A professional translator and amateur detective travels to Barcelona to find a missing man in this mystery hailed as a “high-spirited comic adventure” (The New York Times). American but with an Irish passport, the itinerant translator Cassandra Reilly is living in London when she receives an unexpected phone call. The voice on the other end belongs to Frankie Stevens, a San Francisco transplant with an unusual request. Her husband, Ben, has gone missing—presumably in Barcelona—and Frankie needs a translator to help her find him. Not one to pass up a well-paying gig or a free trip to Barcelona, Cassandra takes the job. But she quickly realizes that all is not as it seems. Frankie’s charm is matched only by her guile. As Cassandra chases down leads in search of Ben, she becomes increasingly tangled in a web of half-truths—and caught between former flames Ana and Carmen. Winner of the British Crime Writers’ Award for Best Mystery Based in Europe and the Lambda Literary Award for Best Lesbian Mystery, Gaudí Afternoon is the first book in the Cassandra Reilly Mystery series, which continues with Trouble in Transylvania and The Death of a Much-Travelled Woman, and concludes with The Case of the Orphaned Bassoonists.

The Advocate is a lesbian, gay, bisexual, transgender (LGBT) monthly newsmagazine. Established in 1967, it is the oldest continuing LGBT publication in the United States.

Art Nouveau thrived from the late 1890s through the First World War. The international design movement reveled in curvilinear forms and both playful and macabre visions and had a deep impact on cinematic art direction, costuming, gender representation, genre, and theme. Though historians have long dismissed Art Nouveau as a decadent cultural mode, its tremendous afterlife in cinema proves otherwise. In Cinema by Design, Lucy Fischer traces Art Nouveau's long history in films from various decades and global locales, appreciating the movement's enduring avant-garde aesthetics and dynamic ideology. Fischer begins with the portrayal of women and nature in the magical "trick films" of the Spanish director Segundo de Chomón; the elite dress and décor design choices in Cecil B. DeMille's The Affairs of Anatol (1921); and the mise-en-scène of fantasy in Raoul Walsh's The Thief of Bagdad (1924). Reading Salome (1923), Fischer shows how the cinema offered an engaging frame for adapting the risqué works of Oscar Wilde and Aubrey Beardsley. Moving to the modern era, Fischer focuses on a series of dramatic films, including Michelangelo Antonioni's The Passenger (1975), that make creative use of the architecture of Antoni Gaudí; and several European works of horror—The Abominable Dr. Phibes (1971), Deep Red (1975), and The Strange Color of Your Body's Tears (2013)—in which Art Nouveau architecture and narrative supply unique resonances in scenes of terror. In later chapters, she examines films like Klimt (2006) that portray the style in relation to the art world and ends by discussing the Art Nouveau revival in 1960s cinema. Fischer's analysis brings into focus the partnership between Art Nouveau's fascination with the illogical and the unconventional and filmmakers' desire to upend viewers' perception of the world. Her work explains why an art movement embedded in modernist sensibilities can flourish in contemporary film through its visions of nature, gender, sexuality, and the exotic.

The Advocate is a lesbian, gay, bisexual, transgender (LGBT) monthly newsmagazine. Established in 1967, it is the oldest continuing LGBT publication in the United States.

The essays in this collection explore the concept of 'transubstantiation', its adaptations and transformations in English and European culture from the Elizabethans to the twentieth century. Favoring an interartistic and comparative perspective, a wide range of critical approaches, from the philosophical to the semiological, from cultural materialism to gender and queer studies, are brought to bear on authors ranging from Descartes, Shakespeare and Joyce, to Macpherson, Madox Ford, and Winterson, as well as on contemporary sculpture and an Italian adaptation of Conrad for the screen in an unusually comic vein. The volume, edited by Douglas Burnham of Staffordshire University and by Enrico Giaccherini of Pisa University, will be of interest to those concerned with the cultural history of Christianity and with the remarkable critical and theoretical insights generated by contemporary approaches to this traditional theme.

(Screen World). Movie fans eagerly await each year's new edition of Screen World , the definitive record of the cinema since 1949. Volume 55 provides an illustrated listing of every American and foreign film released in the United States in 2003, all documented with more than 1,000 photographs. The 2004 edition of Screen World features such notable films as Peter Jackson's The Lord of the Rings: The Return of the King , which won all 11 Academy Awards it was nominated for, including Best Picture, tying a record; Clint Eastwood's Mystic River , which won Academy Awards for Best Actor Sean Penn and Best Supporting Actor Tim Robbins; Sofia Coppola's Lost in Translation , Academy Award-winner for Best Original Screenplay; and Peter Weir's Master and Commander: The Far Side of the World . Also featured are Patty Jenkins' Monster , featuring Academy Award-winner for Best Actress Charlize Theron, and independent successes such as Gurinder Chadha's Bend It like Beckham and Tom McCarthy's The Station Agent . As always, Screen World 's outstanding features include: photographic stills and shots of the four Academy Award-winning actors as well as all acting nominees; a look at the year's most promising new screen personalities; complete filmographies cast and characters, credits, production company, date released, rating and running time; and biographical entries a priceless reference for over 2,400 living stars, including real name, school, and date and place of birth. Now featuring 16 pages of color photos!

"Independent Queer Cinema collects 100 of Kramer’s reviews and interviews (from 1999 to 2004) that celebrate the latest “queer wave” of actors, writers, and directors. These are films and filmmakers to be discovered and discussed—from the independent American hit Kissing Jessica Stein and the provocative foreign gem Come Undone, to tantalizing insights from Stephen Fry and Tilda Swinton. Independent Queer Cinema is a valuable reference guide as well as an entertaining compilation of Kramer’s astute reviews and interviews."--pub. description.

Fundamentally concerned with the means by which translation ensures the afterlife of literary and cultural texts, this book examines multiple processes of translation, temporal and spatial, through acts of intercultural exchange and intergenerational transmission.

An examination of the culture that produced and supported pulp-fiction.

Barbara Sjoholm arrived in London in the winter of 1970 at the age of twenty. Like countless young Americans in that tumultuous time, she wanted to leave a country at war and explore Europe; a small inheritance from her grandmother gave her the opportunity. Over the next three years, she lived in Barcelona, hitchhiked around Spain, and studied at the University of Granada. She managed a sourvenir shop in the Norwegian mountains and worked as a dishwasher on the Norwegian Coastal Steamer. Set on becoming a writer, she read everything from Colette to Dickens to Borges, changing her style and her subject every few weeks, and gradually found her voice. Incognito Street is the story of a young woman's search for artistic, political, and sexual identity while digesting the changing world around her. As she sheds the ghosts of her childhood, we come to know her quiet yet adventurous spirit. In moments that are tender, funny, bewildering, and suspenseful, we see an evocative look at Europe through the blossoming writer’s maturing eyes.