Some thirty years since its first publication, David Caron returns with an updated and greatly expanded edition of the Gazetteer of Irish Stained Glass, the definitive guide to Irish stained glass from 1900 to the present day.This is a practical and comprehensive guide for glass aficionados and those new to the art form that lists all of Ireland's significant stained-glass works, county by county, and the most noteworthy pieces abroad by Irish artists. Beautifully illustrated with vibrant new photography, the Gazetteer of Irish Stained Glass is bursting with colour and brimming with information about our most famous stained-glass artists, those who deserve to be better known, and the best contemporary artists working in the medium today.With over 2,500 entries, two essays, and biographical notes on major artists, this is the key reference book for both academics and all who wish to learn more about Ireland's celebrated stained-glass and where it can be found.

Some thirty years since its first publication, David Caron returns with an updated, redesigned, and greatly expanded edition of the Gazetteer of Irish Stained Glass, the definitive guide to Irish stained glass from 1900 to the present day. This is a practical and comprehensive guide, for glass aficionados and those new to the art form, that lists all of Ireland's significant stained-glass works, county by county, and the most noteworthy pieces abroad by Irish artists. Beautifully illustrated with vibrant new photography, the Gazetteer of Irish Stained Glass is bursting with color and brimming with information about our most famous stained-glass artists, those who deserve to be better known, and the best contemporary artists working in the medium today. With over 2,500 entries, two essays, and biographical notes on major artists, this is the key reference book for both academics and all who wish to learn more about Ireland's celebrated stained-glass and where it can be found.

Strangest genius

Dark Beauty focuses on the minute detail in Harry Clarke’s stained-glass windows, particularly in the borders and lower panels of his work. Clarke’s brilliance as a graphic artist is clearly visible in his book illustrations, which are imbued with precise attention to intricate designs, and he applied the same lavish focus to every facet of his stained glass. The title ‘Dark Beauty’ refers to the duality of Clarke’s work that sees delicate angels juxtaposed with macabre, grotesque figures, and represents the partially hidden details that dwell in the background of his windows – motifs, accessories, flora, fauna and diminutive characters – which may be missed in light of the dominance of the central subjects. The authors spent many years photographing Clarke’s windows in Ireland, England, America and Australia, and the resulting 60,000 photos have been carefully whittled down to 500 glorious images. Dark Beauty will provide lovers of Clarke’s stained glass with the opportunity to view previously obscured or unnoticed details in all their unique beauty and inspire their own travels to view Clarke’s work.

The stained glass windows of England's cathedrals and churches are masterpieces of colour and storytelling, and for a thousand years they have brought meaning and beauty to worshippers and visitors alike. This book traces the history of stained glass from its Anglo-Saxon origins until the present day, explaining how some of Europe's greatest artists have created these unique 'paintings with light'. It also offers fascinating insights into how medieval people 'saw' stained glass. A hundred beautiful photographs make this book indispensable reading for anyone interested in church or art history and a helpful gazetteer lists where to see more than 500 outstanding windows.

The medieval wall paintings that remain in English churches are for the most part shadows of their former selves – the rare fragments of this beautiful art to have survived not only the Reformation but also successive waves of iconoclastic zeal and unsympathetic restoration. The whitewashed walls of most parish churches belie the riot of colour and decoration that once adorned them, but the remnants of paintings tucked into corners or rescued from later layers of paint help us to understand the role of art in medieval religion. Roger Rosewell here offers a guide to the role played by medieval wall paintings, as religious, didactic and commemorative works of art, telling the stories of those who created them and those who used them on a daily basis. He also compares and contrasts religious and domestic wall paintings, using beautiful colour photography throughout.

Surveying the images and iconography that made the medieval church a riot of colour, this book brings together many of the best surviving examples of medieval church wall paintings. It uses new technologies to allow us to visualise these works as the artists first intended. Rosewell's text accompanies the images.

The Irish Times literary editor Fintan O'Toole selects 100 artworks to narrate a history of Ireland.