First modern full-length study of the Elizabethan poet George Gascoigne.

This anthology contains five of the most important short works of Elizabethan prose fiction: George Gascoigne's The Adventures of Master F.J., John Lyly's Euphues: The Anatomy of Wit, Robert Greene's Pandosto: The Triumph of Time, Thomas Nashe's The Unfortunate Traveller, and Thomas Deloney's Jack of Newbury. Paul Salzman has modernized the texts for easier comprehension.

This is the only edition of George Gascoigne's A Hundreth Sundrie Flowres to respect the integrity of the first edition, which he published as an anonymous anthology in 1573. Earlier editors either based their work on The Posies of George Gascoigne Esquire, self-censored and published in1575, or omitted the two plays, Supposes and Jocasta. But, from a bibliographical point of view, the plays are an integral part of the first edition, and the work that suffers most from revision is Gascoigne's masterpiece, The Adventures of Master F.J. The critical apparatus of this edition allowsthe reader to reconstruct the changes Gascoigne made to The Posies, and all the works which appear there for the first time are included. Half of the works in this edition, including the plays and Gascoigne's longest poem, `The fruites of Warre', have never received any commentary before. The commentary closely studies Gascoigne's use of his sources, especially in his translations from the Italian, and situates his works in theirliterary and social milieux. It also includes all of the extensive marginal notes that Gabriel Harvey made in his copy of The Posies. The biographical introduction corrects a number of mistakes in Prouty's standard biography and, in particular, offers a fuller, more accurate account of Gascoigne'smilitary service in the Netherlands.

No detailed description available for "Contexts of Pre-Novel Narrative".

This volume investigates the various ways in which writers comment on, present, and defend their own works, and at the same time themselves, across early modern Europe. A multiplicity of self-commenting modes, ranging from annotations to explicatory prose to prefaces to separate critical texts and exemplifying a variety of literary genres, are subjected to analysis. Self-commentaries are more than just an external apparatus: they direct and control reception of the primary text, thus affecting notions of authorship and readership. With the writer understood as a potentially very influential and often tendentious interpreter of their own work, the essays in this collection offer new perspectives on pre-modern and modern forms of critical self-consciousness, self-representation, and self-validation. Contributors are Harriet Archer, Gilles Bertheau, Carlo Caruso, Jeroen De Keyser, Russell Ganim, Joseph Harris, Ian Johnson, Richard Maber, Martin McLaughlin, John O’Brien, Magdalena Ożarska, Federica Pich, Brian Richardson, Els Stronks, and Colin Thompson.

This collection of essays situates George Gascoigne in context as the pre-eminent writer of the early part of Queen Elizabeth’s reign. His ceaseless experimentation was hugely influential on those later Elizabethans - including Spenser, Sidney and Shakespeare - who represent the great flowering of the English literary renaissance. Gascoigne rarely returned to a genre, writing prose fiction, blank verse, plays, sonnets, narrative verse, courtly entertainments, satire and many other literary forms, and the later Elizabethans were fully aware of his significance. These essays are organised into three main sections: influences upon Gascoigne, such as Skelton; Gascoigne’s influence on others, including Spenser; and finally a reassessment of his critical neglect and the story behind his marginalised status in the English literary canon. As only the second multi-authored essay collection on Gascoigne, this book makes a valuable contribution to our understanding of this important and often misunderstood writer.

Focusing on the lively debate of memory, this book maps how radical cultural and political changes shaped early modern England.

The Broadview Anthology of Sixteenth-Century Poetry and Prose makes available not only extensive selections from the works of canonical writers, but also substantial extracts from writers who have either been neglected in earlier anthologies or only relatively recently come to the attention of twentieth- and twenty-first-century scholars and teachers. Popular fiction and prose nonfiction are especially well represented, including selections from popular romances, merchant fiction, sensation pamphlets, sermons, and ballads. The texts are extensively annotated, with notes both explaining unfamiliar words and providing cultural and historical contexts.