Shall We Gather At The River tells the story of Enoch O'Reilly, the great flood that afflicts his small town, and the rash of mysterious suicides that accompany it. Charlatan, Presleyite and local radiovangelist, O'Reilly is a man haunted by the childhood ghosts of his father's sinister radio set... a false prophet destined for a terrible consummation with that old, evil river. A suicide mystery and a rich patchwork narrative of legend, myth, occult inheritance, eco-conspiracy, viral obsession, airwaves, water and death, Shall We Gather At The River is a spellbinding piece of work, marked by prose that is by turns haunting, poetic and blackly humourous. With shades of Flannery O'Connor's Wise Blood, Jeffrey Eugenides' The Virgin Suicides, of Twin Peaks and Wisconsin Death Trip, Shall We Gather At The River is a novel that will further cement Murphy's reputation as one of the most original and exciting novelists to emerge in recent years.

To read Hal Crowther is to find yourself agreeing with views on topics you never knew you cared so much about. In Gather at the River, Crowther extends the wide-angle vision of Southern life presented in his highly acclaimed collection Cathedrals of Kudzu. He cuts to the heart of recent political, religious, and cultural issues but pauses to appreciate the sweet things that the South has to offer, like music, baseball, great writers, and strong women. Some of these essays invite debate. Crowther gives a balanced perspective on the tragedy of the Branch Davidians at Waco, shedding light on a different world of religiosity and revealing urban media prejudices for what they are. He describes the unique heroism of a fallen Marine in the Iraq war, a war fought by one class and promoted by another. And his solution to racial conflict -- interracial procreation -- will jump-start readers' sensibilities. In other chapters, Crowther discusses the grim portrayal of the South in early film and the triumphs of Southern music. His literary essays include appreciations of William Faulkner, Thomas Wolfe, Elizabeth Spencer, and Wendell Berry, and a biting lampoon of exhibitionist memoirs. Among the Southerners Crowther profiles with pride are the art historian and Museum of Modern Art curator Kirk Varnedoe; the great, cursed baseball player Shoeless Joe Jackson; the curmudgeonly realist H. L. Mencken; and the singer Dolly Parton, whose candid artifice inspires the author's litmus test for Southern authenticity.

This comprehensive approach to functional musicianship at the keyboard includes varied repertoire, theory, technique, sight-reading, harmonization from lead sheets, ear training and ensembles. Great for college non-music majors, continuing education classes, music dealer in-store programs and group piano classes at the middle and high school levels. Book 1 contains 15 units each with a variety of repertoire, exercises, unit review worksheets and an assignment page.

A fishing anthology about friendship, family, love and loss, and everything in between from New York Times Bestselling Authors like Ron Rash, Jill McCorkle, Leigh Ann Henion, Eric Rickstad, M.O. Walsh, and #1 Bestseller C.J. Box.

Pepper Choplins unique style is on perfect display with this arrangement of two traditional folk hymns. Accessible choral writing delivers warm texture throughout as each song is presented separately and then in tandem. Just as a river, the text flows gently above a simple, yet supportive keyboard accompaniment.

(Faber Piano Adventures ). This book is a treasury of the most popular and most requested masterworks of Western music. The selections are taken from original non-keyboard sources and arranged to create a "big" sound while remaining within the intermediate level. Contents include: Arioso (from Cantata No. 156) by J.S. Bach * Canon in D by Pachelbel * Danse Macabre by Saint-Saens * The Great Gate of Kiev (from Pictures at an Exhibition ) by Mussorgsky * Habanera (from the opera Carmen ) by Bizet * Hornpipe (from Water Music ) by Handel * Hungarian Dance No. 5 by Brahms * Liebesfreud by Kreisler * Rondeau (from Suite de Symphonies No. 1 ) by Mouret * Russian Sailor's Dance (from the opera Sadko ) by Rimsky-Korsakov * Spring Song by Mendelssohn * Tales from the Vienna Woods (Opus 325) by J. Strauss, Jr. * Theme from Symphony No. 40 by Mozart.

This Romeo/Juliet story set in the mountains of Virginia in the 1870s depicts a life and time largely forgotten now. Jimmie Sue, a white farm boy, and Madeleen, a colored sharecropper girl, although mutually attracted to each other, must deal with a greater obstacle than having different family names, such as the Capulets and Montagues in Shakespeare. Jimmie Sue was not so interested in a sheet of paper to certify their relationship, but Madeleen would have no part of an arrangement that was not "blessed of the Lord." Their shared experiences in the fields, the churches, the baptism creek give them many contact opportunities, which are duly celebrated yet constantly thwarted. Although the focus is on these two teenagers, the story gives some insight into the post-civil war racial relationships in the mountains... quite different from the more normally accepted tales of the plantations.