Geography Speaks is an investigation of how geography is informed by speech act theory and performativity. Starting with a critical analysis of how J.L. Austin's speech act theory probed the permeability between fact and fiction, it then assesses oppositional interpretations by John Searle and Jacques Derrida, and in doing so, it explores the fictional aspects within scientific knowledge. The book then focuses on five key aspects of the geographical discipline and analyses them using the theories of speech acts and performance: the performative aspects of the creation of place; speech act performances and geopolitics; acts of cartographical construction as variations of speech act performance; the performative aspects of the creation of public and private space, and, finally; the history of the discipline as a sequence of performative acts that attempt to establish geography as being constitutive of this or that type of disciplinary method or scientific viewpoint. Geography Speaks is an interdisciplinary text with a distinct and clear focus on cultural geography while also synthesizing into geography ideas germane to historiography, the philosophy of language, the history of science, and comparative literature.

Geography Speaks is an investigation of how geography is informed by speech act theory and performativity. Starting with a critical analysis of how J.L. Austin's speech act theory probed the permeability between fact and fiction, it then assesses oppositional interpretations by John Searle and Jacques Derrida, and in doing so, it explores the fictional aspects within scientific knowledge. The book then focuses on five key aspects of the geographical discipline and analyses them using the theories of speech acts and performance: the performative aspects of the creation of place; speech act performances and geopolitics; acts of cartographical construction as variations of speech act performance; the performative aspects of the creation of public and private space, and, finally; the history of the discipline as a sequence of performative acts that attempt to establish geography as being constitutive of this or that type of disciplinary method or scientific viewpoint. Geography Speaks is an interdisciplinary text with a distinct and clear focus on cultural geography while also synthesizing into geography ideas germane to historiography, the philosophy of language, the history of science, and comparative literature.

Theories of performativity have garnered considerable attention within the social sciences and humanities over the past two decades. At the same time, there has also been a growing recognition that the social production of space is fundamental to assertions of political authority and the practices of everyday life. However, comparatively little scholarship has explored the full implications that arise from the confluence of these two streams of social and political thought. This is the first book-length, edited collection devoted explicitly to showcasing geographical scholarship on the spatial politics of performativity. It offers a timely intervention within the field of critical human geography by exploring the performativity of political spaces and the spatiality of performative politics. Through a series of geographical case studies, the contributors to this volume consider the ways in which a performative conception of the "political" might reshape our understanding of sovereignty, political subjectification, and the production of social space. Marking the 20th anniversary of the publication of Judith Butler’s classic, Bodies That Matter (1993), this edited volume brings together a range of contemporary geographical works that draw exciting new connections between performativity, space, and politics.

Geography and Geographers continues to be the most comprehensive and up-to-date overview of human geography available. It provides a survey of the major debates, key thinkers and schools of thought in the English-speaking world, setting them within the context of economic, social, cultural, political and intellectual changes. It is essential reading for all undergraduate geography students. It draws on a wide reading of the geographical literature and addresses the ways geography and its history are understood and the debates among geographers regarding what the discipline should study and how. This extensively updated seventh edition offers a thoroughly contemporary perspective on human geography for new and more experienced students alike.

Anthropologists, psychologists, feminists, and sociologists have long studied the “everyday,” the quotidian, the taken-for-granted; however, geographers have lagged behind in engaging with this slippery aspect of reality. Now, Rob Sullivan makes the case for geography as a powerful conceptual framework for seeing the everyday anew and for pushing back against its “givenness”: its capacity to so fade into the background that it controls us in dangerously unexamined ways. Drawing on a number of theorists (Foucault, Goffman, Marx, Lefebvre, Hägerstrand, and others), Sullivan unpacks the concepts and perceived realities that structure everyday life while grounding them in real-world cases, such as Nigeria’s troubled oil network, the working poor in the United States, China’s urban villages, and ultra-high-end housing in London and Cairo. In examining the everyday from a geographical perspective, Sullivan ranges widely across time, space, history, geography, Marxian reproduction, the body, and the geographical mind. The everyday, Sullivan suggests, is where change occurs and where resistance to change can begin. By locating the everyday through geography, we can help to make change possible. Whatever the issue, be it struggles over race, LGBT rights, class inequality, or global warming, the transformations required to achieve social justice all begin with transformation of the everyday order.

Sullivan makes the case for geography as a powerful conceptual framework for seeing the everyday anew and for pushing back against its "givenness" its capacity to so fade into the background that it controls us in dangerously unexamined ways. He ranges across time, space, history, Marxian reproduction, the body, and the geographical mind.

The essays in Sacred Texts and Disparate Interpretations shed new light on core themes in Qumran studies, such as the textual criticism of the Hebrew Bible, history of the Qumran community, Hebrew philology and paleography, Wisdom and religious poetry.

What does 'performance theory' really mean and why has it become so important across such a large number of disciplines, from art history to religious studies and architecture to geography? In this introduction Simon Shepherd explains the origins of performance theory, defines the terms and practices within the field and provides new insights into performance's wide range of definitions and uses. Offering an overview of the key figures, their theories and their impact, Shepherd provides a fresh approach to figures including Erving Goffman and Richard Schechner and ideas such as radical art practice, performance studies, radical scenarism and performativity. Essential reading for students, scholars and enthusiasts, this engaging account travels from universities into the streets and back again to examine performance in the context of political activists and teachers, countercultural experiments and feminist challenges, and ceremonies and demonstrations.