This collection of essays focuses on issues of gender and sexuality in Irish history, biography, language, literature and drama. While the contributors employ a variety of methodological and critical perspectives, they share the conviction that the gendering of Ireland - not only of the nation, but of actual Irish men and women - is a construction of culture and ideology and not simply one of nature.

This timely collection of essays focuses on issues of gender and sexuality in Irish history, biography, language, literature, and drama. The book's concern with gender and sexuality connects a series of interweaving narratives that at once complicate and enrich our understanding of what it means to be Irish.

Includes biographical notes on the contributors.

This collection of articles poses the question: What can gender history add to the traditional narrative of Irish history? How can it help us to understand the ways in which power operated in and flowed through Irish society? It is premised on the assumption that men and women are actors in the creation of their society, influenced by the ideology of the period, but also challenging and resisting the assumptions and beliefs of their era. The articles included in this collection are far-ranging and thematically diverse, united by the common theme of gender. While women play a dominant role in its pages, it makes visible the power and presence of men. Sometimes implicit, sometimes explicit, the history written on these pages is a history of the ways in which women and men constructed, negotiated and made visible the roles, ideas and representations that governed their particular society. In so doing, it provides an alternative reading to the traditional narrative of Irish history. This book focuses mainly on the modern period and includes two articles from outside of Ireland which provides a comparative focus. It also includes a theoretical introductory section on the nature of gender history from three leading Irish historians.

The history of sexuality in Ireland remains relatively understudied when compared with the more well-worn paths of political and military history, but that is not to say that it has never been considered. Now, in the fourth instalment of the 'Irish perspectives' collaboration between Pen and Sword and History Ireland, a range of experts explore Irish history from the perspective of the broad concept of sexuality, in both theory and practice.From the legalities that defined gender roles in the middle ages and early modern periods, to women's role in political life and civil society, Gender and Sexuality in Ireland provides a comprehensive overview of the nation's understanding and relationship with sexuality and patriarchy. Population change, prostitution, incarceration, infanticide, abortion and homophobia are all considered alongside attempts to impose - and ignore - Catholic morality in independent Ireland.Struggles for women's rights and reproductive rights, the culture wars of the 1980s, and Irish people simply trying to have good sex lives, the essays gathered here cast light on aspects of Ireland's past that are often overlooked in more mainstream narratives of Irish history.

This study analyzes the role of gender in Irish cultural change from the 1890s to the present, exploring literature, the relationships between gender and national identities, and the recognized major political and cultural movements of the twentieth century. It includes discussion of film, television and, popular music, as well as diverse literary texts by authors such as Joyce, Yeats, Wilde, and Boland.

This book traces the turbulent history of queer visibility in the Irish media to explore the processes by which a regionally based media system shaped queer identities within a highly conservative and religious population. The book details the emergence of an LGBTQ rights movement in Ireland and charts how this burgeoning movement utilised the media for the liberatory potential of advancing LGBTQ rights. However, mainstream media institutions also exploited queer identities for economic purposes, which, coupled with the eruption of the AIDS pandemic in the 1980s, disrupted the mainstreaming goals of queer visibility. Drawing on industrial, societal and production culture determinants, the author identifies the shifting contours of queer visibility in the Irish media, uncovering the longstanding relationship between LGBTQ organising and the Irish media. This book is suitable for students and scholars in gender studies, media studies, cultural studies and LGBTQ studies.

Law and Gender in Modern Ireland: Critique and Reform is the first generalist text to tackle the intersection of law and gender in this jurisdiction for over two decades. As such, it could hardly have come at a more opportune moment. The topic of law and gender, perhaps more so than at any other time in Irish history, has assumed a dominant place in political and academic debate. Among scholars and policy-makers alike, the regulation of gendered bodies, and the legal status of sexual and gendered identities, is now a highly visible fault line in public discourse. Debates over reproductive justice (exemplified by the recent referendum to remove the '8th Amendment'), increased rights for lesbian, gay, bisexual and transgender persons (including the public-sanctioned introduction of same-sex marriage) and the historic mistreatment of women and young girls have re-shaped Irish public and political life, and encouraged Irish society to re-examine long-unchallenged gender norms. While many traditional flashpoints remain such as abortion and prostitution/sex work, there are also new questions, including surrogacy and the gendered experience of asylum frameworks, which have emerged. As policy-makers seek to enact reforms, they face a population with increasingly polarised perceptions of gender and a legal structure ill-equipped for modern realities. This edited volume directly addresses modern Irish debates on law and gender. Providing an overview of the existing rules and standards, as well as exploring possible options for reform, the collection stands as an important statement on the law in this jurisdiction, and as an invaluable resource for pursuing gendered social change. While the edited collection applies a doctrinal methodology to explain current statutes, case law and administrative practices, the contributors also invoke critical gender, queer and race perspectives to identify and problematise existing (and potential) challenges. This edited collection is essential reading for all who are interested in law, gender and processes of social change in modern Ireland.

Ireland's Others is a collection of essays by noted literary and cultural critic Elizabeth Butler Cullingford. In this volume, Cullingford assesses attempts by Irish writers to reverse hostile colonial stereotypes by creating analogies between their situations and those of other oppressed people. She analyzes the political costs and benefits of these analogies, and considers the plight of "others" within Ireland, including women, gays, travelers, and abused children. Cullingford illuminates the connection between gender, sexuality, and national identity by comparing modern Irish literature with contemporary Irish and American popular culture. Exploring the work of Boucicault, Shaw, Friel, Jordan, McGuinness, and others, she considers the impact of globalization on Irish culture.

This book is a comparative study of masculinity and white racial identity in Irish nationalism and Zionism. It analyses how both national movements sought to refute widespread anti-Irish or anti-Jewish stereotypes and create more prideful (and highly gendered) images of their respective nations. Drawing on English-, Irish-, and Hebrew-language archival sources, Aidan Beatty traces how male Irish nationalists sought to remake themselves as a proudly Gaelic-speaking race, rooted both in their national past as well as in the spaces and agricultural soil of Ireland. On the one hand, this was an attempt to refute contemporary British colonial notions that they were somehow a racially inferior or uncomfortably hybridised people. But this is also presented in the light of the general history of European nationalism; nationalist movements across Europe often crafted romanticised images of the nation’s past and Irish nationalism was thus simultaneously European and postcolonial. It is this that makes Irish nationalism similar to Zionism, a movement that sought to create a more idealized image of the Jewish past that would disprove contemporary anti-Semitic stereotypes.