Throughout the twelfth century, two rival clans, the Minomoto and the Taira, struggled for supremacy in Imperial Japan. Each attempted a rebellion and, for a time, the Taira gained ascendancy. But their rule turned despotic and at last, during the Genpei War of 1179-1185, the Minomoto drove the Taira out of the capital and took control for themselves. At the final battle of Dan-no-ura, the Taira-born child-emperor and his family all jumped into the Inland Sea to avoid capture and drowned. With them was lost the Imperial Sword, never to be seen again. The Minomoto leader took control, moved the capital, and became the first Shogun of Japan. That much is history. But wherefore come the tales of superhuman strength, the incredible insight, the clandestine knowledge of the Genpei War's heroes? There has been much speculation throughout the generations. Some have called the Minomoto's rise to power destiny, others call it a deal between humans and spirits-since even in death, the eternal Japanese warrior's spirit cannot be laid to rest. How much is truth, how much legend? One can never tell, for there are older, stranger tales as well.... At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

The Tale of the Heike is Japan's great martial epic; a masterpiece of world literature and the progenitor of all samurai stories, now in a major and groundbreaking new translation by Royall Tyler, acclaimed translator of The Tale of Genji. First assembled from scattered oral poems in the early fourteenth century, The Tale of the Heike is Japan's Iliad - a grand-scale depiction of the wars between the Heike and Genji clans. Legendary for its magnificent and vivid set battle scenes, it is also a work filled with intimate human dramas and emotions, contemplating Buddhist themes of suffering and separation, as well as universal insights into love, loss and loyalty. The narrative moves back and forth between the two great warring clans, between aristocratic society and street life, adults and children, great crowds and introspection. No Japanese work has had a greater impact on subsequent literature, theatre, music and films, or on Japan's sense of its own past. Royall Tyler's new translation is the first to capture the way The Tale of the Heike was originally performed. It re-creates the work in its full operatic form, with speech, poetry, blank verse and song that convey its character as an oral epic in a way not seen before, fully embracing the rich and vigorous language of the original texts. Beautifully illustrated with fifty-five woodcuts from the nineteenth-century artistic master, Katsushika Hokusai, and bolstered with maps, character guides, genealogies and rich annotation, this is a landmark edition. Royall Tyler taught Japanese language and literature for many years at the Australian National University. He has a B.A. from Harvard University and a PhD from Columbia University and has taught at Harvard, Stanford and the University of Wisconsin. His translation of The Tale of Genji was acclaimed by publications such as The New York Times Book Review.

The Genpei War of 1180-1185 signaled a crucial shift in Japanese history because it gave birth to the shogunate, or government run by warriors. How was the emergence of this new polity following a contentious civil war explained in literary texts? This book argues that political authority is made visible in the variant texts of the Heike monogatari corpus through rituals that map the ideal social-cosmic order, overwriting untidy historical realities. Artifacts of material culture likewise provide the social and political codes to authenticate warrior power and manage its violence. Through its focus on ritual and material practices, this book offers a new perspective on how texts from fourteenth century Japan harnessed symbolic understandings of authority to evoke order and contain rupture. Equally significant is its analysis of the Genpei jōsuiki a Heike monogatari variant that played a critical role in the retrospection of medieval Japan through the early modern period.

Minamoto Yoshitsune should not have been a samurai. But his story is legend in this real-life saga. This epic warrior tale reads like a novel, but this is the true story of the greatest samurai in Japanese history. When Yoshitsune was just a baby, his father went to war with a rival samurai family—and lost. His father was killed, his mother captured, and his surviving half-brother banished. Yoshitsune was sent away to live in a monastery. Skinny, small, and unskilled in the warrior arts, he nevertheless escaped and learned the ways of the samurai. When the time came for the Minamoto clan to rise up against their enemies, Yoshitsune answered the call. His daring feats and impossible bravery earned him immortality.

"Akasegawa is the kind of artist who inspires everybody every time he makes a new piece of art." -Yoko Ono In the 1970s, estranged from the institutions and practices of high art, avant-garde artist and award-winning novelist Genpei Akasegawa (1937-2014) launched an open-ended, participatory project to search the streets of Japan for strange objects which he and his collaborators labeled "hyperart," codifying them with an elaborate system of humorous nomenclature. Along with "modernologists" such as the Japanese urban anthropologist Kon Wajiro and his European contemporary, Walter Benjamin, Akasegawa is part of a lineage of modern wanderers of the cityscape. His work, which has captured the imagination of Japan, reads like a comic forerunner of the somber mixed-media writings of W.G. Sebald, and will appeal to all fans of modern literature, art, artistic/social movements and writing that combines visual images and text in the exploration of urban life. In this revised edition, Matthew Fargo's original US translation of Akasegawa's hilarious, brilliantly conceived exercise in collective observation is accompanied by reflections from noted scholars Jordan Sand and Reiko Tomii, as well as a new essay by Akasegawa scholar William Marotti and a reflection on Akasegawa's legacy as a teacher by writer, artist and composer Masayuki Qusumi, a former student of Akasegawa's.

During the 1960s a group of young artists in Japan challenged official forms of politics and daily life through interventionist art practices. William Marotti situates this phenomenon in the historical and political contexts of Japan after the Second World War and the international activism of the 1960s. The Japanese government renewed its Cold War partnership with the United States in 1960, defeating protests against a new security treaty through parliamentary action and the use of riot police. Afterward, the government promoted a depoliticized everyday world of high growth and consumption, creating a sanitized national image to present in the Tokyo Olympics of 1964. Artists were first to challenge this new political mythology. Marotti examines their political art, and the state's aggressive response to it. He reveals the challenge mounted in projects such as Akasegawa Genpei's 1,000-yen prints, a group performance on the busy Yamanote train line, and a plan for a giant guillotine in the Imperial Plaza. Focusing on the annual Yomiuri Indépendant exhibition, he demonstrates how artists came together in a playful but powerful critical art, triggering judicial and police response. Money, Trains, and Guillotines expands our understanding of the role of art in the international 1960s, and of the dynamics of art and policing in Japan.

The japanese Noh drama by the Master Zeami Motokiyo about the Buddhist priest Rensei and the warrior of the Taira Clan Atsumori. The story of redention of the warrior Kumagai Jiro Naozane that killed the young Atsumori. One of the most popular and touching Zeami's Noh drama inspired by "The Tales of Heike". Contents: Preface by Massimo Cimarelli Atsumori by Zeami Motokiyo Pearson Part I Interlude Part II Glossary Notes

An emperor's wraith from the grave that would see the fall of a dynasty and the rise of the samurai. Riku has unknowingly inherited a powerful ability from his mother: the ability to share his body with a demon and survive. Now, a dark enemy wants to use that power to his own ends. Whether Riku likes it or not. When disaster strikes the shrine, Riku is forced down a path that the monks who raised him fought to prevent. Will he be able to uncover the secrets to his family's past and finally understand his true destiny? The Blood Samurai looks at the Genpei War through the legend of it resulting from Sutoku's revenge. If you enjoy your samurai history with a dose of yokai & mythology grab your copy today!