Graphic Novel. The newest generation of X-Men returns! In a world where the years passed in real-time for the X-Men since their foundation, the newest crop of students at Xavier's are the childrena nd grandchil dren of the heroes we know. But with all the trouble Becka Monroe, Pavel Rasputin, Olivier Raven and company got into last time, they're not sure they want to go back to school. With Professor Henry "Beast" McCoy watching over them, GeNEXT is striking out on their own!

Introduces a new generation of X-Men.

A zine exploring the MCA's Genext youth programming and activities surrounding the Janet Laurence exhibition 'After Nature'.

In 1975, Marvel Comics revived the X-Men, a failed title which hadn't used new material for half a decade. It was a marginal project in an industry then in crisis. Five years later, it was the bestseller in a revived comics market. Unusually in the comics world, one man, Chris Claremont wrote the comic over seventeen years, from 1975 to 1991, developing new characters such as Wolverine and Storm, and taking themes from Freudian psychology, Christian temptation narratives, Existentialist philosophy and the language of sub-cultural identity. Marvel's Mutants is the first book to be devoted to the aesthetics of these comics that laid the foundation for the worldwide X-Men franchise we know today. Miles Booy explores Claremont's recurrent themes, the evolution of his reputation as an auteur within a collaborative medium, the superhero genre and the input of the artists with whom Claremont worked. Also covered are the successful spin-off projects, which Claremont wrote: solo Wolverine mini-series and whole new teams of mutant superheroes.

Winner of the 2022 Eisner Award for Best Comics-Related Book The first-ever full reckoning with Marvel Comics’ interconnected, half-million-page story, a revelatory guide to the “epic of epics”—and to the past sixty years of American culture—from a beloved authority on the subject who read all 27,000+ Marvel superhero comics and lived to tell the tale “Brilliant, eccentric, moving and wholly wonderful. . . . Wolk proves to be the perfect guide for this type of adventure: nimble, learned, funny and sincere. . . . All of the Marvels is magnificently marvelous. Wolk’s work will invite many more alliterative superlatives. It deserves them all.” —Junot Díaz, New York Times Book Review The superhero comic books that Marvel Comics has published since 1961 are, as Douglas Wolk notes, the longest continuous, self-contained work of fiction ever created: over half a million pages to date, and still growing. The Marvel story is a gigantic mountain smack in the middle of contemporary culture. Thousands of writers and artists have contributed to it. Everyone recognizes its protagonists: Spider-Man, the Avengers, the X-Men. Eighteen of the hundred highest-grossing movies of all time are based on parts of it. Yet not even the people telling the story have read the whole thing—nobody’s supposed to. So, of course, that’s what Wolk did: he read all 27,000+ comics that make up the Marvel Universe thus far, from Alpha Flight to Omega the Unknown. And then he made sense of it—seeing into the ever-expanding story, in its parts and as a whole, and seeing through it, as a prism through which to view the landscape of American culture. In Wolk’s hands, the mammoth Marvel narrative becomes a fun-house-mirror history of the past sixty years, from the atomic night terrors of the Cold War to the technocracy and political division of the present day—a boisterous, tragicomic, magnificently filigreed epic about power and ethics, set in a world transformed by wonders. As a work of cultural exegesis, this is sneakily significant, even a landmark; it’s also ludicrously fun. Wolk sees fascinating patterns—the rise and fall of particular cultural aspirations, and of the storytelling modes that conveyed them. He observes the Marvel story’s progressive visions and its painful stereotypes, its patches of woeful hackwork and stretches of luminous creativity, and the way it all feeds into a potent cosmology that echoes our deepest hopes and fears. This is a huge treat for Marvel fans, but it’s also a revelation for readers who don’t know Doctor Strange from Doctor Doom. Here, truly, are all of the marvels.

The most comprehensive reference ever compiled about the rich and enduring genre of comic books and graphic novels, from their emergence in the 1930s to their late-century breakout into the mainstream. At a time when graphic novels have expanded beyond their fan cults to become mainstream bestsellers and sources for Hollywood entertainment, Encyclopedia of Comic Books and Graphic Novels serves as an exhaustive exploration of the genre's history, its landmark creators and creations, and its profound influence on American life and culture. Encyclopedia of Comic Books and Graphic Novels focuses on English-language comics—plus a small selection of influential Japanese and European works available in English—with special emphasis on the new graphic novel format that emerged in the 1970s. Entries cover influential comic artists and writers such as Will Eisner, Alan Moore, and Grant Morrison, major genres and themes, and specific characters, comic book imprints, and landmark titles, including the pulp noir 100 Bullets, the post-apocalyptic Y: The Last Man, the revisionist superhero drama, Identity Crisis, and more. Key franchises such as Superman and Batman are the center of a constellation of related entries that include graphic novels and other imprints featuring the same characters or material.

A valuable tool for anyone who wants to effectively manage and motivate twenty-something workers Many books are being published on how to manage employees of the "millennial" generation, but the solutions offered are anecdotal at best. Backed by years of serious research, Managing the Millennials provides managers of all ages with specific recommendations and tools for engaging this burgeoning demographic-some 78 million strong. Each chapter shares relevant interviews, case studies, and offers research-backed ideas and best practices to help any organization and their leaders address the challenges generational diversity presents. Answering the perplexing question of how does one lead and manage younger employees, this book Offers research-based guidance on getting the most from twenty-something employees Answers common questions and outlines practical solutions for building better relationships between the younger workers and the people who manage them Includes a Special Offer with immediate benefit to readers: access to the authors' Generational Rapport Inventory (GRI), a tool that measures a managers competencies and identifies strengths and weaknesses in dealing with Millennials. Accompanied by an associate web site, leadingthemillennials.com, offering a weekly blog addressing generational diversity issues in the workplace Insightful and practical, Managing the Millennials is a valuable tool for millions of managers globally whose job it is to manage and motivate their twenty-something workers.

You asked for it, X-Fans, and now, you got it! Marvel.com asked you what Chris Claremont's next project should be. You, the fans, said you wanted to know what today's new generation of X-Men would be like if the Marvel Universe aged in real-time! Who are the children of the X-Men? And what happened to the original team, Professor X, and Magneto after over 30 years of conflict, victories, and tragedies? Now, at last, the answers arrive as beloved X-Men scribe Chris Claremont reveals an all-new generation of mutant teens! Collects GeNext #1-5.