The Critical Heritage gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling the student and researcher to read the material themselves.

A comprehensive study guide offering in-depth explanation, essay, and test prep for George Meredith’s The Ordeal of Richard Feverel, published in 1859 and regarded as his best work. As a philosophical novel, The Ordeal of Richard Feverel tells the story of an abusive father and his son who fell in love with a girl of a lower social class. Moreover, Meredith uses intellectualism, satire, and poetry to explore human motive and rationalization. This Bright Notes Study Guide explores the context and history of Meredith’s classic work, helping students to thoroughly explore the reasons it has stood the literary test of time. Each Bright Notes Study Guide contains: - Introductions to the Author and the Work - Character Summaries - Plot Guides - Section and Chapter Overviews - Test Essay and Study Q&As The Bright Notes Study Guide series offers an in-depth tour of more than 275 classic works of literature, exploring characters, critical commentary, historical background, plots, and themes. This set of study guides encourages readers to dig deeper in their understanding by including essay questions and answers as well as topics for further research.

In Germany as Model and Monster Gisela Argyle details allusions in English novels to German social, cultural, and political life. Such allusions serve as criticism of English life and of English conventions of fiction. Beginning her study with Thomas Carlyle's "Germanizing" efforts in the 1830s and ending before Hitler's Third Reich and the Holocaust, Argyle concludes that current global conceptions of Englishness and of national literatures have made this kind of comparison in fiction obsolete.

Victorian domestic novels routinely detect a savage otherness lurking within the English state and subject. Outlandish English Subjects in the Victorian Domestic Novel charts the development of this irony within evangelical and anthropological discourses and studies its emergence in the major works of Charles Dickens, Charlotte Brontë, Wilkie Collins, and George Meredith. Each of these writers disrupts the certitudes of imperial ideology by appropriating the language of ethnography and using it to describe the social domestic field. Providing fresh readings of both canonical and neglected novels, this original volume will be of interest to students and scholars of Nineteenth-Century literature and Postcolonial studies.