Konrad Schmid is a Swiss biblical scholar who belongs to a larger group of Continental researchers proposing new directions in the study of the Pentateuch. In this volume, a translation of his Erzväter und Exodus, Schmid argues that the ancestor tradition in Genesis and the Moses story in Exodus were two competing traditions of Israel’s origins and were not combined until the time of the Priestly Code—that is, the early Persian period. Schmid interacts with the long tradition of European scholarship on the Hebrew Bible but departs from some of the main tenets of the Documentary Hypothesis: he argues that the pre-Priestly material in both text blocks is literarily and theologically so divergent that their present linkage is more appropriately interpreted as the result of a secondary redaction than as thematic variation stemming from J’s oral prehistory. He dates Genesis–2 Kings to the Persian period and considers it a redactional work that, in its present shape, is a historical introduction to the message of future hope presented in the prophetic corpus of Isaiah-Malachi. Scholars and students alike will be pleased that this translation makes Schmid’s important work readily available in English, both for the contributions made by Schmid and the summary of continental interpretation that he presents. In this edition, some passages have been expanded or modified in order to clarify issues or to engage with more-recent scholarship. The notes and bibliography have also been updated. Dr. Schmid is Professor of Old Testament and Early Judaism at the University of Zürich.

Hailed as "the most radical repackaging of the Bible since Gutenberg", these Pocket Canons give an up-close look at each book of the Bible.

The NIV is the world's best-selling modern translation, with over 150 million copies in print since its first full publication in 1978. This highly accurate and smooth-reading version of the Bible in modern English has the largest library of printed and electronic support material of any modern translation.

One man’s quest to find the oldest Bible scrolls in the world and uncover the story of the brilliant, doomed antiquarian accused of forging them. In the summer of 1883, Moses Wilhelm Shapira—archaeological treasure hunter and inveterate social climber—showed up unannounced in London claiming to have discovered the oldest copy of the Bible in the world. But before the museum could pony up his £1 million asking price for the scrolls—which discovery called into question the divine authorship of the scriptures—Shapira’s nemesis, the French archaeologist Charles Clermont-Ganneau, denounced the manuscripts, turning the public against him. Distraught over this humiliating public rebuke, Shapira fled to the Netherlands and committed suicide. Then, in 1947 the Dead Sea Scrolls were discovered. Noting the similarities between these and Shapira’s scrolls, scholars made efforts to re-examine Shapira’s case, but it was too late: the primary piece of evidence, the parchment scrolls themselves had mysteriously vanished. Tigay, journalist and son of a renowned Biblical scholar, was galvanized by this peculiar story and this indecipherable man, and became determined to find the scrolls. He sets out on a quest that takes him to Australia, England, Holland, Germany where he meets Shapira’s still aggrieved descendants and Jerusalem where Shapira is still referred to in the present tense as a “Naughty boy”. He wades into museum storerooms, musty English attics, and even the Jordanian gorge where the scrolls were said to have been found all in a tireless effort to uncover the truth about the scrolls and about Shapira, himself. At once historical drama and modern-day mystery, The Lost Book of Moses explores the nineteenth-century disappearance of Shapira’s scrolls and Tigay's globetrotting hunt for the ancient manuscript. As it follows Tigay’s trail to the truth, the book brings to light a flamboyant, romantic, devious, and ultimately tragic personality in a story that vibrates with the suspense of a classic detective tale.

A new commentary for today’s world, The Story of God Bible Commentary explains and illuminates each passage of Scripture in light of the Bible’s grand story. The first commentary series to do so, SGBC offers a clear and compelling exposition of biblical texts, guiding readers in how to creatively and faithfully live out the Bible in their own contexts. Its story-centric approach is idea for pastors, students, Sunday school teachers, and all who want to understand the Bible in today’s world. SGBC is organized into three easy-to-use sections, designed to help readers live out God’s story: Listen to the Story; Explain the Story; and Live the Story. Praise for SGBC: “The easy-to-use format and practical guidance brings God’s grand story to modern-day life so anyone can understand how it applies today.”—Andy Stanley “Opens up the biblical story in ways that move us to act.”—Darrell L. Bock “It makes the text sing and helps us hear the story afresh.”—John Ortberg “This commentary breaks new ground.”—Craig L. Blomberg

Encapsulating as it does research that has been undertaken on the sociological, anthropological and political aspects of the history of ancient Israel, this important book is designed to follow in the tradition of works in the series sponsored by The Society for Old Testament Study which began with the publication of The People and the Book in 1925. The World of Ancient Israel is especially concerned to explore in greater depth than comparable studies the areas and degrees of overlap between approaches to the subject of Old Testament research adopted by scholars and students of theology and the social sciences. Increasing numbers of scholars have recognised the valuable insights that can be gained from a cross-disciplinary approach, and it is becoming clear that the early biblical traditions about the formation of the Israelite state must be examined in the light of comparative anthropology if useful historical conclusions are to be drawn from them.

In this meticulously researched study, Konrad Schmid offers a historical clarification of the concept of “theology.” He then examines the theologies of the three constituent parts of the Hebrew Bible—the Torah, the Prophets, and the Writings— before tracing how these theological concepts developed throughout the history of ancient Israel and early Judaism. Schmid not only explores the theology of the biblical books in isolation, but he also offers unifying principles and links between the distinct units that make up the Hebrew Bible. By focusing on both the theology of the whole Hebrew Bible as well as its individual pieces, A Historical Theology of the Hebrew Bible provides a comprehensive discussion of theological work within the Hebrew Bible.

What if reading Genesis 2–3 in its ancient Near Eastern context shows that the creation account makes no claims regarding Adam and Eve's material origins? John Walton's groundbreaking insights into this text create space for a faithful reading of Scripture along with full engagement with science, creating a new way forward in the human origins debate.

The Book of Jubilees, also known as The Little Genesis and The Apocalypse of Moses, opens with an extraordinary claim of authorship. It is attributed to the very hand of Moses; penned while he was on Mount Sinai, as an angel of God dictated to him regarding those events that transpired from the beginning of the world. The story is written from the viewpoint of the angel. The angelic monolog takes place after the exodus of the children of Israel out of Egypt. The setting is atop Mount Sinai, where Moses was summoned by God. The text then unfolds as the angel reveals heavens viewpoint of history. We are lead through the creation of man, Adams fall from grace, the union of fallen angles and earthly women, the birth of demonic offspring, the cleansing of the earth by flood, and the astonishing claim that mans very nature was somehow changed, bringing about a man with less sinful qualities than his antediluvian counterpart. The story goes on to fill in many details in Israels history, ending at the point in time when the narrative itself takes place, after the exodus.