics as Night After Night, Bolero, Souls at Sea, Spawn of the North, They Drive by Night and Manpower, his success in these roles quickly establishing him as one of the top box office draws during the 1930s and 40s. But Raft just missed the brass ring of superstardom - due to his notorious friendships with men such as "Bugsy" Siegel and, more significantly, his famous rejections of films that his rival Humphrey Bogart turned into major triumphs: Dead End, High Sierra and The Maltese Falcon.Written with the generous cooperation of many of Raft's friends and co-workers, George Raft: The Man Who Would Be Bogart details the fascinating life and career highs and lows of a man who created an unforgettable image - onscreen and off.

Robbie's last-minute flight to the Midway Atoll proves to be a nightmare when the plane goes down in shark-infested waters. Fighting for her life, the co-pilot Max pulls her onto the raft, and that's when the real terror begins.

Humphrey Bogart: it’s hard to think of anyone who’s had the same lasting impact on the culture of movies. Though he died at the young age of fifty-seven more than half a century ago, his influence among actors and filmmakers, and his enduring appeal for film lovers around the world, remains as strong as ever. What is it about Bogart, with his unconventional looks and noticeable speech impediment, that has captured our collective imagination for so long? In this definitive biography, Stefan Kanfer answers that question, along the way illuminating the private man Bogart was and shining the spotlight on some of the greatest performances ever captured on celluloid. Bogart fell into show business almost by accident and worked for nearly twenty years before becoming the star we know today. Born into a life of wealth and privilege in turn-of-the-century New York, Bogart was a troublemaker throughout his youth, getting kicked out of prep school and running away to join the navy at the age of nineteen. After a short, undistinguished stint at sea, Bogart spent his early twenties drifting aimlessly from one ill-fitting career to another, until, through a childhood friend, he got his first theater job. Working first as a stagehand and then, reluctantly, as a bit-part player, Bogart cut his teeth in one forgettable role after another. But it was here he began to develop a work ethic; deciding that there were “two kinds of men: professionals and bums,” Bogart, for the first time in his life, wanted to be the former. After the Crash of ’29, Bogart headed west to try his luck in Hollywood. That luck was scarce, and he slogged through more than thirty B-movie roles before his drinking buddy John Huston wrote him a part that would change everything; with High Sierra, Bogart finally broke through at the age of forty—being a pro had paid off. What followed was a string of movies we have come to know as the most beloved classics of American cinema: The Maltese Falcon, Casablanca, The Big Sleep, The African Queen . . . the list goes on and on. Kanfer appraises each of the films with an unfailing critical eye, weaving in lively accounts of behind-the-scenes fun and friendships, including, of course, the great love story of Bogart and Bacall. What emerges in these pages is the portrait of a great Hollywood life, and the final word on why there can only ever be one Bogie.