Lord Byron has been called a vital embodiment of post-Renaissance poetry. His work is that of a proud individualist asserting the primacy of instinct through agonized self-conflict. Born in 1788, Byron is considered one of the greatest poets of the Romantic Movement. This volume presents critical commentary from his lifetime and beyond to provide a thorough and thought-provoking portrait of this essential poet's evolving reputation. This new title in the ""Bloom's Classic Critical Views"" series also features a chronology of Lord Byron's life, an index of the volume, and an introductory essay by noted literary scholar Harold Bloom.

The great Romantic poet Lord Byron starved himself compulsively for most of his life. His behaviour mystified his friends and other witnesses, yet he never imagined he was ill. Instead, he rationalised his behaviour as a fight for spiritual freedom and made it the cornerstone of his heroic ideal, which was central to his work and to his life and his death. This fresh biographical study aims to explore neglected or misunderstood aspects of his private life to illuminate his writing, his affairs with women, his passion for Napoleon and his conflicted friendships with Coleridge and Shelley. This in turn leads to a new understanding of his masterpiece, Don Juan. 15 July 2019 marks the 200th anniversary of its first publication. Antony Peattie situates these patterns of behaviour in a vividly rendered contemporary world, culminating in Byron’s last days in Greece, where he tried to starve himself into heroic leadership but damaged his constitution, resulting in his death at the age of thirty-six.

For the first time all Byron's miscellaneous prose writings are collected together, including his speeches in the House of Lords, short stories, reviews, critical articles, and Armenian translations, as well as such shorter pieces as memoranda, notes, reminiscences, and marginalia. Althoughsome of this material has been published before - most notably in the appendices to Prothero's edition of the Letters and Journals (1898-1901) - a considerable proportion is here published for the first time. For the first time too, the prose works are presented with full scholarly apparatus. The texts are reproduced from their original manuscripts wherever these are still extant; and the notes provide an introduction to each item, detailing the circumstances of its composition, its publicationhistory, and its historical and literary background, as well as providing comprehensive annotation of individual points of obscurity, allusions, and other matters of content.

The Everyman's Library Pocket Poets hardcover series is popular for its compact size and reasonable price which does not compromise content. Poems: Rimbaud contains selections from Rimbaud's work, including over 100 poems, selected prose, "Letter to Paul Demeny, May 15, 1871," and an index of first lines.

Although known primarily for his poetry, Lord Byron (1788-1824) also had a keen interest in the theatre and wrote a number of verse dramas, mostly during his Italian exile. While these plays went largely unnoticed during Byron's lifetime, they have since been recognized by critics for their sublime poetic and dramatic qualities. This collection brings together six of Byron's finest plays: Manfred, Cain, Heaven and Earth, Marino Faliero, Sardanapalus, and The Two Foscari.

This volume comprises the complete poetic works of Byron. As well as including such works as "Childe Harold", "Don Juan", "The Two Foscari", "The Lament of Tasso" and "The Vision of Judgement", it also contains his shorter lyrical poems.

Byron was a superb letter-writer: almost all his letters, whatever the subject or whoever the recipient, are enlivened by his wit, his irony, his honesty, and the sharpness of his observation of people. They provide a vivid self-portrait of the man who, of all his contemporaries, seems to express attitudes and feelings most in tune with the twentieth century. In addition, they offer a mirror of his own time. This first collected edition of all Byron's known letters supersedes Prothero's incomplete edition at the turn of the century. It includes a considerable number of hitherto unpublished letters and the complete text of many that were bowdlerized by former editors for a variety of reasons. Prothero's edition included 1,198 letters. This edition will have more than 3,000, over 80 percent of them transcribed entirely from the original manuscripts. Byron's epistolary saga continues con brio in this volume. At the start of 1818 he sends off the last canto of Childe Harold and abandons himself to the debaucheries of the Carnival in Venice. At the close of 1819 he resolves to return to England but instead follows Teresa Guiccioli to Ravenna. In the meantime he writes three long poems and two cantos of Don Juan, whose bowdlerization he violently protests; he breaks off with Marianna Segati, copes with his amorous "tigress" Margarita Cogni, then falls passionately in love with the young Countess Guiccioli; he thinks seriously of emigrating to South America; he takes custody of his little daughter Allegra and becomes increasingly fond of the child. The Shelleys visit him, as does Thomas Moore, to whom he entrusts his memoirs (burned after his death). The letters to friends are a marvelous outpouring of funny anecdotes, practical talk, discussions of his poems, statements of his beliefs. The love letters are in a class by themselves.