Outlines the cultural and historical context in which Simmel worked; reviews Simmel's most important writings; and examines his legacy to sociology by illuminating his links with Weber's theories and his relationship with Marxism.

The complete collected works of Georg Simmel are now available. Yet, the standing of Simmel’s sociological theory is still a subject of controversy. Is Simmel only a brilliant impressionist, a flâneur in the territories of modernity? Providing an illuminating and coherent presentation of Simmel’s sociological theory, The Challenge of Modernity seeks to demonstrate how Simmel contributed a structured sociological theory that fits the criteria of a ‘sociological grand theory’. Indeed, starting by the theory of modernity and its dimensions of social differentiation, monetarisation, culture reification and urbanisation; it reconstructs the architecture of Simmel’s sociological epistemology. Particular attention is dedicated to the theory of ‘qualitative societal differentiation’ that Simmel develops within his cultural sociology, with the late work being presented as a double contribution to the foundation of sociological anthropology and to the social ethics of complex societies. Presenting the entirety of Simmel’s manifold oeuvre from the viewpoint of its relevance for sociology, this comprehensive volume will appeal to scholars and advanced students who wish to understand Simmel’s relevance for socio-political thought and become acquainted with his contribution to sociological theory. It will also be of interest to the wider public who seek a critical assessment of our age in theoretical terms.

An internationally famous philosopher and best-selling author during his lifetime, Georg Simmel has been marginalized in contemporary intellectual and cultural history. This neglect belies his pathbreaking role in revealing the theoretical significance of phenomena—including money, gender, urban life, and technology—that subsequently became established arenas of inquiry in cultural theory. It further ignores his philosophical impact on thinkers as diverse as Benjamin, Musil, and Heidegger. Integrating intellectual biography, philosophical interpretation, and a critical examination of the history of academic disciplines, this book restores Simmel to his rightful place as a major figure and challenges the frameworks through which his contributions to modern thought have been at once remembered and forgotten.

This collection brings together the essential secondary literature on Simmel. Selected and edited by David Frisby - a scholar who has perhaps done more than anyone to rehabilitate Simmel's reputation. Both a consise and comprehensive work.

Published in association with the ISA, and part of the SAGE Studies in International Sociology series, this is a passionate and stimulating exploration of how the work of Georg Simmel can help revitalise and focus the aims of sociology today.

Georg Simmel is one of the most original German thinkers of the twentieth century and is considered a founding architect of the modern discipline of sociology. Ranging over fundamental questions of the relationship of self and society, his influential writings on money, modernity, and the metropolis continue to provoke debate today. Fascinated by the relationship between culture, society, and economic life, Simmel took an interest in myriad phenomena of aesthetics and the arts. A friend of writers and artists such as Auguste Rodin, Rainer Maria Rilke, and Stefan George, he wrote dozens of pieces engaging with topics such as the work of Michelangelo, Rembrandt, and Rodin, Japanese art, naturalism and symbolism, Goethe, “art for art’s sake”, art exhibitions, and the aesthetics of the picture frame. This is the first collection to bring together Simmel’s finest writing on art and aesthetics, and many of the items appear in English in this volume for the first time. The more than forty essays show the protean breadth of Simmel’s reflections, covering landscape painting, portraiture, sculpture, poetry, theater, form, style, and representation. An extensive introduction by Austin Harrington gives an overview of Simmel’s themes and elucidates the significance of his work for the many theorists who would be inspired by his ideas. Something of an outsider to the formal academic world of his day, Simmel wrote creatively with the flair of an essayist. This expansive collection of translations preserves the narrative ease of Simmel’s prose and will be a vital source for readers with an interest in Simmel’s trailblazing ideas in modern European philosophy, sociology, and cultural theory.